VOODOO RAMBLE ANNOUNCE NEW SINGLE ‘4000 YEARS OLD’, FEATURING MARCUS FLYNN
Croatian blues/rock band Voodoo Ramble featuring Boris Zamba with special guest Marcus Flynn (The Guitar Legends/ 10cc/ Mike & The Mechanics/Fun Lovin’ Criminals) release a new single ‘4000’ Years Old’ on Mon 8th Dec 2024
Led by the award winning Croatian rock-blues guitarist Boris Zamba, ‘4000 Years Old’ is the third single to be released from the band’s forthcoming 5th album called ‘In The Heart of The City’ on CD Baby.
Co-written by the band’s founder member, vocalist and guitarist Boris Zamba and lyricist broadcaster and author Pete Feenstra, the song is a veritable stomp which draws on the natural world (the olive tree) and the roots of love.
Boris immediately tapped into the lyrical meaning and dug deep for musical feel with his emotive singing, warm guitar tone and crunch.
As he explains: “The song was built on the feeling of joy, and the roots of love. And, in expressing that feeling the arrangement built a tension which I think needed a defining guitar solo to resolve the song.
I tried various permutations until Pete suggested Marcus Flynn.
As luck would have it, I was due to tour the South West of England and I managed to hook up with Marcus on my UK debut show, and I immediately knew he was the guy for the job.
He saw his part as a powerful slide break and I think he gave us both the perfect solo and extra layer of energy.”
The song’s original concept is explained by Feenstra: “Every day while writing songs, I stare out my office window and let my imagination run free in the hope of inspiration.
The trigger was an olive tree which we planted a few years ago. We’ve since seen it grow through the rain and snow and it has now started to flourish.
I then looked up the history of olive trees and thought of an enduring love which transcends time, and in this case 4000 years.”
The single is helmed by long time producerDragutin Smokrovic aka “The Fig”, with Boris playing guitar and bass, while the groove element is provided by drummer Damir Somen
The award winning Boris Zamba successfully represented Croatia at the 30th International blues challenge in Memphis and also at European Blues Challenge in Tuscany Italy.
He has since released 5 albums and a handful of singles featuring such guests as Mick Pini and Muddy Manninen (Wishbone Ash), while building an impressive profile in Europe, The US and Australia where he has enjoyed chart success.
Quotes: “Lyrical dexterity and musical muscle.”Blues In Britain.
“Expertly crafted, these nuggets will delight many Classic-Rock stations.Paris Move
Jerry Reed: A Guitar-Picking Legend and His Top 3 Songs
Jerry Reed Hubbard, born on March 20, 1937, wasn’t just a country music artist; he was a trailblazing icon whose career spanned five decades. Known for his infectious humor, charismatic stage presence, and unmatched guitar skills, Reed left an indelible mark on the world of music and entertainment. Here’s a closer look at the man, his music, and his enduring legacy.
The Early Days: A Star in the Making
Jerry’s musical journey began in his youth, learning guitar from his father. It wasn’t long before his talent set him apart. Developing his signature “clawhammer style,” a fingerpicking technique that gave his playing a dynamic and percussive edge, Reed started performing in honky-tonks and nightclubs, perfecting his craft.
Elvis, Friendship, and Fame
In the 1960s, Reed’s talent caught the attention of none other than Elvis Presley. Impressed by Reed’s style and songwriting, Presley invited him to collaborate on projects like the filmCharro! and the hit A Thing Called Love. Their bond wasn’t just professional; their friendship helped propel Reed’s career to new heights, earning him recognition beyond the country music scene.
The Hits That Defined a Career
“East Bound and Down”
Written as the theme for the 1977 film Smokey and the Bandit, this electrifying anthem became synonymous with the movie’s high-speed hijinks. Reed’s spirited delivery and lively lyrics encapsulated the film’s energy, cementing the track as a classic.
“When You’re Hot, You’re Hot”
This playful 1971 tune earned Reed a Grammy Award for Best Country Vocal Performance, Male. Its humorous story, delivered with Reed’s trademark charm, made it an instant crowd-pleaser.
“Amos Moses”
A quirky tale about a backwoods character with a love for the swamp, Amos Moses highlighted Reed’s knack for storytelling and clever wordplay. Its funky rhythm and sharp guitar work made it a standout in his catalog.
Beyond Music: A Renaissance Man
Jerry Reed wasn’t just a master musician; he was a gifted actor. His natural charisma shone in films like Smokey and the Bandit, where he shared the screen with Burt Reynolds, and his quick wit made him a favorite in television appearances.
A Legacy That Lives On
Though Jerry Reed passed away on September 1, 2008, his influence is far from forgotten. His unique sound continues to inspire musicians, while his larger-than-life personality remains a cherished memory for fans worldwide.
Final Bow: Remembering Jerry Reed
Jerry Reed was more than a musician—he was a storyteller, a comedian, and an entertainer whose contributions transcended genres. His music continues to inspire generations of both Country and Blues Rock Artists with its Sweet Soulful Guitar tones and storytelling brilliance. As Big Steve Parish might say, Reed’s work has a timeless quality, resonating with anyone who appreciates authentic, heartfelt artistry. His legacy lives on, celebrated by fans who keep his spirit alive with every listen.
Heading: Colin James: A Pioneering Canadian Blues Guitarist
Intro: Colin James is a highly acclaimed Canadian blues guitarist who has left an indelible mark on the music industry. With a career spanning several decades, his soulful playing and distinctive style have captivated audiences worldwide. From his early breakthroughs to his ongoing musical exploration, Colin James continues to be a driving force in the blues genre, solidifying his status as an iconic figure in Canadian music history.
Released on his 1988 self-titled debut album, “Voodoo Thing” is a fiery blues-rock anthem that cemented Colin James as a guitar virtuoso. The song’s infectious energy is driven by a raw, gritty guitar riff and dynamic solos that highlight James’s technical prowess.
Lyrically, it’s a celebration of love and magic, wrapped in an irresistibly funky groove. This track perfectly encapsulates his ability to breathe new life into classic blues sounds while keeping the spirit alive. Its success paved the way for James’s long and successful career, earning him widespread recognition and a Juno Award for Most Promising Male Vocalist.
2. “Just Came Back”
Arguably Colin James’s most iconic track, “Just Came Back” from his 1990 album Sudden Stop won the Juno Award for Single of the Year. With its toe-tapping rhythm, catchy hooks, and soulful vocals, it’s a song that resonates with both blues enthusiasts and mainstream audiences alike.
