Alice Cooper Guitar Players Slingers and Hired Guns
Did Alice Cooper Have Many Guitar Players in His Career?
Oh man, Alice Cooper has had so many guitar players over the years! I mean, the guy’s been around since the 60s, so it’s not surprising. But seriously, it’s like every time I turn around, he’s got a new guitarist in his band.
Honestly though, I think it’s kind of cool that he’s given so many musicians the opportunity to play with him like we at Guitardoor also try to feature guitar players :). Plus, it keeps Musical things fresh and interesting.
If you’re looking to start a band or something, my advice would be to always be open to collaborating with different people. You never know what kind of magic you might create together.
The keys to the kingdom are the musicians you surround yourself with. Alice Cooper has always been the showman and Icon in the front yet had the wisdom to showcase his band members especially the Alice Cooper guitar players over the years. There have been many Guitarists involved for substantial amounts of time and all have contributed their own Genius sounds.
Who Are Alice Coopers Current Guitar Players?
Alice Cooper’s current guitar players are Nita Strauss and Ryan Roxie.Nita Strauss and Ryan Roxie are both accomplished guitarists who have played for Alice Cooper. Nita joined the band in 2014, becoming the first female guitarist to play for Alice Cooper. She has been praised for her technical ability and stage presence. Ryan, on the other hand, has been a member of the band on and off since the 1990s. He is known for his energetic performances and catchy riffs. Together, Nita and Ryan bring a unique blend of talent and experience to Alice Cooper’s live shows
Alice Cooper Guitar Players Slingers and Hired Guns 3
Previous Alice Cooper Guitar players Glen Buxton and Michael Bruce are the reason we are studying this subject today. Had it not been for them there would not be the rest.
Alice Cooper – Public Animal No 9 (Live 1972)
The Original 2 armed with SG’s were Raw and Rough-in the Best of ways. Buxton and Bruce had the ability to take up a jam and add the explorations that kept the same songs fresh and exciting night after night. They were the foundation for everything thereafter and were everything Rock Guitar is supposed to be. So Many of us wish that band with Dennis Dunaway and Neil Smith could have gone on forever but by 1974 it became the epitome of “When one door Closes, Another Opens.”
Alice Cooper Guitarists from 1974-1979
Alice continued the Nightmare and the players involved are equally fascinating. Everyone is his own man. Jim Gannon, Bob Kulick, Davey Johnstone, Jefferson Kewley. Then you have the Double Trouble team of Dick Wagner and Steve Hunter. The two guitarists brought an incredible dynamic with Wagner’s visionary writing skills as more weaponry and well Steve Hunter is just always been a Force on nature.
Dick Wagner & Steve Hunter guitar duel
Early 80’s
John Nitzinger and Mike Pinera arrived and were part of the crew including more work with Mandel and Dick Wagner to create the music for “Flush the Fashion” “Special Forces” and others.
Alice Cooper. Welcome To My Nightmare. “The Nightmare Returns”. (1986 ). Real VIDEO
1989-2000 Guitarists for Cooper
Players Steph Burns, Pete Friesen, Vinnie Moore, Al Pitrelli, Joe Satriani, Paul Taylor, and even Steve Vai lent their talents to recordings and/ or stage work. This became the time when the industry would refer to musicians as “The A-List”. First calls for work. The bands to follow became the Long timers as they would eventually form a foundation that was as solid as the original Alice Cooper Group.
This period of time was when I started going to see Alice. It is the first time to witness the Talents of Ryan Roxie.
Reb Beach, Eric Dover, Mark Francis, Pete Friesen, Damon Johnson, and Phil X were active in many forms. Yet Roxie became a mainstay. Albums and tours for “Brutal Planet” and “Dragontown” were creating new Masterpieces in the studio and on the stage.
2003-present day
Jason Hook, Eric Bergeron, Damon Johnson, and Kerri Kelly were in the fun. Roxie was still on Board and Bassist Chuck Garric entered the band that was gradually becoming the Beast to come later. Lady Badass Orianthi paid her dues on the road as well.
The Ultimate lineup that is the best I’ve seen since the Original is now Garric, Roxie, Tommy Henrickson, and Queen Nita Strauss. It Is a Barn Burner of a band. After Many an Alice show I ticked off on my Bucket List with Up Front Tickets during the 2018 “Paranormal” Tour at The Louisville Palace and you would be hard-pressed to find a tighter and more talented band ever.
Alice Cooper Guitar Players Slingers and Hired Guns 4
Alice Cooper Brutal Planet Live 3-18-18 A Paranormal Evening With Tour Louisville Palace KY
Nita Strauss solo Louisville Palace 2018
The Coop has always given 110% for his audience and demands the best players to provide it as well. He’s encouraged those that have worked with him and had aspirations to go elsewhere and chase their dreams to do just that. The Original Villain of Rock is a thoughtful Gentleman offstage, but when the clock says go and “Alice “ has to take over he wants to Tear the place apart and knows how to pick the right guitar players to do just that!
The guitarists of Alice Cooper have brought their own individual artistry and influences to the band’s music, creating a diverse and dynamic sound. From the bluesy riffs of Glen Buxton to the classical influences of Steve Hunter, each guitarist has left an indelible mark on Alice Cooper’s discography.
Let us celebrate the unique contributions of these talented musicians who have helped shape the landscape of rock music.
Uriah Heep, a British rock band formed in 1969, has become legendary in the music industry. Known for their unique blend of hard rock and progressive rock, the band has left a lasting impact on the genre. With a discography spanning over five decades, Uriah Heep has released numerous albums, including iconic hits such as “Easy Livin'” and “July Morning”. Their distinctive sound, characterized by soaring vocals, intricate guitar solos and elaborate keyboard arrangements, has captivated audiences around the world. Over the years, the band has undergone several lineup changes, but their commitment to creating powerful and emotive music has remained unwavering. Uriah Heep’s influence can be felt in the work of countless rock bands that have followed in their footsteps. With their enduring legacy and continued success, Uriah Heep truly deserves their status as legends of the long run.
50 years in the Spotlight and over 40 million albums sold is a testament to Uriah Heep who are counted alongside Led Zeppelin, Sabbath, and Deep Purple as the original Hard Rock Monsters.
URIAH HEEP “LEGENDS OF THE LONG RUN” 8
Unfortunately, we lost Mr. Ken Hensley in 2020 but his music with URIAH HEEP and otherwise lives on. He was a special Human and very very kind to me. More on that as we go…
The Band was formed in London in 1969..under the name of Spice. Then the name was changed to that of the well-known character from Charles Dickens’s “David Copperfield”, Uriah Heep.
According to Dave Ling’s 2001 autobiography of the band, Wizards and Demons, The Uriah Heep Story, though the “Uriah Heep” moniker was chosen in December 1969, the band continued to play gigs as “Spice” until Ken Hensley joined in February 1970. Uriah Heep then decided to widen the sound. “We’d actually recorded half the first album when we decided that keyboards would be good for our sound.”
“ I was a big Vanilla Fudge fan, with their Hammond organ and searing guitar on top, and we had David Byron’s high vibrato vocals anyway so that’s how we decided to shape it,”Guitarist Mick Box recalled. Gerry Bron brought in session player Colin Wood, followed by Ken Hensley, a former colleague of Bassist Paul Newton.
“I saw a lot of potential in the group to do something very different,” remembered Hensley David Garrick was now Heep’s second Drummer and The lineup would release Their 1970 debut album, …Very ‘Eavy …Very ‘Umble (released as Uriah Heep in the United States).
The albums “Salisbury” and “Take a look at Yourself” followed. The First three were Praised by some and cut to Ribbons by others but the combo of Box, Byron, and Hensley was about to unleash some music that is a must-have for anyone who has ears.
Lineup changes as with so many bands occurred but “Demon’s and Wizards” with Lee Kerslake and Gary Thain in the Mix, set a new bar in Rock music.
No. 20 in the UK and No. 23 in the US in June 1972., Demons and Wizards was THE album spawning the single’s “Wizard” and “Easy Livin’ “ and the World was opening up to The Heep.
November 1972, Uriah Heep’s fifth studio album “The Magician’s Birthday” saw its release, with “Sweet Lorraine” released as an American single and the title track (a multi-part fantasy epic featuring Hensley–Byron vocal duel and Box’s extensive guitar solo in the middle) being the album’s highlight.
