Music

Keeping your guitar in tune is honestly one of the most important habits you can build, and the good news is that in 2026 there are more easy, accessible options than ever before.

Whether you just unboxed your first guitar or you've been playing for a few months, getting in tune is the first step to actually sounding good. But here's the thing: walk into any music store or browse online, and you'll find a dozen different types of tuners staring back at you.

For years, Quinn Sullivan was known as the "kid who could trade licks with Buddy Guy." But in 2026, Sullivan has shed the "prodigy" label to become one of the…

If you’re a regular here at GuitarDoor, you know that true "hype" isn't found in a programmed drum beat or a polished synth loop. Real energy is generated by a…

Tom Johnston is the rhythmic soul of the Doobie Brothers. With his percussive strumming style and gritty vocal delivery, he created the blueprint for California biker-rock. In 2026, he remains at the top of his game, proving that a great groove never goes out of style.

Albert Hammond Jr. is the master of rhythmic discipline. From his "all-downstroke" attack to his uniquely wired signature Stratocaster, he has defined the sound of 21st-century indie rock. In 2026, he remains the primary influence for every guitarist who knows that the pocket is just as important as the solo.

"Looking back at the sixties as a time when metal came out of the mountains, Brendan Bayliss represents the era where the walls between genres finally crumbled. As the anchor for Umphrey’s McGee, Bayliss treats the guitar like a high-precision tool, proving that a jam band can have the surgical precision of prog-metal and the soul of a classic songwriter."

In an era where guitarists often hide behind massive pedalboards and complex digital modeling, Ritchie Dave Porter is proving that world-class Blues Rock is really about two things: the hands…

Kevin Shields is synonymous with the Fender Jazzmaster. He preferred the offset body and the specific bridge/tremolo system of the Jazzmaster because it allowed for the subtle, constant pitch manipulation required for his "glide" technique.