The track’s guitar work is exceptional, balancing fiery solos with emotive phrasing that underscores the song’s themes of longing and redemption. This timeless tune remains a fan favorite and a staple in his live performances.
The Surrey 2013 performance era saw James embracing his identity as a seasoned musician. With a more mature and soulful approach, his live renditions of “Freedom” offered a poignant connection to his audience, reflecting his evolution as an artist.
Why Colin James Stands Out
What makes Colin James such a remarkable artist is his ability to evolve while staying true to his blues roots. Whether he’s channeling the raw energy of blues-rock, diving into the soulful depths of jazz, or exploring swing revival with his Little Big Band project, Colin James’s music transcends boundaries.
These three songs are just a snapshot of his incredible talent. If you haven’t yet explored his catalog, now’s the time to dive in. With each listen, you’ll discover new layers of artistry that have made Colin James a lasting figure in the world of blues and beyond.
What’s Your Favorite Colin James Track? Let us know in the comments! If you’re a fan of blues guitar, don’t forget to check out some of our other posts spotlighting legends like Stevie Ray Vaughan and other great guitar players like Mick Pini.
Hit Different Guitar Chords Easily: A Beginner’s Guide to Strumming Success
When you want to Hit Different Guitar Chords easily while Learning guitar it can feel like climbing a mountain when you’re just starting out and even after you have memorised the chord shapes on guitar. Those chord shapes, tricky finger placements, and smooth transitions might seem daunting, but don’t worry—everyone starts somewhere! This guide is designed to make learning guitar chords easy, fun, and frustration-free.
By the end of this post, you’ll have practical tips, some beginner-friendly chord shapes, and a solid foundation to keep your strumming journey strong.
1. The Basics of Chords: Where to Start
Chords are the building blocks of most songs. For beginners, it’s best to start with the “open chords.” These chords are simple, require fewer fingers, and are often the first steps in creating beautiful music.
Here are five beginner-friendly chords to learn first:
C Major
G Major
D Major
E Minor
A Minor
These chords work great together, and many popular songs use them in different combinations.
Video Recommendation 1: Basic Open Chords for Beginners
This video breaks down how to play each chord slowly and clearly, perfect for visual learners.
2. Practice Tips for Hitting Chords Easily
Struggling to get your fingers in the right place? That’s normal! Here are a few tips to speed up the process:
Start Slow: Focus on one chord at a time. Play it until it feels natural, then move to the next.
Use a Metronome: Practicing chord changes in time helps you build rhythm and consistency.
Finger Strength Exercises: Pressing the strings repeatedly builds the dexterity and strength you need for clear chords.
Pro Tip: Keep your fingers close to the fretboard and press just hard enough to avoid buzzing.
3. Mastering Smooth Transitions Between Chords
Switching from one chord to another is a common pain point for beginners. Here’s how to make it smoother:
Anchor Fingers: Keep one finger on the same string as you transition (e.g., from G to D, your ring finger can stay in place).
Practice Common Progressions: Focus on sequences like G-C-D or E-A-D. These patterns are widely used in songs.
Use “Cheat” Versions: Many chords have simplified forms. For example, a G chord can be played with just two fingers at first.
Video Recommendation 2: How to Transition Chords Smoothly
This video shows real-time examples of how to switch between chords without losing rhythm.
4. Strumming Simplified
Once you’re comfortable with chords, adding rhythm brings your playing to life. Start with basic downstrokes, then add upstrokes for a more dynamic sound.
Here’s a beginner-friendly strumming pattern to try:
D-D-U-U-D-U
(D = Down, U = Up)
Practice this pattern while playing your chords slowly. Once it feels natural, you can experiment with different rhythms.
Start slow, focus on the transitions, and don’t worry if it’s not perfect. Progress happens with time.
Video Recommendation 3: Play Your First Song with Easy Chords
This tutorial walks you through a full beginner song step by step.
6. Staying Motivated
Learning guitar is a journey, not a race. Some days will feel easier than others, and that’s okay! Here are a few ways to keep yourself motivated:
Set Small Goals: Master one chord each week.
Celebrate Wins: Got a clean chord? Nailed a transition? Celebrate it!
Join a Community: Connect with other beginners online or locally for encouragement.
7. Troubleshooting Common Problems
Buzzing Strings: Check if you’re pressing hard enough and near the fret. Muted Strings: Ensure fingers aren’t accidentally touching other strings. Sore Fingers: This is normal for beginners! Play for short periods and let your fingertips build calluses.
Conclusion: You’re on Your Way!
Learning guitar chords doesn’t have to be overwhelming. With consistent practice and the tips in this guide, you’ll be hitting chords effortlessly in no time.
Remember, every guitarist starts as a beginner. Stay patient, enjoy the process, and let the music guide you.
When you think of legendary musicians, Carlos Santana is a name that undoubtedly comes to mind. Known for his unique blend of rock, Latin music, blues, and jazz, Santana has carved a niche for himself in the world of music. His journey from a young guitarist in Mexico to a global icon is a testament to his talent and resilience. In this article, we’ll explore the evolution of Carlos Santana’s music and how he has managed to stay relevant in the ever-changing music industry.
Early Years and Influences
Carlos Santana was born in Autlán de Navarro, Jalisco, Mexico, in 1947. From a young age, he was exposed to a variety of musical styles, thanks to his father, a mariachi musician. This early exposure laid the foundation for his eclectic musical taste.
Santana’s family moved to San Francisco in the early 1960s, a time when the city’s music scene was booming. Influenced by artists like B.B. King and John Lee Hooker, Santana developed a love for blues music, which would later play a significant role in his sound.
In 1966, Carlos Santana formed the Santana Blues Band, later shortened to just Santana. The band quickly gained popularity in the local music scene, known for their electrifying live performances. Their big break came in 1969 when they performed at the iconic Woodstock Festival. This performance catapulted them to national fame, and soon after, they released their debut album, “Santana.”
The album was a success, with hits like “Evil Ways” showcasing their unique sound—a mix of rock, Latin percussion, and jazz influences. This fusion would become Santana’s signature style, distinguishing them from other bands of the era.