“Uriah Heep used to have an image, now they have personality,” wrote Melody Maker in 1973. .Hensley too developed into a sophisticated instrumentalist and stage persona, whose writing and keyboard Mastery pushed the rest of the band to excellence.
Personally “The Magician’s Birthday” is my Favorite Heep album. It stands up next to anyone’s work to this day.
Ṳr̤i̤a̤h̤ ̤H̤e̤e̤p̤–1972 — T̤h̤e̤ ̤M̤a̤g̤i̤c̤i̤a̤n s Birthday Full Album Deluxe Edition
Mick Box is one of the most underrated guitarists ever. He Can deliver Magnificent pieces of Power on tracks Like “Sunrise”, intricate and soulful lines as those in “Blind Eye” and take on slides in songs like “Spider-Woman” which are much like the works of The Doors Legend Robbie Krieger. Following up with his very own color of slide-in “ Echoes in the Dark”.
Uriah Heep – Sunrise 1973 “Tokyo” LIve Video HQ
Roger Dean’s Artwork is also stunning and becomes in some respects as vital as if he were Part of the Band itself. A Double Live Album followed. Shortly after the Album “Sweet Freedom” brought “Stealin’ “and success kept building
Uriah Heep Live at Shepperton 1974 (Remastered)
Success can often lead to excess and burnout over time. By 1974, the disappointment of the members in the result of the “Wonderworld” album, as well as substance abuse and general exhaustion, brought disaster. The situation reached a critical point during a tour in September when the bassist received a serious electric shock on stage in Dallas during a gig at Southern Methodist University’s Moody Coliseum on 15th September 1974. As a result, the rest of the US tour was canceled, and their UK dates were rescheduled for October.
Soon after going out of the hospital, Thain, in Sounds, openly accused manager Gerry Bron of having turned Uriah Heep into a mere “financial thing” and was fired two months after the group’s final gig of 1974 at New Theatre in Oxford, England on 14 December. A year later, on 8 December 1975, Gary Thain was found dead in his Norwood Green home, having overdosed on heroin.
8 more albums followed and some were Progressing and some not so much. By 1980 due to Managerial conspiracies and band member turnovers Galore, and Ken Hensley Quit. This Left Founding Guitarist Mick Box with the Name of the band and contractual Obligations.
To their Credit be it musicians from King Crimson, The Spiders from Mars Bassist Trevor Bolder, others in and out of the band has stayed Consistently working throughout every High Point and Roadblock right to Present Day.The world additionally lost Lee Kerslake to cancer in the last year. The Band recently released their 50-year celebratory box set “Every Day Rocks”.
Take a look inside the Uriah Heep ‘Every Day Rocks’ boxset
Roughly 25 studio albums and another 20 Live recordings Have Kept Uriah Heep in the Living Legend category. They are Touring even now with the last reported lineup.
Mick Box
Phil Lanzon
Bernie Shaw
Russell Gilbrook
Dave Rimme
Ken Hensley
URIAH HEEP “LEGENDS OF THE LONG RUN” 9
In the early 1990s, Our Local Music store somehow put together a daytime seminar with Autograph Guitarist Steve Lynch and Ken Hensley. Ken was working as a Rep for St. Louis Music and he was extremely Genuine and Humble.
I was a nobody at that time but after the sessions were done I approached him for advice on dealing with the industry and how I could gain contact that would matter.
This man was a Rock N Roll Legend, yet he said “Let’s go sit a while.” The place cleared out and to my surprise, he and I had close to 90 mins of conversation to ourselves.
Before all was said and done he found a pen and gave me The Doors Ray Manzarek and Doors Rep Danny Sugarman’s home phone numbers, as well as His own.
He additionally reached in his briefcase and handed me a typed list of about 100 record-label A&R numbers as well. I eventually tracked him down again through email years later and we had a few more talks. I have met and spent time with a few “Rock Stars” and been treated well, But Ken has a special place in my heart. He had zero reasons to do that.
He just was that sort of man. I do think he had the Biggest smile I’ve ever seen. Funny side note..our Local Newspaper claimed this event being held was “Not Newsworthy”.
Otherworlds and different lives, Chapters of notes defining different identities. Guitarist John McLaughlin is the definition of exploration, the door to changes. You could try and say Jazz or any specified genre and still not hit the mark. His music can only be called his own.
Exploring Guitarist John McLaughlin 13
Origins of his view of musical realms first came from learning Classical piano, then picking up the guitar to learn as many of his peers, the foundation of the Blues. He studied Django Reinhardt. More importantly, he studied music in all facets. Jazz in his view owes a debt eternal to Classical music due to its influence on Harmonies and is also of the opinion current Classical composition was influenced by what Jazz became. The full circles of influence are much of the foundation of who he is as a theologist.
Then came Charlie Parker, Dizzy, and Miles Davis. Even though the guitar was the chosen instrument, all influence was fair game. It wasn’t about some staunch rule of the instrument you heard play the note, it was just about the note. It is all just music, coming from different areas through different souls.
Miles Davis was always keen to see someone’s future, even if they couldn’t, and would have been happy staying with his work. Miles told guitarist John McLaughlin the time had come.
Mahavishnu Orchestra – Meeting Of The Spirits/You Know You Know
This excerpt from McLaughlin’s reflection is the tale.
“ After a club date in Boston in 1970 with Miles, he tells me it’s time to form my own band”.
“By this time Miles’ recordings are definitely jazz fusion or jazz-rock. His recording ‘Bitches Brew’ confirmed this in no uncertain terms. My work and writing with Tony were more and more rock, r ‘nb, and funk-influenced. Also, I was increasingly influenced by the philosophical and musical ideas coming out of India at that time. These influences can be seen in that another name ‘Mahavishnu’ was given to me by my guru Sri Chinmoy, and the sophisticated rhythmical concepts integrated into Indian classical music, both north and south directly influenced the compositions I was writing for The Mahavishnu Orchestra. The M.O. became really popular over a short period of time, maybe too successful since by 1973 the atmosphere in the band had become untenable for me and we ended it at the end of the year.”
Mahavishnu Orchestra The Dance of Maya 1972 With guitarist John McLaughlin
“The 2nd Mahavishnu was quite different but a wonderful band all the same, with drummer Michael Narada Walden, Jean-Luc Ponty, and Ralphe Armstrong, that band was kicking!
We had a great experience recording with the London Symphony under Michael Tilson Thomas, and the entire production under the great George Martin.”
“At the same time in Indian influence was having its effect and by 1973-4 Shakti was a kind of underground band that played small concerts in churches and schools, while I continued with Mahavishnu. By the end of 1975, Shakti had become increasingly important to me, and by the end of the year, it became my only band.”
John McLaughlin’s history and body of work is staggering and be it with The Likes of Santana and literally dozens of others, He is still active in 2021 with a new album “Liberation Time” and over 50 releases from 1969 to now.
To write Man’s full Story would put you and me here for hours or even days. So my focus is to be specific to the period of time that speaks to me.
I first heard John on “Bitches Brew” one of my top 10 albums If I were called to choose. Yet, I had no idea I was hearing John as I was focused on Miles. As McLaughlin himself talked of John Coltrane’s “A Love Supreme” it took him a year of listening to fully grasp what was happening. I had the same situation. I still after 20 years visit “Bitches Brew “ and the discovery of the alternative takes from the sessions, on a regular basis. What I’ve concluded was the guitar didn’t get in the way. A Hallmark of a wise player.
Now I am delving into “The Mahavishnu Orchestra” and finding another chapter of the Genius.
“The Inner Mounting Flame” album is new to me in 2021. I suppose that is the power Via music of substance..it never grows old nor dated.
It is my intention to freely be New to this music and to not be an authority but a catalyst for others to be New to it as well.
M Davis Bitches Brew 1970Full Album] HD 1080p (1)
John McLaughlin is a force and has certainly changed the face of music with no sign of stopping.
He’s been a session man and a Jingle and advertisement writer. He’s painted in Colors with an uncounted number of Legends. He then set his course to Legend himself. Jack Bruce and Ginger Baker, Jimi Hendrix, and more were called in the ’60s and ’70s.
