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Mike Bloomfield “ Disciple of the Blues”

Mike Bloomfield playing Les Paul
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My introduction to Mike Bloomfield was not hearing him but reading about him. I was a library rat, often carrying out 30 pounds of books on any number of subjects. I found a special edition book done by Guitar Player or Guitar World magazine I cannot recall which, that was all about The Blues masters. The cover was a photo of a young man with a sunburst Les Paul and dark crazy hair. He had a worldly look about him. He had been through something. I found within the pages the likes of Buddy Guy, Stevie Ray Vaughan, B.B. King, and others. Ultimately I read my way to the man on the cover, Mike Bloomfield.

His ability to be in the right place at the right time was legendary. His work with Paul Butterfield, Bob Dylan, His own solo projects, and the Band “Electric Flag” was at the time a bit over my head. Youth is wasted on the young sometimes.

 I did in time finally understand and listen to his works and come to know he fits in the Line of Clapton, Peter Green, and other luminaries of the musical form, this includes our own dear friend Legend Mick Pini. It is also notable that in his Tenure in the Butterfield Blues Band he worked in tandem with another great guitarist Elvin Bishop.

 Bloomfield has been well documented, yet maybe the most criminally ignored outside of the guitar community. His legend has been gaining traction steadily with the Youth of this day and age. Whether it be pure blues or the experimental sounds of “East/West” and the Psychedelic times of Electric Flag, he is earning a renewed focus even in death.

No matter the situation The man could play the Blues.

MB & BB King – BB Intro & Live Jam with MB 1970

Bloomfield was always open that he did not suffer the life of his heroes, he came from money. For him music and the Blues wasn’t about being poor, it was about a man’s soul and search for his identity and where he fits in the world. 

Michael Bloomfield: From His Head to His Heart to His Hands

Had he done nothing else than take the invite from Dylan for his Highway 61 album and then support him at The Newport Folk Festival he would have cemented his place in history. Luckily there would be so much more to come.

Bob Dylan Live at the Newport Folk Festival

Mike Bloomfield’s Telecaster

George Gruhn said he followed Bloomfield’s use of different Guitars and the trend in sales. When he played Telecasters, the cost went up due to the demand. When Mike switched to the Gold Top Les Paul the Tele values dropped, and when he found the 1959 Sunburst the Gold Top sales dropped and Sunburst demand exploded. He finalized by stating “Many artists can sell a million records, but very few can sell Guitars.”

Bloomfield on the Sunburst

To say Bloomfield was prolific is a major understatement; he had his hand in many important projects. In 1969. Bloomfield also helped Janis Joplin assemble her Kozmic Blues Band (for the album I Got Dem Ol’ Kozmic Blues, Again Mama! He co-wrote “Work Me, Lord” for the album, and played the guitar solo on Joplin’s blues composition “One Good Man.” 

Bloomfield was also tapped to score the film “The Trip” Starring Peter Fonda. He was not thrilled with the final film but his stinging guitar is ever-present.

The Trip (Trailer 1967)

Mike picked up a second love which overtook his first love in the Guitar. During the experimental days of Electric Flag, he found Heroin. His addiction increased through the Flag years and on to his Supersession work with Al Kooper and other solo efforts.

During 1970 Bloomfield gave up playing because of his heroin addiction:

I put the guitar down – didn’t touch it. Shooting junk made everything else unimportant, null and void, nolo contendere. My playing fell apart. I just didn’t want to play.”

He tried many comebacks, often showing up at shows and asking to sit in, some allowed it, and others in seeing his condition answered with a resounding “NO”.

He was drawn back into the limelight per contractual obligations and the IRS. Once he cleared up all his outstanding business, he retreated to his home. 

Once he had a desire to make music he would team up with small labels that would allow him to feel like a musician, as opposed to a “product name.”

Mike Bloomfield, Don’t you lie to me (live 80 Italy)

Mike Bloomfield “Come On in My Kitchen”

A short time later after more struggles to regain his health and ability Bob Dylan did say “Yes”

He sat in with Bob Dylan at San Francisco’s Warfield Theatre on November 15, 1980. Bloomfield played on Dylan’s “Like a Rolling Stone” and “The Groom’s Still Waiting at the Altar”. 

Although Bloomfield came from a wealthy family, he never inherited a large lump sum. He received annual income from a trust that had been set up by his paternal grandfather, which gave him $50,000 each year.

I have personal friends a bit my senior who saw Mike Bloomfield live and I’ve heard some wild stories. One of which was a performance where he played through two Fender Twins wired together on their backs so the sound was directed at the ceiling of a club and both were turned up in volume as far as possible.

Bloomfield died in San Francisco on February 15, 1981. He was found seated behind the wheel of his car, with all four doors locked. According to police, an empty Valium bottle was found on the car seat, but no suicide note was found. The medical examiner who performed the autopsy ruled the death accidental, though he was unable to determine a cause of death, because no drugs were found in Bloomfield’s system, and there were no signs of foul play. Bloomfield’s last album, Cruisin’ for a Bruisin’, was released the day his death was announced.

Mike Bloomfield talked, breathed, married Joy and courted pain for the Guitar and the Blues

Son House, Mike Bloomfield, and Paul Butterfield discuss and play the blues

THE MIKE BLOOMFIELD STORY

Here is a bit more study on the Favorite weaponry of Mike Bloomfield

The Gibson Les Pauls, the “Bursts”: A Short History – featuring Jeff McErlain

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