Musical Innovation and Experimentation
The early 1970s were a time of experimentation for Santana. Albums like “Abraxas” and “Santana III” solidified their place in rock history, with hits like “Black Magic Woman” and “Oye Como Va” becoming timeless classics. These songs not only highlighted Santana’s exceptional guitar skills but also demonstrated his ability to blend different musical genres seamlessly.
https://www.youtube.com/watch?v=axbtig7w7a8
As the decade progressed, Santana continued to evolve. He began incorporating more jazz elements into his music, collaborating with jazz legends like Herbie Hancock and Wayne Shorter. This period of experimentation reached its peak with the album “Caravanserai,” which marked a departure from the band’s earlier, more commercial sound.
Challenges and Comebacks
The 1980s were a challenging period for Santana. The music industry was changing rapidly, and the band’s popularity began to wane. However, Carlos Santana’s passion for music never diminished. He continued to release albums and tour, maintaining a loyal fan base.
The 1990s marked a significant comeback for Santana. In 1999, the release of the album “Supernatural” brought them back to the forefront of the music scene. The album featured collaborations with artists like Rob Thomas and Wyclef Jean, resulting in a fresh, contemporary sound that appealed to a new generation of listeners.
https://www.youtube.com/watch?v=6Whgn_iE5uc
“Supernatural” was a massive success, winning nine Grammy Awards, including Album of the Year. The hit single “Smooth,” featuring Rob Thomas, became one of the defining songs of the era.
Legacy and Influence
Carlos Santana’s impact on music is undeniable. His ability to blend different genres has inspired countless musicians and has paved the way for future generations of artists. His signature sound, characterized by soulful guitar solos and Latin rhythms, remains as influential today as it was when he first burst onto the scene.
Beyond music, Santana has also made a mark in the fashion world. Known for his distinct style, Carlos Santana hats and dress shoes have become iconic in their own right. The “Carlos by Carlos Santana” shoe line reflects his unique sense of style, offering a range of fashionable footwear options.
Carlos Santana’s Net Worth in 2024
As of 2024, Carlos Santana’s net worth is estimated to be substantial, a testament to his enduring success and influence in the music industry. His career spans over five decades, during which he has released numerous albums, won multiple awards, and performed countless live shows around the world.
Conclusion
Carlos Santana’s musical journey is a testament to his talent, innovation, and resilience. From his early days in Mexico to his rise as a global music icon, Santana has continually evolved, adapting to the changing landscape of the music industry while staying true to his roots. His legacy is not just in the music he has created but also in the countless artists he has inspired along the way.
As we look to the future, it’s clear that Carlos Santana’s influence will continue to resonate with music lovers around the world. Whether through his timeless music or his iconic fashion line, Santana’s impact is here to stay.
Joe Walsh: A Closer Look at the Renowned Guitarist
Joe Walsh stands out as a significant figure in the realm of rock music, gaining recognition for his distinctive guitar abilities and captivating presence on stage. He was born on November 20, 1947, in the city of Wichita, Kansas. Over the years, Walsh has established himself as an esteemed musician whose impact on the rock genre has proven to be both lasting and influential.
Early Life and Career Beginnings
Walsh’s passion for music ignited during his formative years. As a young child, he became fascinated with the guitar, quickly discovering his natural talent for playing the instrument. His musical path took a remarkable turn when he became a member of the band James Gang in the late 1960s. In his role as lead guitarist, Walsh was instrumental in crafting the band’s signature sound and contributing to their overall success, which helped to establish his reputation in the music industry.
Achievements with the Eagles
In 1975, Walsh joined the iconic band, the Eagles, a move that would usher in a transformative chapter for both him and the group. His arrival brought a revitalized spirit to the band, which is famous for hits such as “Hotel California.” Walsh’s exceptional guitar work not only enhanced their musical compositions but also infused them with a fresh and dynamic energy. His contributions to the Eagles extended beyond his guitar skills, as he also brought his talents as a singer and songwriter to the forefront, solidifying his importance within the band.
Solo Career and Highlights
In addition to his collaborative efforts with bands, Walsh has carved out a successful solo career that has allowed him to showcase his versatility as a musician. He has released multiple albums over the years, each one demonstrating his ability to interweave various musical styles. Notable songs such as “Rocky Mountain Way” and “Life’s Been Good” exemplify his knack for melding rock music with elements of humor and personal storytelling, captivating audiences along the way.
Legacy and Influence
The legacy of Joe Walsh stretches far beyond the impressive catalog of music he has created. His distinct musical style has served as a source of inspiration for countless musicians across genres, and he continues to resonate with both long-time fans and new listeners alike. Walsh is celebrated for his unique fusion of rock and blues, and his outstanding guitar playing remains a cornerstone of contemporary rock music.
To enhance your article with the best performances of Joe Walsh, you can add a new section dedicated to his standout live performances. Here’s a suggested addition:
Iconic Performances
“Hotel California” Live with the Eagles (1977)During the famous “Hell Freezes Over” concert, Joe Walsh delivered an unforgettable solo performance of “Hotel California.” His intricate guitar work and passionate delivery captivated fans and showcased his mastery of the instrument.
https://www.youtube.com/watch?v=09839DpTctU
**”Rocky Mountain Way” at the 1978 **Walsh’s performance of “Rocky Mountain Way” at the Universal Amphitheatre is considered one of his best. The energy in the crowd was electric, and Walsh’s soulful guitar riff and storytelling in the song left a lasting impression on all who attended.
https://www.youtube.com/watch?v=4Fz-mHGXgzs
Farm Aid (1985)At the Farm Aid concert in Manor, TX, just outside Austin, Walsh took the stage with the Eagles for a historic reunion performance. His charismatic presence and phenomenal guitar solos during classics like “Take It to the Limit” showcased his enduring appeal and solidified his position as a rock legend.
https://www.youtube.com/watch?v=Rx7UbJpCA_Y
Personal Life
Beyond the realm of music, Joe Walsh is recognized for his forthrightness about the challenges and achievements he has faced in his personal life. He has spoken openly about his journey to overcome addiction, which has positioned him as an advocate for those seeking support and recovery. His story has struck a chord with many individuals, reinforcing the idea that personal struggles can lead to inspiring transformations.
Conclusion
The influence of Joe Walsh on the music industry is an undeniable fact that continues to be appreciated today. His exceptional talent and unwavering determination have left a profound imprint, ensuring his place among the most enduring and respected guitarists in rock history. Whether through his solo endeavors or his celebrated time with the Eagles, Walsh’s contributions have significantly enriched the musical landscape for generations, marking him as a true legend in the field.