Jeff Beck recently said “John McLaughlin is the greatest guitarist alive today”
I urge you to dig in and find out why.
Miles Davis- The Bitches Brew outtakes (day 1) [August 19, 1969, NYC]
McLaughlin cites literature as equal to music for his personal inspiration. His Suggested list is below.
Ray Bradbury: The Martian Chronicles.
Theodore Sturgeon: More than Human.
Philip K. Dick: The Transmigration of Timothy Archer,
Philip K. Dick A Handful of Darkness.
Mount Sadhu: The Life of Ramana Maharshi.
Anonymous: The Philosophy of the tarot.
Hazrat Inayat Khan: The Sufi Message. vol. 2 Music. (12 volumes)
D.E. Harding: The Hierarchy of Heaven and Earth
Khalil Jibran: The Prophet
The Life of Ramakrishna. Any version
Lobsang Lhalungpa: The Life of Milarepa
Vivekananda: The Works of Vivekananda.
Anonymous. The Way of the Pilgrim.
Carlos Castaneda: The books on Don Juan
Robert Persig: Zen and the Art of Motorcycle Maintenance.
Father Thomas Merton: The Way of Chuang Tzu
Father Thomas Merton: New Seeds of Contemplation
Alan Watts: The Way of Zen
Nisargadatta Maharaj: I am That
Vikram Chandra: Red Earth & Pouring Rain
Sheng-Yen: The Poetry of Enlightenment
D.T. Suzuki: The Zen Doctrine of No Mind
H.E. Huntley: The Divine Proportion
Aldous Huxley: The Perennial Philosophy
Karen Armstrong: A History of God
Jimmy Owen Reinspiring Guitar With Re-inspirE
Jimmy Owen Guitarist of Wolfmoon is here Today to share his Solo work Re-inspire and some of his other music in this Guitardoor interview.
London’s Jimmy Owen Has all the elements down… Be it The super tones he pulls from the Electric Guitar to the roots of the simple yet powerful delivery of his Acoustic work. He is a solo artist of high acclaim and also is working in the Band “Wolf Moon”.He provides something for everyone. Truly a Remarkable Guitarist.
Many compliments from those who have crossed his path ring True. “The way you hear music is the way Van Gogh saw colors” was Bruce Dickinson’s description of Owen’s work. We are pleased to share some thoughts and music with you here at Guitardoor.
What brought you together with music?
” I’ve always loved music. My father had a massive collection and would always be playing anything from Chopin to Jimi Hendrix. I really loved the piano first and I played that a lot. Then I got into guitar a little later on.”
Have you a favorite guitar and why?
“ I love lots of guitars but I have a little thing for the Strat. All my heroes play them.”
Jimmy Owen Reinspiring Guitar With Re-inspirE 16
How long have you been active in music? What are career highlights or dreams?
“ I’ve been playing for a good while now. Starting with piano things. I’ve been lucky enough to have hung out with David Gilmour, I am a good friend of his son Matt Gilmour (Also a great musician/player)- David’s music has had a massive influence on me and he was generous enough to give me some time and show me some bits. “
“Chris Maresh (Eric Johnson/Alien Love Child)played bass on my record “Re-Inspire” extremely honored. I learned a lot from Guthrie Govan too, Martin Goulding was a big influence, Justin Sandercoe.. there’s so many to mention..”
“It’s been such an honor working with these wonderful humans. I’ve had the good fortune of having a signature amp built for me by Arjan Kool and endorsements from PRS, Victory Amps, and GHS Inspirations.’
Wolf Moon – Re-inspire [Official Music Video]
Any advice for new people in music, or picking up an instrument today?
.” Never lose sight of why you are playing. Be that child in your head at all times, never lose that wonderment for music, it’s a magical world and when you trust it will always be there to harbor all the emotion you could feel.”
What have you learned from your success or even failures?
“Neil Young said it so well, make friends with failure… I have! Believe me! But I have learned to take the good times when they are there and have faith that the bad times are just a phase and will pass, that is the promise of the ebb and flow of life. I try to remind myself every day but help others too when they are going through it as well, I find it cathartic I guess but we are all in this together.. having a sense of togetherness makes it a little easier.”
Guitar solo by Jimmy Owen (Lethbridge Owen), live at The Half Moon
Are you more comfortable in the studio or onstage?
“You know, I love both. A studio is a wonderful place for experimentation and I love the textures that you can etc but of course, you can’t beat playing to people and feeling that magic in the room. I Can’t wait to get out and do that again.”
How do you feel about the state of the digital music industry?
“ Hmmm hard one, I think that there are good and bad elements, as with everything. Accessibility of music is great but I think because of that, the function has changed and maybe it’s not being consumed in the same way as the music that influenced me. Every day there seems to be something new coming out or some new way to consume music haha! “
He can be Subtle or Ferocious, whichever serves best. He is simply a World Class player and a Great Gentleman. No Pretense to his intensity. No Doubts in my opinion that you will see his tremendous talents take him increasingly higher.
We thank you Jimmy Owen and we wish you the best in both your solo guitar music and work with the Wolfmoon Band. More info can be found at the links below.
Bad Brains is a hardcore punk band that was formed in Washington D.C. in 1977. The band’s original lineup consisted of vocalist H.R., guitarist Dr. Know, bassist Darryl Jenifer, and drummer Earl Hudson. They are known for their unique blend of punk rock, reggae, and metal, and are considered pioneers of the hardcore punk genre. Bad Brains’ self-titled debut album, released in 1982, is widely regarded as a classic of the genre. The band has undergone several lineup changes over the years, but they continue to tour and record new music to this day.
The Bad Brains are a study in True Freedom against all odds. Henry Rollins Said Brains’ lead vocalist H.R. Jumping on him from the stage and pinning him to the Floor while singing in his face was the actual moment he felt he was truly Born. They Mixed the most aggressive Hardcore and Punk Music with a later devotion to Rastafarian Beliefs and Dub Music and somehow balanced the two. They were Legendary before they recorded a note during the end of the ’70s and in 1983 were recorded in the Guinness Book of World Records as the fastest band on planet Earth. Throughout it all, they carried a message of unity where many in that genre spewed Destruction and Nihilism.
Originating from the Washington D.C. area in 1977 Their classic lineup includes singer H.R., guitarist Dr. Know, bassist Darryl Jenifer, and drummer Earl Hudson. This lineup was intact until 1987 and has reunited periodically in the years since. An All Black Punk band as a concept in the public mind drew curiosity from people like Rollins and Ian MacKaye of Fugazi. It was quickly of no importance to their collective race, they were one of the most Influential Bands ever.
The band name was taken from Ramone’s song “Bad Brain” and they were inspired by many of the movements by the Ramones, The Damned, The Sex Pistols, The Dead Boys, and others. They didn’t simply copy what they heard, they added to it and became equal contemporaries.
Their Positive message was a mission, but the intensity of the delivery caused the Rabid fan base to be so amped up and Tornado like that they quickly were as one of their songs proclaimed “Banned in D.C.” as Club owners didn’t want their venues literally torn apart. They relocated to New York City and joined in the scene at CBGB learning to live on $5.00 a day.. Which became a survival skill to buy $5 of weed and turn it into $15 selling single joints.
In August of 1977, the band had recorded a cassette of Music some would simply call demos That would make waves. The recordings later became the album “Black Dots”. By all accounts, this is a Monolith of inspired music.
The vocal parts were recorded outside of the makeshift home studio….in the bushes and Shrubs and crickets are on the recording announcing H.R. had invaded their territory. This recording would be given new life later. (see the band’s Webpage)
BAD BRAINS – BANNED IN DC – CBGB 1982 (OFFICIAL VERSION)
Their stint in New York was Promising but the hard living sent them home to D.C. for a time and were soon summoned by Successful Restaurateur Mo Sussman who even though he didn’t understand the full weight of Punk and Hardcore rock music did see something special in them. He had been asked to invest in a film that he conceptually found horrible.
However, in the film, there was footage of the Bad Brains playing Max’s Kansas City and he was awestruck.
He became their Manager and invested 25 thousand dollars in Bad Brains by buying them all new equipment and a Brand New Van, which in a short time was Stolen in its entirety within the first month of their return to New York.
Pioneers of Hardcore Punk:Bad Brains 18
Mo had the foresight to insure everything so they just repeated the shopping trip. . 1980 was also the time the Band saw Bob Marley perform and made the decision to Turn to Become Rastafarians.
Before the final move to New York, Sussman also secured them in a house in Rural Virginia where they could play all hours of the night and progress in their writing and becoming an even tighter machine.
The noise wasn’t the issue with enough distance from the Neighboring residents, it was the culture shock of a Group of Black men, Rastafarians at that, living in the vicinity of wealthy Whites that had to be addressed to some racial satisfaction.
They were raided on the assumption the equipment they had must be stolen and they had to have Massive amounts of Drugs.
The Police soon discovered neither was the case and Mo pushed the facts that the real truth was this was Racial profiling and shamed the police into not taking the band into Jail. Luckily they didn’t have their usual personal amount of weed on that particular Day as the members recall in Laughter the house was almost always a Fog of smoke.
When they returned from the Rural house to the Stage many old friends and fans were shocked that they now were mixing Reggae and Dub in the same set as their Hardcore music. More shocking was they were speaking with Jamaican accents. Some fans were lost, and More fans were Gained. Members of the band that would become “The Beastie Boys” stated it perfectly balanced out their live show as similar to a Race they could pace the energy between Frantic to mellow and kick the gears back into Hardcore again. All the while the PMA (Positive Mental Attitude) of their beginnings were now further amplified by the Rasta creed of oneness.
Bad Brains – I and I Rasta (live at CBGB 1982)
https://youtu.be/2pUlNfdnsAM
1981 a fellow named Jerry Williams saw Bad Brains perform and being a sound engineer would become an integral part of the band’s recordings. He set up a rehearsal space at 171 avenue A but was using it more as an underground venue for bands to play to a substantial audience.
He also had an elevated sound booth much like some indoor tree house and had an income recording bands live for $10 per hour. On May 2nd, 1981 Bad Brains played 171 A and Williams recorded the band’s show. Those recordings became the foundation of the Band’s First full release via the ROIR label.
In the fall of 1982 Ric Ocasek of “The Cars” came in contact with Bad Brains and invited them to play a few shows with his band and then offered Brains to make a record for their first time in a Professional Recording studio.
They were a bit standoffish at first but in the end, embraced the idea. The Band and Ric recorded this album in only 3 days. “Rock for Light” was the result and Nirvana / Foo Fighters Dave Grohl credits that album as a must-have for any self-respecting punk fan. He further Credits Brains Drummer Earl Hudson for inspiring his own drumming style.
1986 brought the Album “I Against I” on SST records. It was another expansion of their music. It incorporated their signature sound with new elements of Funk and Metal.
The entire records vocals were done in a matter of hours all the same day as Vocalist had announced he had to return to D.C. and serve 6 months in Jail over a past conviction for possession of a substantial amount of weed.
The record only lacked one vocal part and in time was literally “Phoned in” to the tape from the correctional facility.
Bad Brains I Against I (live Florida 1987)
Bad Brains membership fractured in 1987 with the band on tour supporting “I Against I”. H.R. and the Hudson brothers wanted to focus more on Reggae and left the tour. The next album “Quickness” was started with other people and then H.R. would return and replace vocals. When the next tour was in swing H.R.’s behavior of not showing up to shows or meetings became a habit and His involvement with the band essentially ended for a long time. He became even more eccentric, loved by many, and confused by more.
Five more albums were recorded in various states of Membership. The changes were many and enough to confound anyone. The Original band was scattered for months to years. H.R. had quit the band 3 times by 1989, that 3rd departure was only one month into a tour,
March 1994 brought a call from Beastie Boy Adam Yauch waving the flag of reunion as the word was a Rep for Madonna’s Label Maverick wanted the Band with H.R. The signing was a Flurry of money and contracts ultimately spawning the album “God of Love”. Maverick executives were not aware of the extent of singer H.R.’s quirks and tendencies and they were placed on a Major Tour per request of The Beastie Boys.. On the Opening night of the tour, H.R. refused to leave the bus ranting about improper behavior from the Authorities and Generals and not being addressed in the right way by what were essentially invisible people. As the tour manager is trying to escort him off the bus to the stage H.R. physically attacked everyone on the bus and was arrested. He was banned from Toronto more so because of yet another Marijuana charge than the assault.
2006/2007 a reunion Tour was rolling along with Great shows and not-so-great shows. Bad Brains were asked to play CBGB for the last 3 nights of its closing party and The institution of Rock Music History meant as much to Bad Brains as any of the bands who were a part of its legacy.
H.R. arrived onstage on night one wearing a motorcycle helmet he had fitted with a microphone inside and refused to take it off although it was causing Feedback and chaos on stage.
He followed up in Chicago by sitting on the drum Riser and smiling, standing at the mic motionless still smiling like the Cheshire Cat, but NOT performing and seemingly mocking the crowd.
Bad Brains have been an influence on generations of bands and in 2021 they are still spoken of in reverence. Their following is growing and their legendary tales are being told, good or bad via books and documentaries. The Back catalog is gradually coming out in style with a rerelease of 1989’s “Quickness” slated for Feb 2022. This Band Mattered from day one in the culture and history of music and as long as the world continues they will be Important. The only thing today that can be said beyond that is the tradition of any great cliffhanger. “To Be Continued…..”
Kieran Mc Crory “Crow’s Blues”
I’m surprised by the Inspiration one can receive from the Internet. It’s made the world a smaller and more connected creature of life. That can be a positive or a negative depending on who you are dealing with. Somewhere around 2013 if I’m not mistaken, I had a blessing I was introduced to Crow’s Blues.
Kieran Mc Crory “Crow’s Blues” 21
I made one of the rarest of things, a TRUE friend.
Music brought Kieran and me together. I was watching him sitting in his kitchen in Omagh, Ireland playing a Hank William’s song on his acoustic. He had such a passionate and authentic delivery that I was truly intrigued. We have never gone much more than a few weeks talking since then.
First it was about musical interests, of which we had many similarities . We discussed my Dystonia and he had a real interest, a genuine concern. Then we were talking about some issues with his health that in time became very serious. He never has lacked a firm Grip on the value of life and the Crow’s blues he plays sometimes shows his musical talent.
Kieran Mc Crory “Crow’s Blues” 22
Somewhere in the earliest times, I asked him if he wrote his own music and he sent me a song. I’m sharing that song with you today. He would in his humble way say he wasn’t that special. This would be wrong.
ROCK N ROLL BY kmc 2012 Crow’s Blues Style
I was asked by him later if I would have a go at his music myself and I did. The end result was….His version was better, no matter what I did with it. He would probably argue the position, but we two mules are hard to move when we feel strongly on something.
During the years of our friendship he bought every single album or EP I released. I did sell recordings to many places on the globe and the list of countries I didn’t sell something in is a short list. Yet NO ONE bought them all. He has consistently supported my work, and in all truth when Regalia Records was no more and I finally found a new way to distribute my songs I didn’t have them in digital form required at that moment. Kieran sent me all of my own music to help me rebuild.
We are both afflicted with issues that robbed our personal abilities, but that’s not the worst thing in the world because it just make the bond of friendship stronger.
He had to find new outlets for his creative side through art and my affinity for that side is equal to my affinity to the music he created. So I am here to just say thank you there Crow.
JUST BREATHE INSTRUMENTAL 2021 BY CROW.
Your friendship is of great value. Your authenticity and soul I found in your music carries over to your strength as a Human and YOU are a Warrior. As you would always say “One Love”.
JUST BREATHE PT 2
The Devil’s Deal: Robert Johnson’s Tragic Tale
Robert Johnson Devils music as it was called because of the old folk tale at the crossroads. There were 41 songs on the record. With the only 3 known Photos of Robert Johnson from the 1930s. Mythology or Truth, the Story can still be one to raise the hair on your arms. His death is as much debated as his life.
The story beyond “Robert Johnson Devils Music”
Even the true sound of his voice has been a hot topic. Regardless he and his predecessor Charlie Patton are considered to be the roots of Rock N Roll. He Created the otherworldly Blues in its sound and their stories
Listen To Preaching Blues Robert Johnson
Son House mocked Robert Johnson. Johnny Shines and Honeyboy Edwards traveled and lived with him out in the wilderness of the unknown. He as Shines described had the ability to “Hypnotize an Audience”. Johnson may well have been the originator of the “27” Club in his death in 1938.