Rickey Medlocke is a legendary American musician best known for his work with the Southern rock bands Lynyrd Skynyrd and Blackfoot. He is a multi-instrumentalist, playing guitar, drums, banjo, mandolin, dobro, and keyboards.
Medlocke was born in Jacksonville, Florida, and raised by his grandparents. His grandfather, Paul “Shorty” Medlocke, was a bluegrass musician who taught Rickey to play the banjo at a young age. Rickey started performing onstage at age three and began teaching himself to play the guitar by age five.
Medlocke first joined Lynyrd Skynyrd in 1971 as a drummer and vocalist. He left the band in 1972 to join Blackfoot, where he became the lead singer and guitarist. Blackfoot achieved success in the 1970s and 1980s with hits like “Train, Train” and “Highway Song”.
In 1996, Medlocke rejoined Lynyrd Skynyrd as a guitarist, and he has been a member of the band ever since. He has contributed to some of their most popular songs, including “Simple Man” and “Sweet Home Alabama”.
Medlocke is a highly respected musician and a beloved figure in the Southern rock community. He is known for his powerful vocals, his blazing guitar solos, and his showmanship. He is a true original and a vital part of the Lynyrd Skynyrd legacy.
Rickey Medlocke’s Guitar Style: A Blend of Blues and Southern Rock
Rickey Medlocke, a cornerstone of Southern rock, is renowned for his distinctive guitar style that seamlessly blends bluesy licks with powerful rock riffs. His playing is characterized by:
Blues Influence: Medlocke’s roots in blues music are evident in his soulful bends, expressive vibrato, and use of minor pentatonic scales. He often incorporates bluesy licks into his solos, adding depth and emotion to his playing.
Powerful Riffs: As a key member of Lynyrd Skynyrd, Medlocke is known for his ability to craft memorable, hard-hitting riffs that drive the band’s songs. His playing is often characterized by thick, distorted tones and heavy rhythmic emphasis.
Slide Guitar: Medlocke is skilled at playing slide guitar, a technique that adds a unique texture to his sound. He often uses a bottleneck slide to create haunting, atmospheric melodies.
Showmanship: Medlocke is a dynamic performer who knows how to captivate an audience. His energetic stage presence and flashy guitar work make him a crowd-pleaser.
Medlocke’s guitar style has been a major influence on countless musicians, and his contributions to Southern rock are undeniable. His ability to seamlessly blend blues, rock, and country elements has made him a true legend of the genre.
The Guitars of Ricky Medlocke
Rickey Medlocke is known for his versatility and his ability to adapt to different guitar styles. While he doesn’t have a specific signature model, he’s often seen playing a variety of guitars, including:
Gibson Les Paul: A classic choice for many rock guitarists, the Les Paul is a staple in Medlocke’s arsenal. He often opts for a Les Paul Custom with a Bigsby tremolo for added versatility.
Gibson Explorer: This iconic guitar is known for its distinctive shape and powerful sound. Medlocke has been seen playing various Explorer models, both vintage and modern.
Fender Stratocaster: While not as common in his setup, Medlocke occasionally uses a Stratocaster, particularly for more bluesy tones.
Custom Guitars: Medlocke also owns and plays a number of custom-built guitars, which he has tailored to his specific needs and preferences.
For a more detailed look at Rickey Medlocke’s gear, you can check out online resources like Equipboard: or just watch this video about his current guitar Collection.
Best Guitar Performaces of Rickey Medlocke
These are some of Rickey Medlocke’s best guitar performances, showcasing his signature style and captivating stage presence:
Rickey Medlocke – Freebird Solo – 6/3/16: This clip captures a blistering guitar solo from Medlocke during a Lynyrd Skynyrd performance. His fiery playing, complete with jaw-dropping bends and intricate licks, highlights his mastery of the instrument.
Rickey Medlocke Band – “Highway Song” – Blackfoot: This performance from Medlocke’s time with Blackfoot highlights his powerful vocals and gritty guitar riffs. The song is a classic of Southern rock, and Medlocke’s performance perfectly captures the spirit of the genre.
Rickey Medlocke Hall of Fame performance: This video captures a medley of classic Lynyrd Skynyrd songs, showcasing Medlocke’s fiery guitar solos and powerful vocals. His performance is a testament to his enduring talent and his place in rock history.
In addition to these performances, there are many other videos available online showcasing Rickey Medlocke’s guitar prowess. His ability to captivate audiences with his technical skill, soulful expression, and energetic stage presence is undeniable.
Luther Alison: Bottleneck Blues Brilliance
Luther Alison, a name synonymous with soulful blues and masterful bottleneck guitar, deserves a prominent place on the wall of any guitar enthusiast’s hall of fame. Born in 1928 in the heart of New Orleans, Louisiana, Alison grew up surrounded by the vibrant tapestry of blues greats like Lightnin’ Hopkins and Muddy Waters. This rich musical heritage seeped into his soul, shaping him into a guitarist with a unique and captivating style.
Alison’s signature sound was undoubtedly rooted in his mastery of bottleneck guitar. This technique, where a metal or glass object is used to slide along the fretboard, creates a distinct, almost haunting sound that breathes an undeniable soulfulness into his music. Comparisons to the legendary Robert Johnson are often thrown around, a testament to the raw emotion and power Alison could evoke with his slide playing.
“Driving wheel”: This classic blues tune is a masterclass in bottleneck mastery. Alison’s slide work creates a haunting atmosphere, perfectly complementing the song’s melancholic mood.
“Live in Montreal 1997”:
The Live in Montreal 1997 performance is often cited as one of the best representations of Luther Allison’s live prowess. His relentless drive and passion for music shone through, even in the face of illness. This concert cemented his place in blues history and is still revered by fans and musicians alike for its intensity and heartfelt delivery.
A Modern Take on a Blues Legend
To witness the enduring influence of Luther Alison, check out this video of contemporary blues guitarist Mick Pini performing “Moonshine”:
Luther Alison’s impact extends far beyond his technical brilliance. He was known for his warm and welcoming personality, earning him a cherished place in the blues community. Fans and fellow musicians alike remember him fondly for his infectious enthusiasm for the genre.
A Legacy Etched in Blues History
Luther Alison’s contributions to the blues are undeniable. He revolutionized the use of bottleneck guitar, injecting a unique soulfulness into the genre. His music continues to resonate with audiences worldwide, a testament to his enduring legacy. Beyond his musical prowess, Alison’s warmth and passion for music cemented his place as a true blues legend. So, the next time you pick up your guitar, remember the name Luther Alison – a bluesman who truly embodied the spirit of the genre.