RJ was introduced as a 17-year-old Husband to the Human Side of the Blues. His bride and child would both die during childbirth. It’s speculated that true Crossroads of his life was as he lost faith and turned his back on God and religion. Sorrow and anger can fuel determination and creativity beyond the scope of peace and contentment.
”Noising the People” was his description and he did not encourage Johnson, except in the notion of putting that thing down and quit
This happened on many occasions. In my thinking it just caused Robert to be even more determined. After disappearing by Son House’s recollection for 6 to 8 months he returned to one of the Juke Joints. Because he wanted to show Son what he learned. What he had learned to do was simply astounding. The syncopation of rhythms working 2 at once. This was combined with slide and single-string lead Robert Johnson sounded like at the very least two guitarists at once.
He had from seemingly nowhere Mastered the guitar. He also had the aspects of melody and multi-faceted chord structures. No one ever seems to got down before and has never surpassed since.
Then there was the voice. Haunting, singing, and talking about Rambling, Violence, Hell Hounds, Satan, and Murder. Whether or not he went at midnight to the crossroads to sell his soul to the Devil. Only highway 49 and 61 in Clarksdale, Mississippi knows the truth.
Is this where the Devil returned his instrument in exchange for his soul is debatable. Did he learn from Little known Guitarist Ike Zimmerman while holding sessions in local Graveyards? Maybe, Maybe, Maybe not.. Either way, his lyrics were either telling his own personal truth, or he was promoting his own myth. No one knows for sure but Robert, God, and The Devil himself.
According to Johnny Shines, Robert had the ability to hold a conversation while listening to a song at the same time. When the song was done on the radio He could play it and sing it verbatim having only heard it one time, In these Early days he used Guitars like the “Kalamazoo” By Gibson and a hard find in the guitar brand “Stella”.
Later he acquired a Gibson L-1 the one prominently photographed. Considering the cost of these guitars being $12.50 in the 1930s he was certainly saving his quarters from Busking on the streets to afford it.
In 1936 he visited a man who had ties to people in recording the other Delta players and it didn’t take long to be called to Texas by The American Recording company. Don Law sr. got more than he bargained for from the wayward Johnson. The eve before the first recordings in San Antonio.
Johnson secured a boarding house room, and cautioned Robert to not drink too much. This was as recording would be begining early that next morning . Don left him with 45 cents to buy Breakfast in preparation. Don Law then went to dinner with his wife, and within minutes had a phone call that the Police.Robert was in jail before he could even get to his place to sleep.
Law left dinner long enough to talk them into Robert’s release and back to join his wife for dinner. Within another 15 minutes, he had a second interruption of dinner by Robert himself on the telephone. Johnson saying he was “Lonesome” and a prostitute was there but she wanted 50 cents and he lacked a nickel.
In recent years there has been speculation that the Lathe cut versions of Robert Johnson Devils Music. The songs may have suffered a speed issue as they were dealing with bare-bones technology. With many now experimented with slowing down recordings.
This is to hear the possible True sound of Robert Johnson. Whichever speed is proper doesn’t change the fact he still possessed a voice of Haunting authority.
Origins of Robert Johnson Devils Music CROSSROADS BLUES Slowed Down-Robert Johnson
The success of the first recordings released on the Vocalia Label prompted the second sessions with Don Law this time in Dallas.June of 1937. In total there were 29 songs involved adding in the unearthed outtakes brought things up to 41.
The building at 508 Park was where the Dallas sessions took place and currently through research is being revamped to be a Historical Showcase. A place to visit the very room where the history was made.
Robert Johnson’s music has been a catalyst for an innumerable cast of recording artists and has been presented in almost every variation you can think of. Cream and Eric Clapton as a band and solo career, Led Zeppelin, and The Rolling Stones are just the surfaces.
His reach extends to bands even now. Somewhere right now there is someone on Planet earth playing one of his songs on a stage or in their living room and putting their own stamp on it.
You can’t escape it, even if you don’t know it was written by Robert…you have heard his work in one form or another, and no doubt this will continue on for ages to come.
Rolling Stones – Stop Breaking Down
The man we know as the greatest influence in modern music would not live to see the impact he made. His vices were too strong. He didn’t play by the rules of any man. He was a well-known womanizer, if they were Married made no difference to Robert and that poor Judgement coupled with a second mistake would be his undoing.
Juke Joints are a place of celebration and a place of danger at all times. Especially if you have slept with the owner’s wife. The second rule beyond not sleeping with the owner’s wife was you don’t fool with an already opened bottle of liquor.
It might be alright or it may be tampered with. In Johnson’s case, the Jealous Husband decided in place of just shooting or stabbing the offender he would lure him to a false sense of security and give him a Bottle of Whiskey of his own, Opened. It most likely contained the deadly “Passagreen”, an odorless, tasteless backwood poison extracted from mothballs, used in the rural South. I wrote a song which you can buy on amazing radio to help support this site and music.
Passagreen Jimmy Fleming
During the later part of the night, Robert began to weaken and state he was not feeling well.
On August 13, 1938, at “Three Forks” his decline began. It was from many accounts a slow 3-day escalation of agony. To the point of Robert crawling and Howling like a dog from the pain, he was suffering from.
Death of Robert Johnson
Robert died on the 16th of August after writing a deathbed note in atonement for turning his back on God. “Jesus of Nazareth, King of Jerusalem, I know that my redeemer liveth and that he will call me from the Grave.”
I had the fortunate opportunity to see the only man known to have ever been taught guitar by Robert Johnson. Robert jr. Lockwood Played at the Palace theater in Columbus, Ohio opening for The Late B.B. King. It was quite amazing to see that link to history.
He played a wonderful set of music. Then he introduced a song few have ever heard. He explained,” My Mother and Robert lived together for a period of time when I was a boy and he not only taught me guitar but he played many songs he wrote that were NOT recorded.”
One more Mystery from the King of the Delta Blues. From the sound of that statement potentially dozens of unheard mysteries.
One of Robert Johnson’s final resting places
In 1986 Robert Johnson was one of the first 5 artists inducted into the Rock N Roll Hall of Fame. The only thing one can be sure of in the Story of Robert Johnson is that his music inspires someone and something new every single day. Fact or fiction it is an amazing journey we never seem to tire of exploring.
Erin Coburn “Burning Brightly”
Erin Coburn is on the trajectory of becoming a Legendary Guitarist. She is Talent combined with determination. Her shows and her personality are both a lesson in Intensity, the proper dynamics of music delivered with a sense of humor. Erin is not only a brilliant player, writer, and vocalist. She is an entertainer with an axe that rocks.
That is a Mix of her current popularity and the inevitable future of Bigger things. She has no fear of working hard and is leaving a trail of fire on the road behind her. She can play the Blues, Rock your face off and mix styles from other areas seamlessly and it works. Erin Coburn is a True original and is an Artist and Musician, she has earned every positive word ever written about her.
Erin Coburn “Burning Brightly” 26
I originally planned to go to a show to do the interview but with Covid always lurking I will have to wait to get Coburned. I expressed to her I was still in attendance virtually and she still translates the live experience via the net. The second video section here is a diversion from our norm. I chose to include the entire set as if you are new to Erin it’s just a must-see. We caught back up for this after one of many Runs of Shows on tour.
And Awaaaaaay we Go!
The run of shows was a blast! Thank you for tuning in to the shows online!
I totally understand the risk and would much rather you be safe! My band and I take precautions seriously and wear masks and distance as much as possible.”
I suppose mainly what I’m going for is what brought you to the Guitar. What was your first guitar, First performance?
“It all started with the acoustic guitar my mom had gotten my dad for one of their anniversaries. My dad hardly played it, so me being a curious two-year-old at the time I found it and claimed it as my own. There are actually videos of me playing that acoustic guitar in my diaper, and it was so much bigger than me that it looked like an upright bass! So, that was the first guitar I ever played, but my parents eventually got me my own guitar when I was seven. It was a little pink “Luna” acoustic guitar with fairies painted on it.”
“ My first performance ever was on stage at Northern Kentucky University for a recital at the place I took lessons. I wrote my own little instrumental blues song called “Alligator Blues”. That night after the recital, my parents and I went to Guitar Center and I got my first electric guitar. The door to improv and solos opened greatly after getting that electric guitar along with performing at open mics around the Cincinnati area. All of that led to my first official paid gig at age 12.”
Who are your primary influences?
“My primary influences (not just for guitar) have to be Joe Satriani, Steve Vai, Gwen Stefani, Gary Clark Jr., BROCKHAMPTON, Polyphia, B.B. King, and so many more. Actually, I feel pretty much everyone inspires me.”
https://www.youtube.com/watch?v=M5-SeTMCyRI
What are your fondest memories of the road and people you have met or worked with?
“I have so many fond memories on the road! In fact, I’ve found the road feels more like home than the house I live in when I’m not on tour! There have been so many positive and fun experiences and so many amazing people I have met along the way. One of my favorite road memories would have to be when I opened for Marcus King at the Kalamazoo State Theater in Michigan. It was the coolest venue and Marcus was so nice! I’ve also played with Joseph Wooten at Third and Lindsley in Nashville. I was pretty young and being able to get on stage with him and so many incredible players truly inspired me to give this my all. I’m so thankful to have met so many amazing, talented people. “
Plans for the near future?
“My plans for the near future:
I am constructing a full commercial recording studio in Middletown, OH this Spring and summer! I am a certified audio engineer so when I am not on the road I work in my studio. I also plan on releasing my fourth album in 2022 and putting together a big tour to promote that. Also, working on touring internationally. “
Tell me a bit about the guitar you are playing now, the Headless ones and how did that come into your world?
“Ah yes! My Strandberg! I went to NAMM for the first time a couple of years ago representing Bad Cat Amps. I saw the Strandberg booth and instantly wanted to play one. After playing them, I kept coming back to the booth. I couldn’t get enough of them! Once I got back home from NAMM, I HAD to play one again otherwise I was going to go crazy. They just felt so right.”
“I drove 3 hours to the closest dealer, Sweetwater Sound in Ft Wayne, Indiana, just to go play another Strandberg. That is when I finally decided to buy one. I really wanted that guitar to come in for a recorded live session I was doing in Knoxville that week, but it wasn’t supposed to be delivered until after that. I decided to reach out to Strandberg and tell them about me falling in love with the way their guitars play and that I would be honored if I could represent them as an artist. With that, I became part of the Strandberg family, they mailed me the guitar and were able to bring one to the Knoxville video shoot.
I haven’t stopped playing these guitars and never will. True love does exist”.
Any advice for a person deciding to be a player right now for their future?
“DON’T STOP! People will tell you what you should and shouldn’t be doing, but if what you are doing right now is making you happy and continually inspiring you, KEEP GOING!!”
“Also, as a guitar player, take inspiration from everything. Anything from horn solos, rap lines, drum beats, keyboard solos, etc. You don’t have to have only guitar players to pull from. You can create super unique sounds just by pulling from other instruments (or even sounds from nature!). “
Erin Coburn “Burning Brightly” 27
Erin is part of the icebreakers who have come out to make great music again. There was a lull for a while where everything was sounding the same and no originality was present. I had a difficult time being inspired for a minute. She is definitely one like myself who took her youth and feelings of not quite fitting in and made them her calling card. When you Force the Misfit’s hand they use it for fuel to create.
I do not believe she has written a bad song. I don’t think she is capable of that. There is no Filler material to be found. I also cannot nor would I compare her to anyone else and I think that’s the thing I like most. There is a lot of info on her Web page so no need to repeat that, just pay a visit there. https://erincoburn.com/home
She is also well studied in Classic Rock, and you may well hear Erin quote a Hendrix lick or Yardbirds Melody in any given song live as a playful homage.
Over many years I’ve been asked “who would you like to sit down and Jam with?”. The List is gradually changing to include “Erin Coburn”. The reason beyond the Talent is that she knows this is supposed to be Fun.
I don’t think I’ve seen anyone in quite some time who comes on a Stage like it’s the 4th of July.
Erin Coburn just gets it and delivers, every time. No matter your age or experience we can all find inspiration in each other. Thank you Erin for taking the time and I’ve no doubt they will soon have you in the encyclopedia as the definition of “Bad Ass”.
Keep the Pedal down, Throttle wide open, and That Fire lit. The world needs that and you do it very very well. You are Leading us out of the Darkness. Erin Coburn looks like she is going to be burning brightly for many years to come.
Rob Mills“Lessons from The Diamond Mine”
The story of Rob Mills is amazing just like finding a diamond can you Imagine you are playing in a Pub for one week and then your next gig is the Wacken Festival as the New Guitarist in NWOBHM Icons “Diamond Head”. Keeping company with the likes of Megadeth and Living a dream. Rob Mills did it and is about to explain in this article much much more behind his Guitar story. He is an adventurer Musically and Physically when this interview was conducted Rob was Hanging out in Acapulco. Must have been just awful. Terrible. Unbearable! lessons from the diamond mine are below in the interview.
Rob Mills“Lessons from The Diamond Mine” 31
Rob tells us about your background?.
I was born in Walsall in the West Midlands not too far from Birmingham. The Midlands where I’m from is a hotbed of greats such as Ozzy, Robert Plant, Judas Preist, and others” I started playing aged 14, I was inspired by watching Slash on the TV program here in the U.K called Heavy Metal Heaven with its host the Queen of darkness Elvira! It was their famous Ritz show that was being broadcast and I was just bowled over watching Slash and Izzy, mainly Slash though is who I wanted to be!” Who were your first influences?“Early influences apart from GnR were stuff like AC/DC, Iron Maiden, and then further down the line is exposed to guitar greats such as Satriani and Vai through reading Guitar for the practicing musician magazine every month.
We didn’t have YouTube in those days!!!” Tell us about your First Guitar….. My first guitar was actually a strat copy by Encore, got it on Christmas day and just flung my fingers in a diagonal chord pattern around the 12th fret and exclaimed “that’s Sweet Child o Mine! I’m playing it!” only to get the tab book later on and realize it wasn’t quite played that way.
Over time I became more of a Gibson Les Paul fan as per the Slash influence! I had a nice black one during my DH days which you can see on the live DVD To the Devil His Due! I love the thick tone of the Les Paul but later I also owned a proper American Strat and appreciated the difference in the tone of a guitar of that quality compared with the inexpensive starter guitar I had!” Early Band’s Leading up to the Big Time? “Early college bands included a band called Hysteric.
Then with the same singer/bassist, I was in a band called Loverock in the late 90s trying but ultimately failing to get the big record deal! Karl Brazil the drummer of that band, is now playing all over with artists such as James Blunt and Robbie Williams to name a few!” What Brought you to Spend a few years in Diamond Head?“So how I came to join Diamond Head was a little fortuitous, it has to be said.
The guy who I was in that band Loverock I mentioned, his name is Ray Loverock (real name btw!) well he was in another band called Spider Simpson and their guitarist was also playing in DH. They were contacted by the record company they had been talking with and told that they had an opportunity to do a record company showcase gig to show their potential, the only thing is that the date was the same day that DH was due to play Wacken open air! Possibly the biggest metal festival in Europe if not the world! Floyd, the guitarist, told DH he couldn’t do the show because of his commitments with the showcase, so they asked Ray if he knew anyone who could fill in with literally days to go and Ray suggested me because he knew I was a fast learner
Rob Mills“Lessons from The Diamond Mine” 32
I had a week to nail ten songs and went from playing in front of hundreds to playing in front of tens of thousands! So it was a little luck but when you work hard to become a great player and also a fast learner then things come your way!!!” Diamond Head – Helpless- Live at London Astoria 2005 So any things while in this Life particularly Funny or Remarkable?“ Whilst on tour with Megadeth, it was the 4th or 5th night at the London Astoria (another great venue which has since closed) one of Megadeth’s crew came into our dressing room with a big bottle of champagne and a note which read- We really love having you guys on tour with us, you are an amazing band and we are so looking forward to the rest of the tour! from Dave & the boys!