Two Halves Make A Whole
We’re excited to announce the release of a new single, “Two Halves Make a Whole,” by talented guitarist John Simpson and songwriter Pete Feenstra! This uplifting track is sure to resonate with listeners. Be sure to check out the official music video below, along with the link to stream the song on Spotify. Wishing Pete and John all the success they deserve with this inspiring release! Below you can also read the official press release for contact information and booking info.
FEENSTRA & SIMPSON RELEASE 9th SINGLE CALLED ‘TWO HALVES MAKE A WHOLE’
Rhythm & Blues into Pop rock duo Feenstra & Simpson announce their 9th single release called ‘Two Halves Make A Whole’, is officially released on 15th October on all leading platforms.
Feenstra & Simpson move ever closer to their anticipated debut album with another old school rhythm & blues meets pop rock single release called ‘2 Halves Make A Whole.’
Magically he transformed it into something coherent and essential.”
Described by Rock biographer & author Alan Clayson as: “Gifted with concentration on the possible, via the eternal verities of verses, choruses and bridge section,”Feenstra & Simpson is aBritishpop roots-rock duo comprising award-winning songwriter/lyricist/promoter and author Pete Feenstra and former Wilko Johnson championed Feelgood Band main man, multi instrumentalist and former indie recording artist John Simpson.
So far the duo have recorded 8 singles, 6 of which have entered Mike Read’s Heritage Chart and the Netherlands Hit Tracks Top 100.
A while back former author Jimmy Fleming did an interview with Rick Solomon of Bayside Blues Records titled “the blues you can use” and I decided to follow up Blue Rick and ask him about his current projects and managing Bayside Blues Records a small music production facility and recording studio company in New York State. We are featuring 3 of Ricks songs in this article/interview the first is “I rose and then I fell” was written for a rather tragic character in a book Rick wrote. He knows he’s dying and he’s writes this song as his own epitaph.
The second from bayside blues recordings is a tribute to Robert Johnson titled “crossroads” which is a song to modernize the sound of the iconic blues song from the great delta era of the 30’s and pay respect to one of the greatest blues guitar players ever with the help of Ricks spooky sound dynamics which add more mystery to an already supernatural story.
The 3rd tune we talk about is “Mary Lou” who seems to be the type of Woman that you guys would probably get involved with even if you were warned about beforehand, She is bad and nasty will steal and deceive If you want to know more about here listen to the song below.
The final one is a tale of a place called Motel 88 it’s a real place and it’s not exactly the place you want to be spending your honeymoon or even a weekend
About Blue Rick
Welcome back Rick to another Guitardoor Interview, Lets start off with a little about yourself for those who have not seen the previous interview or anything which has changed since then?
BlueRick is the stage name used by Rick Solomon, a veteran of the local NY music scene. He’s played in clubs, bars, street fairs and guitar shows and expos. He’s an author and an on-call, multi-instrumental studio musician and vocalist with much recording experience. He has released two albums; “Promised Land”, and “One Dog, No Bone”. BLUES DRIVER is his third album release. He has also written a novel “Promised Land”, based on the album title song from his first album release. PARTIAL WORK HISTORY: Guitar for The Brooklyn Bridge Guitar and vocals for Smokin’ Gunz Guitar and vocals for Bobby Kayle Blues Band Numerous solo gigs in bars, coffee houses etc… Guitar and vocals for hire Numerous on call studio gigs working as: musician, engineer, production assistant, producer, arranger -Electric LadyLand 1970 – 1972 -Roxy Recording 1973 – 1980 (7 years) as an on-call studio musician, engineering and production specialist. -Avalon Recording Studios 1975 – 1982 (7 years) as an on call studio musician, engineer, production specialist -Monkey Hill Studio 1980 – 1988, musician, engineer, production specialist CURRENTLY: BaysideBlue Recording Studios and Production – Owner/ Manager and record label owner 1995 -present –You can hear BlueRick on Facebook.com –You can view BlueRick videos on:
www.youtube.com/BlueRick –You can purchase BlueRick music at all major internet vendors under the name BlueRick.
I Rose and Then I Fell
I rose then I fell is the first track we would like to talk about tell us more about the background to this song?
I wrote a novel about a musician named Bobby Joe Reese, born in Alabama, abandoned by his traveling musician father and raised by an alcoholic mother who dies in a house fire she accidentally set. Alone, he is living in a corner of an abandoned barn until his teacher asks an up and coming local family to take him and his two sisters into their home…which they do. The family themselves have an only son, named Carl. The teacher, who was friends with Bobby Joe’s father, buys Bobby Joe a cheap acoustic guitar which he practices on until his fingers bleed. Carl also learns to play.
The novel follows the adventures and lives of the main characters.
In NYC, Bobby Joe has to defend himself from a vengeful group of rivals and he and Carl are badly injured as a result. Bobby Joe gets a medical report telling him he may die from his injury. Knowing he will die soon, BOBBY JOE WRITES THIS SONG as his epitaph and hands it off to his brother Carl, who besides being a teacher and business man also owns a recording studio. Carl and his son, Quentin, along with Quentin’s friends, record this song according to Bobby Joe’s directions. At age 75, Bobby Joe succumbs to a brain aneurism.
Crossroads
I love this one especially since I am a big fan of Robert Johnson what I would like to ask you is In your opinion, how can Blues music stay relevant and connect with younger audiences?
Ever since I first heard Robert Johnson sing this and later heard and loved Cream’s version, I’ve wanted to do it my way. So I revised the lyrics and started to rehease it at home in the studio. Then I brought it out on the road to my gigs where it has been well received. The version you hear was a live take at a now defunct bar out in Long Beach NY.
Mary Lou
Mary Lou sounds like a nasty piece of stuff was she a real person?
It’s a song about a good lookin’ girl who goes through life using people. The phrase, “wheelin’, dealin’, and stealin’ without feelin'” is an apt description of her character. I wrote it because in my travels through life I’ve met several women, and girls like her. But the song isn’t limited to one gender. It could just as easily be about a guy. And as we know there are plenty of people out there like MaryLou.
MOTEL 88
I traveled quite a lot and have stayed in a few crazy places but Motel 88 seems like it’s top of the list when it comes to downtrodden places tell us more about the tune?