Later that tour we were in Stockholm Sweden and it was very snowy (February.) Myself, Nick Tart then singer, and Eddie Moohan then Bassist decided to go out for a look around the city as we had 2-3 hours to kill before showtime, but things got a little hairy when we realized that we couldn’t recall the name of the venue and we didn’t speak the language so we nearly didn’t make it back in time to play the show!! Also, it was great jamming with Dave Mustaine backstage and learning some really cool things including great technical exercises and warm-ups that I show my students now. Real nuggets of guitar wisdom!!”
RIPPIN GUITAR SOLO.Diamond Head. Streets of Gold.
So Rob Mills, What are you involved in Now musically?
So the music that I write isn’t really as heavy as the music of some of the bands I have featured in, but it just comes out that way! My latest song Mexico! was actually written just after I got here to Mexico last October! Then fortunately enough I was lucky enough to meet some amazingly talented people in Mexico City that helped me record the song and music video on location in CDMX! My current preferred guitar is the one I travel with my beautiful Taylor acoustic!”
Mexico! 🇲🇽 Song by Enigmatico.
What do your future plans entail?
Right now I am dedicating myself to teaching the next generation of rising guitar stars! I have been teaching online since I left England in December 2019! I was in Vietnam and now Mexico, I now consider myself to be a digital nomad with no fixed location as such!
I have helped many guitarists to become amazing players over the years just by studying the protocols I bring to them. Guitar players such as Adam Zindani of the famous Welsh rock band “Stereophonics“have made great strides in their development following my plan! So I am fulfilled in that I know I am helping my fellow guitarists reach their potential and this will be my thing for the next couple of years at least! I have the bug for traveling and as long as I have a good wifi connection I’m good to go!!”
Any advice to a New Player starting out now?
Definitely try to find a great teacher- this is invaluable- I credit 3 teachers from my formative years that really helped me, inspired me, made sure I didn’t pick up any bad habits, etc!” “Having a teacher is also having a mentor, someone who can drive you on, all too much these days people rely on videos from YouTube, etc, not saying you can’t learn from this source but I would say this has to be a bonus rather than the main source of learning!
Make sure you split your practice time accordingly so you can cover the main areas of musicianship- I consider them to be Technique, Theory, Ear Training, and Improvisation!” Rob Mills is a Fellow who seems to find equal excitement and joy in everything he does.
Rob Mills“Lessons from The Diamond Mine” 33
He is now Heading up “Rockstar Guitar School” linked below. I certainly recommend him as He has such a life of trial-by-fire experience as well as knowledge of the instrument. Be it simple economical acoustic work or ripping Metal and I’ve no doubt anything in between This is the Man https://rockstarguitarschool.co.uk/
We here at Guitardoor look forward to seeing what Mr. Mills is up to it in the years ahead. Stay in Touch Rob, I know there shall be nothing boring in the book of your life!
Check out Robs Lessons for the Diamond Mine on his Guitarrockschool
Ian Sloan “The Axe Wielding Officer”
London’s Guitarist Ian Sloan The Axe Wielding Officer takes us back to the reason we started Guitardoor. We cover some Legendary players, yes, but we want to highlight and spotlight the greats who are lesser-known. Lesser known is not “Less”, we view everyone the same. The Human Level is equal. This is how Axe Wielding Officer with the British Transport Police Ian Sloan got into guitar, some of his playing and thoughts in his guitardoor interview. If you would like to do your own get in touch with us.
Not only is he a Great Great player, but he is also very down-to-Earth. Sometimes you have to look a minute to find that. When we reached out to him one of his questions was “Why would you want ME on Guitardoor?” Well, Kicking Jams, has a Humble nature, and a sense of humor. Ding-Ding!
Chris had sent a post from a guitar group that wasn’t necessarily a Rant, more a statement that happens more often than it should of someone being super critical of his playing. It is my hope that when all is said and done He who shall remain nameless, realizes HE did us a favor because now we know of Ian. Part two Ian is here and Nameless is not and thirdly. You picked on a POLICE OFFICER! (my inaudible Laughter goes here). Nudge Nudge, Wink Wink, Say no more!
Ian police officer with the British transport police for 30+ years
The Axe Wielding Officer Playing A Gary Moore Style Track With his Strat Video
He is one of the most well-rounded players I’ve seen in a very long time. There is speed and Flurries of notes, balanced with perfect long hold notes and vibrato. He plays as well as any Professional. Knowledgeable and tasteful and has tone for days. I actually at first glance thought he was Andy Powell of “Wishbone Ash”. Then I was wrong. Then I wanted to know exactly who the Hell am I seeing. Then I wanted Chinese food. That’s for another time.
How did you come to the Guitar and what were your inspirations?
Funny story really. I’d always grown up knowing that my uncle Billy was a guitarist although I never played. It should be known that he was my main influence in taking up the guitar, that and the fact that my parents wouldn’t allow me to have a motorbike stating that I couldn’t fall off a guitar and kill myself. This was when I was 15.
At this point in my life in the late ’70s, I had 2 records to my name, “Waterloo” by Abba and “Substitute” by The Band” Clout “.
In 1978, a school friend offered me the chance to buy an album his sister hated. I took it home, gave it a listen, and immediately fell in love with the opening chords to “Don’t look back” by Boston. That’s where the Love affair with rock music began and obviously guitars. Boston was the first band I ever saw playing live. Amazing experience.
Tell us a bit about your Guitars through your time…and how long have you been involved?
From then I bought my first real quality guitar, a 1981 Gibson explorer after falling in love with the shape of it after seeing the video for “Babe” by Styx. After that, I purchased a 3 pickup Gibson Les Paul Custom which I later sold in 1988.
I was in various bands, went into the studio to do demos 3 times, and apparently, a song I’d written had received interest from a company who wanted it for a compilation album although I heard no more about this.
In the mid 90’s I purchased a 1973 Flying V from a personal friend who was the lead guitarist in a British rock band called” FM “ fronted by this friend Chris’s brother (highly regarded vocalist and close personal friend of mine) Steve Overland.
My wonderful supportive wife bought me for my 40th a Mid 80’s Tangle Wood Chicago (played on several posts) which is a guitar that has great sentimental value.
Over the years following, I neglected to practice or play in any bands. In 2018 I bought myself a 2010 Gibson V recently christened “LIBERTY” which is what I play most of my posts on.
In May 2020 my uncle, inspiration, and the main reason I took up guitar sadly passed with Covid. I was fortunate enough to be given one of His guitars (the Tele) which I treasure for obvious reasons and I love playing it. I’ve since added a 1994 Stratocaster and a Tangle Wood acoustic, all of which are great guitars.
Ian Playing A Pink Floyd Style Improvisation on a Cherry Red Gibson 335
What would you say to a person picking up the guitar right now?
The only advice I feel I could give any aspiring guitarist is never to give up. Work through the hard times because you will come out the other side stronger and better. Play because it’s a passion and enjoy what is a lifelong ride.
Guitar playing for me is a passion and by far the most important element in my opinion is feeling and soul within your notes. Speed, whilst impressive, isn’t an important element to me although I admire people who possess that skill. I feel my best attribute is my vibrato and intonation.
Ian expressed the fact his other inspiration, His Wife, a Charge Nurse, he told me the inspiration isn’t always just the man behind the guitar, It’s Often the Woman behind the man. Lastly another tip of the hat to his Late Uncle. “ Anytime in a playing The white Telecaster that was one of his guitars and was given to me to keep his legacy alive.”
Keep your eyes and ears on Ian Sloan. He’s Playing like a House on Fire and if I put my money down he will just keep getting better. Few know how to Balance the fire with finesse. Few know how to speak through the instrument, making it truly sing. The Axe Wielding Officer Ian Sloan knows how to make it sing.
AC/DC Most Overlooked and Underrated Albums
A collection of the AD/DC Most Overlooked and Underrated Albums you may never have heard as many fans of AC/DC will probably just listen to just one album all the time like Highway to Hell and forget about the rest of the AC/DC Most Underrated albums . When it comes to AC/DC Albums most will agree “Back In Black” is hands down the most popular album from The Thunder from Down Under..and Rightfully so. “For those About to Rock” is right there too. These are some of the biggest albums from the Furious AC/DC. There are a few that constantly get less credit for reasons unknown…. you can stream these albums on music streaming sites like spotify but having a physical copy of the music is always the best opting as we promote buying directly from artists.