I was a full time teacher as well as a full time musician. During my off time from teaching I took road gigs with a pickup band touring these small southern towns and cities. At the time it was an adventure. The tour bus was a run down, beat up, but useable vehicle. The places we stayed were much the same. In Wilmington North Carolina, we had a gig at a dive bar on Market Street…a street you don’t wanna be on at night. We had rented a room at the Motel 88 in advance. When we got to the room it was already trashed and not cleaned. The song describes it best. We got ready for the gig there, did the gig, met some girls, brought em back with us, partied the room to oblivion, and left early the next morning before dawn…and moved on to the next town.
The Birth Of Bayside Blues Records and Production Company
ABOUT BAYSIDEBLUE RECORDING STUDIO -BaysideBlue Records and Recording Studio is located in Bayside, NY -My recording studio features a PC desktop with 4 studio quality speakers -For drums…I create and program my own customized drum beats or purchase samples -For guitars I use: slide –a Gibson Les Paul Studio leads –a custom made Greggorio Pro –Fender Strat –Epiphone Custom with 3 pickups rhythm –Fender Squier Custom Telecaster –Gibson SG Bass –Hofner Beatle Bass PLUS –other acoustic guitars and electrics as needed KEYBOARDS—Roland D-50, Casio CZ1000, Yamaha DX7 EFFECTS – stomp boxes galore…too many to list COMPUTER —an older PC SOFTWARE —main DAW is Mixcraft 8 Pro Studio Bandlab, GoldWave, EZMix, plus others if needed Microphones are mainly Shure sm57 and sm58
Going Beyond the Songs and Music Tell Us More About Your Book
Well I haven’t published the book as yet…still looking for a viable publisher if anyone reading this would like to get in touch via the Facebook Page about it. The book is called Promised Land. It follows the life and times of a musician abandoned as a child by his parents and adopted by family and raised by them. The book covers his life and that of his adoptive family from 1945 to about 2024. It’s actually semi autobiographical because it divides me (yes me) into two characters and follows the course of their lives.
You Have some Experience Playing With The Winter Brothers Tell Us More About That and How it came about?
So where can we find out more about you and where is your music avaiable to buy?
You can find out more about me on my website which is still a work in progress and you can also find my music to buy on Amazon and a few other online stores. I have an active Facebook page and I sometimes share stuff on X you can find all these links on my Website along with other blues you can use
Anglo French Rock Interview With Dick Grisdale
DICK GRISDALE INTERVIEW About His Anglo French Rock Outlet Lazarus Heights
Live Photos and video from Pascal Marchais
Interview With Dick Grisdale Singer- songwriter with LAZARUS HEIGHTS an Anglo French melodic rock band.
Dick Grisdale is the guitarist, front man, singer-songwriter and vocalist of Anglo-French rock band Lazarus Heights.
Lazarus Heights L-R Simon Pearson, Paul Mouradian, Jeff Gautier and Dick Grisdale With a Telecaster
The band release their first full blown album called ‘Papillon’ on 20th of September
The new album has already received glowing advance reviews, including GuitarDoor;
“Papillon’ glistens with lyrical imagery and sonic mastery.” Guitardoor
“Deep emotion, incredible musical moments, and a must for all lovers of quality rock” Paris Normandie (Fr)
“Strangers’ sparkles because of the organic feel of a band playing in the same room together and sharing the moment.”
‘Papillon’ is a deeply wrought album full of Grisdale’s charismatic presence, deep emotion and songcraft.
He brings his colourful narratives to life with baritone tinged phrasing which evokes icons such as Jim Morrison “of the doors“, Nick Cave and Scott Walker.
Photo by Pascal Marchais
Formed in 2005 the have steadily built their profile with gigs in the South West of France.
In 2020 experienced drummer Jeff Gautier joined and the band immediately went into the studio to record a well received 7 track maxi EP called ‘Strangers.
A Northern French tour followed shortly, and now comes the new ‘Papillon’ album, their best yet.
The full band line-up comprises Dick Grisdale gtr/vox/songs, drummer Jeff Gautier, Paul Mouradian on keyboards and bv’s and bassist Simon Pearson.
Welcome to Guitar Door Dick,
You’ve been based in SW France since 1989 (or so), what were you doing musically back in Brighton before you made the move?
I was just playing in various local bands really, none of which anybody will have ever heard of, in and around Brighton
Did you record anything back in the UK in the 80’s or just demos?
Again just working on demos. There was nothing officially released. We worked in various south coast studios and then we got the first portastudio, the old Teac 144.
Video By Pascal Marchais
Did you bring your original guitars with you, and do you still use the same ones?
I came to Dordogne with three guitars, A early Japanese Squier Strat, a CSL Firebird, and an Ovation Matrix that I bought in Denmark Street in 1979 and the only one I still have, it’s indestructible!!
Given you settled in Dordogne, did it take a long time to hook up with fellow musician who were good enough for what you had in mind?
Yeah it really did, as in those days the Dordogne was well off the beaten track musically.
Was Lazarus Heights the first band you formed over here, or did you have several different projects?
No, I didn’t start Lazarus Heights until 2005, but before that there were a lot of cover bands…..
What is the meaning (if any) of Lazarus Heights both the song and band?
Photo by Pascal Marchais
I generally can’t explain song lyrics. They have a sense for me but unless the meaning is blindingly obvious, I like to let people make up their own minds. It’s intersting as sometimes they get a very different meanings!!
The song ‘Lazarus Heights’ just started with me watching Sky news one morning, it was sunny at Lords and raining here etc. After that the song went off in it’s own direction, it was all done very quickly.
I have often named bands after songs and this time we had four or five possibilities, we were in a bar in Perigueux and just asked everyone there to vote!
Lazarus won which is strange because few people in France seems to know what it means!
“It’s a sunny day at Lords, we’ve got their rain,
Don’t worry, the tobacco company’s gonna pay
A new man at number ten, so we can all breathe again
For a little while, ’till the bells of London ring.”
When the first line-up of Lazarus Heights gelled, did you already have a gig circuit to fall back on, or is that something you have developed yourself?
Dick Grisdale onstage with Keyboardist Paul Moradian Photo By Pascal Marchais
The first line up, was very much part of the Someprodukt Association, (a local music association in the Dordogne area) so we were on their circuit and actually recorded something.
Just give us the definite (current) line-up of the band which has just cut the new ‘Papillon’ album, and how did you come together?
Paul Mouradian on keyboards is the veteran of the band, he joined in 2007. Bass player Simon Pearson has been with us since 2016 and Jeff Gautier on drums joined us in 2020.
Paul, I met through a mutual friend and Simon and Jeff via the Le Bistrot Gourmand venue in Bars. He’s a very experienced powerhouse drummer who has played with people like Calvin Russell, Jean Jacques Goldman and Paul Personne.
Yes and no. Our musical influences are varied. For example, the others all like a bit of jazz/fusion/funk which I hate! (lol) But luckily there is a lot of overlap and we find a middle ground. Also I have to mention Paul Kossoff’s, uncomplicated perfection and The Edge for the ambiance and sense of space that he creates.
What’s your favorite guitar and why?
My favorite guitar is my 1997 Fender American Standard Telecaster, simply because it’s the one I’ve had the longest,(26 years} it’s like part of me and it can do everything!
Who are your main guitar influences and how did they help shape your music?
When I started playing guitar I wanted to sound like Mick Ronson or Phil Manzanera of Roxy Music. Then I discovered Jimi Hendrix of course, but if I had to name one guitarist it would be Jimmy Page, which may seem strange as I don’t really sound anything like him!
But with Page, it’s not just the playing, it’s also the construction of songs, the layering of guitar parts!
Also I have to mention Paul Kossof, uncomplicated perfection and The Edge for the ambiance and sense of space that he creates.
It’s been said that a great guitar is a great guitar, no matter when it was built.
Jimi Hendrix for example didn’t have a problem using new guitars and he still achieved what he wanted to do.
So what your take on that?
Well I don’t have the money to buy vintage guitars so that’s not an option, of course I’d love to have ’59 Les Paul, but yeah new ones can be just as good and sometimes even better.
Ultimately, it’s a tool, it’s what you make with it that matters.
While playing with Lazarus Heights, you often use a very subtle touch and tone, (sometimes it’s almost Mark Knopfler style) tell us how you achieve that?
Oooh, I don’t really know, I just play! The last few years, I’ve preferred playing with my fingers rather than a pick, as there is more nuance in the sound, particularly in the attack, but with Lazarus I’m singing all the time and there is a lot of chord bashing so the plectrum comes out!
However for certain solos the pick goes in my mouth!
You also deliver some crunchy melodies and at times the guitar tone comes very close to Pink Floyd’s Dave Gilmour.
Is that a conscious decision on your part?
In the past I never consciously tried to sound like Gilmour, but since people often make the comparison, I do listen a little more closely to what he does now!
I think it’s more a case of parallel evolution! I’m never going to be a shredder I always try to be melodic, and if I play fast it’s more for effect than technical prowess.
It was also Dave Gilmour who said his tone came from his fingers, and it’s recognizable. You seem to have the same ability in terms of the relationship between guitar, tone and melody?
Thank you Pete, that’s very nice of you to say so! Yes of course it comes from the fingers, Jeff Beck always sounds like Jeff Beck no matter what he’s playing!
I think it’s the ultimate goal as a guitarist to develop a sound that is recognizable as you!
Do you use different guitars on different songs?
Photo By Pascal Marchais
In the studio, yes. Live, I probably would if I had a tech that would bring me out a perfectly tuned guitar each song, but in reality I do most gigs with one or two guitars.
One day it might be a Strat, the next a Les Paul, but as we said, the tone’s in ths fingers!
Give us a break down of your own stage gear?
The guitars I most commonly use are one or two of the following; American Std Tele, American Special Tele, Fender Jeff Beck Stratocaster, Gibson SG Special, and occasionally a Gibson R7 Les Paul Goldtop,and a Gibson Firebird V.
There is a space on the board, sometimes a boss SY1 Synth or PS6 Harmonist or GE7 EQ depending on my whim!
Amps; Marshall JTM30 or when thats not working, Marshall Origin 20 combo or head into a celestion 2×12 and occasionally a Fender Blue Jr tweed.
Frank Zappa once told Steve Vai: “The sound isn’t in the amps, it’s in your head,” which Vai interpreted to mean: “it’s gonna sound the way you’re expecting it to sound.”
So the question is, do you have a particular sound in mind, or does it change according to what you are playing?
Yes, I have a sound in my head, whether I get it or not is another matter! And sometimes I’ll just get pleasantly surprised!
And yeah, you’re not going to want the same sound for every song!
Did you ever buy a particular brand of guitar because it was played by one of your heroes?
Oh yeah! all the time! The reason I first bought a Les Paul was because of Jimmy Page and I’ve always had a thing for Firebirds because of Phil Manzanera! But the Telecaster was me, I found that for myself!!
What do you look for in a guitar that would make you want to buy it?
Nowadays, the way it plays, and the way it feels in my hands. Sounds can be manipulated, but feel can’t.
Back in the late 80’s guitar driven music was seriously out of fashion. Did you stick with your own style of music at the time?
Oh yeah, I’ve never tried to be popular. I do what I do and if other people like it, that’s great, if they don’t “tant pis”! (never mind!).
Having said that, I’ve always dabbled with synthesizers, monophonic analogue ones with lots of knobs and sliders!!
Coming back to Lazarus Heights recording debut with ‘Strangers’. It took a long time before you recorded it, so how did it come together?
Before we did that recording , I recorded a lot at home, doing everything myself, so at least my songs were down on tape!
When Jeff joined we had a much more powerful unit which deserved to be properly recorded!
We did it during COVID, so we went to the studio with documents that said that what we were doing was essential to the war effort, or something like that! (lol).
Did you have a lot of the material already written or did some of it come about by jamming with the current line-up?
All the songs were already there, we don’t get the chance to jam very much!
The first album was titled ‘Strangers’, was that one of your older songs?
I could actually play you an old tape from about 1983, which has all the chord progressions of ‘Strangers’.
It evolved over the years until it was right. It was mainly just a question of the lyrics, as I’m a bit picky about them!
‘Strangers’ comprised 7 tracks, it was bigger than an EP, but probably just under an album length. Why was that?
I really don’t know, It was just the way it was!
You also did a cover of Richard Ashcroft’s first solo single ‘A Song For The Lovers’ which fitted your set list perfectly, both in terms of the strong melody and the way it was apparently inspired by the same sort of narrative as ‘Strangers’.
When did you first come across the song, and what made you feel it fitted your own style?
I just liked the song. I think somebody gave me the Ashcroft CD for my birthday, there was a lot of good stuff on that album.
When we do a cover, I just take the words and the chords and perhaps other things that are essential to the structure and go from there, I don’t try to do a copy.
Our version is very similar to the original, we didn’t change it much, It suited our style as it was.
Do you see a guitar solo as being a “song within a song”, or do you approach it sometimes as totally improvised, or a bit of both?
I think the solo should enhance the song. They pretty much all start out as improvisations, but I try to find lines that maybe echo the vocal melody or just sound good and bit by bit it becomes more structured.
Live it’s sometimes a little more improvised but that is often because I forget what I should be playing and get carried away or I just f*#k up!!
Do you believe guitarists can get their tone from their fingers? Or is the combination of guitar, amp, and pedals more important to you?
I think it’s a combination of all of that, but once again the fingers are the most important because even with a less than perfect sound you can make good with the right touch.
You have finally recorded your ‘Lazarus Heights’ anthem on the new ‘Papillon’ album. This song has been a set highlight for a number of years, why has it taken so long to record?
With the current line up, it’s only in the last year or so that we’ve played it. So when we recorded ‘Strangers’ it wasn’t in the set yet.
You also have included a track called ‘Waterfall’ which has changed significantly from how it was several years ago.
Do you spend a lot of times on tracks before you finally put them out in the public domain?
It’s changed because each member of the group adds his own touch to it.
Personaly I don’t take much time before putting out a track, that’s more down to Jean-Paul Trombere, the producer/engineer.
He spends a long time twiddling the details, making sure everything is correct!
I think it’s a shame these days, because we spend a lot of time trying to get a good sound, but a lot of people are going to listen on telephones and computers with shit speakers that don’t do it justice and it all gets compressed to f*#k!
I remember back in the day we all had big sound systems………Sorry I’m starting to rant!!! Next question!
You’ve got 2 covers on the new album, including a reworking of Alex Harvey version of Jacque Brel’s ‘Next’. What drew you to that?
I’ve always loved Alex Harveys’ version, it’s so theatrical and menacing, I just hope I do it justice, we really didn’t change much!
What else can we look forward to on the new ‘Papillon’ album?
You can expect a couple of nice ballads, an almost bossa nova track, and another chance to hear me singing in French!
There’s a song called ‘Dry Martini’ which is a sort of abstract collage of Soho when I was younger, and another called ‘The Pleasure’ that was inspired watching Peaky Blinders, although the music bears no resemblance!
As I’ve said before, I think it’s varied yet coherent!
Where was it recorded and when will it be available?
It was recorded by Jean-Paul Trombere at Pro Systèm Château-l’Évêque.
It’s available as a CD now from LE BISTROT GOURMAND
20, Place de La BARADE
24210 BARS
lebistrotgourmand24@gmail.com
0553353152
Thanks for your time Dick.
Cheers Pete
Big Jack Johnson: A Blues Legend Worth Exploring
Big Jack Johnson is a name synonymous with soulful blues music. His unique blend of blues, jazz, and ragtime has captivated audiences for generations. Born in 1938 in Bessemer, Alabama, Johnson began playing the guitar at a young age, influenced by the rich musical heritage of the American South.
One of the most striking aspects of Johnson’s music is his deep, soulful voice. His vocals are raw and emotive, conveying a sense of pain, joy, and longing. His voice perfectly complements the bluesy melodies he plays, creating a powerful and authentic sound.
Masterful Guitar Work
Johnson’s guitar playing is equally impressive. He’s known for his use of open tunings, which give his music a distinctive, country-like feel. He’s also a master of slide guitar, using a bottleneck to create haunting and evocative sounds. His guitar work is often compared to that of blues legends like Muddy Waters and Howlin’ Wolf.
Exploring Universal Themes
Johnson’s songs often explore themes of love, loss, and the human condition. His lyrics are simple yet profound, touching on universal experiences that resonate with listeners. His music is both uplifting and thought-provoking, leaving a lasting impression.
A Versatile Musician
In addition to his original compositions, Johnson also covered a number of popular songs. His interpretations of these songs often added a unique twist, showcasing his versatility as a musician. One of his most famous covers is “Love Me Tender,” which he transformed into a bluesy ballad.
A Timeless Legacy
Big Jack Johnson’s music is a testament to the power of the blues. His unique sound and style have influenced countless musicians, and his legacy continues to inspire new generations of fans. Johnson’s music is a timeless treasure that will be enjoyed for many years to come.
If you’re a blues guitarist looking to add some depth and soul to your playing, Big Jack Johnson’s music is a great place to start. His songs are filled with catchy melodies, interesting chord progressions, and expressive slide guitar techniques.
Key Elements of Playing Johnson’s Music:
Open Tunings: Many of Johnson’s songs are played in open tunings, such as Open G or Open A.
Slide Guitar: Practice using a bottleneck or similar object to create the distinctive, soulful tones.
Rhythm Guitar: Pay attention to the groove and feel of his accompaniment.
Blues Scales: Practice blues and pentatonic scales to improve your soloing and improvisation.
A Deeper Dive into Big Jack Johnson’s Blues Classics
Catfish Blues: This iconic blues standard showcases Johnson’s masterful slide guitar playing and his ability to convey a sense of longing and melancholy. The song’s simple yet effective lyrics paint a vivid picture of a man feeling lost and alone so its a cool song to learn on guitar.
Part Time Love: A more upbeat number, “Part Time Love” demonstrates Johnson’s versatility as a musician. The song features a catchy melody and a driving rhythm, making it a popular choice for blues enthusiasts and especially blues guitarists who are exploring blues techniques on guitar.
Humming Blues: This song is a showcase of Johnson’s vocal abilities. His raw and emotional delivery perfectly captures the bluesy atmosphere of the song. The simple guitar song accompaniment provides a solid foundation for Johnson’s powerful vocals.
These three great songs to learn on the guitar or just listen to are just a small sample of Big Jack Johnson’s extensive repertoire. Each one offers something unique and valuable to the blues music landscape. Whether you’re a seasoned blues fan or just starting to explore the genre, these songs are a must-listen.
Additional Tips:
Listen carefully to Johnson’s recordings to understand the nuances of his playing.
Experiment with different slide positions and techniques.
Don’t be afraid to add your own personal touches to Johnson’s songs.
By incorporating these elements into your playing, you can capture the essence of Big Jack Johnson’s music and create your own unique blues sound. While you are here and exploring blues legends why not check out John Campbell steel guitar hero who is playing a 1934 national steel guitar and more in the videos on the article.