AC/DC Most Overlooked and Underrated Albums To Rock With
“Flick of The Switch” is one of my two most overlooked and underrated AC/DC albums that I proudly include in my Favorites from the entire catalog. This album captures the essence of high-octane rock and roll, feeling like a muscle car roaring down a back road at 100 mph. The first time I experienced it, I was struck by its raw energy and powerful riffs, which perfectly accompany moments of adrenaline and freedom. A huge shoutout to my New Albany, Ohio Lunatic Mentors, who played a significant role in shaping my appreciation for this phenomenal band.
Right from the opening track, “Rising Power,” the album delivers a potent blend of electrifying guitar work and driving rhythms that embody the very spirit of rock music. The guitar playing on this record is particularly noteworthy; it’s gritty and aggressive, with Angus Young’s unmistakable solos slicing through the mix like a hot knife through butter. The thunderous riffs and powerful chords create an atmosphere that is both exhilarating and rebellious, making it clear that this album is meant to be played loud.
Tracks like “This House is on Fire” and “Nervous Shakedown” are simply hell-raising anthems, perfectly encapsulating the quintessential themes of beer drinking and breaking the law. Each song pulsates with a sense of urgency, and the lyrics resonate with a wild spirit that is hard to resist. The guitar work, in particular, drives these tracks forward, propelling them into the realm of unforgettable rock classics.
“Flick of The Switch” is not just an album; it’s an experience that resonates with anyone who appreciates the raw power of rock music. From its hard-hitting tracks to its exceptional guitar playing, this record truly goes to 11, reminding us why AC/DC remains one of the most iconic bands in rock history. Whether you’re cranked up in your car or jamming out at home, this album is a perfect soundtrack for those unforgettable, wild moments that make life exhilarating.
“If You Want Blood” is undoubtedly one of Bon Scott’s finest hours and collectively stands as one of the best live albums you will ever hear. Recorded at the iconic Apollo Theater in Glasgow, Scotland, in 1978, this album captures an unrelenting jam from AC/DC at the very peak of their powers. From the moment you press play, you’re thrust into an electrifying atmosphere that showcases the band’s incredible energy and musical prowess.
The album opens with the powerful track “Riff Raff,” which sets the tone for an exhilarating ride through classic rock. The rawness of Bon Scott’s voice combined with the band’s fiery guitar riffs showcases the extraordinary talent of lead guitarist Angus Young, whose iconic playing elevates each song. His driving riffs and explosive solos reverberate throughout the record, creating a visceral experience that is hard to match. As the album progresses, you can feel the connection between the band and the audience, reinforcing AC/DC’s reputation as one of the greatest rock bands ever.
As you move through tracks like “High Voltage” and “Whole Lotta Rosie,” the album demonstrates not just the power of their anthemic songs but also the incredible musicianship that supports them. The guitar work is nothing short of legendary, with Angus’s signature sound cutting through every song like a beacon of rock n’ roll brilliance. You can hear the passion and energy in his playing, making it easy to visualize the exhilarating live experience that fans were treated to that night.
The album comes to a thrilling conclusion with “Rocker,” leaving listeners wanting more and fully engaged with the explosive energy that only a live performance can deliver. It’s not only about the music, though; “If You Want Blood” is also in the running for the coolest album cover ever, perfectly encapsulating the rebellious spirit of the band and the explosive nature of their music.
In essence, “If You Want Blood” is more than just a live album; it’s a powerful document of AC/DC in their element, delivering the raw, unfiltered energy of rock music at its finest. Whether you’re a long-time fan or new to the band, this album is an essential listen that showcases the thrilling guitar work and unforgettable charisma that has solidified AC/DC’s place in rock history.
“Powerage,” a cornerstone in AC/DC’s discography, not only served as the catalyst for the live recording you mentioned but also stands as a testament to the band’s raw energy and musical prowess. Even if the album contained nothing but the electrifying rocker “Sin City,” it would undoubtedly be a prized possession for any fan. However, the true value of “Powerage” lies in its abundance of killer tracks.
The scorching intensity of “Down Payment Blues” and “Rock N Roll Damnation” solidifies the album’s place among AC/DC’s underrated classics. These songs showcase the band’s signature blend of blues-infused rock and relentless rhythm, leaving a lasting impression on listeners.
From Sin City Live 1978 AC/DC Most Underrated albums tracks
To complete this exploration of AC/DC’s underrated albums, it’s essential to highlight a visual masterpiece that captures the band’s electrifying live energy. If you haven’t already, seek out the DVD “Let There Be Rock.” Recorded in France during the iconic “Highway to Hell” tour in 1979, this documentary offers an unparalleled glimpse into the band’s raw power and the unforgettable presence of Bon Scott. It’s a must-have for any AC/DC fan, serving as a timeless tribute to the legendary vocalist and the band’s enduring legacy.
John Campbell, the Steel Guitar Hero
Today’s article will delve into the world of John Campbell, a renowned steel guitar hero. After the tragic passing of Stevie Ray Vaughan, my close friend Terry Carr and I were determined to find new sources of inspiration. Our quest led us to explore the works of living masters who had previously influenced players such as SRV. Join us as we explore the artistry of Campbell and the impact it has had on the music industry.
Buddy Guy had been on our radar for a while, but we never expected to see him live. However, we were fortunate enough to experience an incredible performance.”My friends and I are excited to see Buddy Guy, the blues legend who made Jimi Hendrix jump, perform at Staches in Columbus. The venue is a small and hot sweaty bar, but we are heading there full throttle. When we arrived, an opening act was already on stage. However, we were stopped in our tracks before any note was played.”
A striking figure of a man named John Campbell a future steel guitar hero is getting seated, in a Buckskin Jacket, with All manner of bones, and odd Regalia on him.
To be perfectly Honest this cat was scary. He had lines of experience on his face, He also had scars and when he looked around the crowd the intensity of his gaze was a cold chill.
He was in no hurry as his time was his time and he was holding a 1934 National Steel Guitar he explained she was old and a bit temperamental to get in tune. Then he cut loose with a version of Son House’s “Pony Blues” and his delivery of vocal deep dark growling half talking half preaching was perfectly matched to the Blues coming softly at first from the old 34, Tension Building until he poured on the Gasoline and that little bar turned into a Raging Juke Joint.
Video JOHN CAMPBELL STEEL GUITAR HERO
He was touring on the second album, and the first released on a Major Label titled “One Believer” and Buddy was on his comeback with “You Damn Right I Got the Blues”. John being born in Louisiana and having lived in Texas was no imitator of the Blues, He was carrying on a Tradition, In More ways than one.
John Campbell Howlin’ Mercy
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There’s not much talked about his interest and education in the Southern practice of voodoo but it was more than understood that it was part of his surroundings.
Lines Like “ I taught the Hell Hound to sit, I cheated Satan Playing Cards. I pulled a knife on the Devil when he Damned my heart.”From His 1993 release “Howlin Mercy” Campbell was no Poser, He meant his business.
This was a Rocking set, but it wasn’t all about fun, and let’s have a good time. He was telling you something deep, it was up to you if you took it in or you just waited on Buddy.
His was no image, Hair down halfway to his waist, Pulled back and the small adornments didn’t come from some executive’s idea of Image, John was who he was. Like it or leave it. I think he believed and fought the same struggles many of us do, in Spiritual warfare.
John’s song “Down in the Hole” Where singing of Jesus saving your soul if you can Keep the Devil down. Same with Son House, battling his mission between The Blues and the Church and the Devil music debate.
Like the late great Link Wray this guy Campbell also embraced Native American Culture and Spirituality in Using the “Medicine Stick”, The Skull of a Coyote with Bags, bones, Beads, and Feathers Campbell would employ as a Tribal Percussion instrument. I believe he as the Biblical writings go “Tested the Spirits”.
He had a total of 4 albums during his life 1975: Street Suite (Sync)
1988: A Man And His Blues (Cross Cut) Released 1994
1991: One Believer (Elektra)
1993: Howlin Mercy (Elektra)
And one posthumous Release
2000: Tyler, Texas Session (Sphere Sound)
On June 13, 1993, Campbell died from heart failure as he slept at his Manhattan home in New York City. He was 41 years old. Many Tributes were given from The New York Times to Music genius Chris Whitley.
It’s funny how music can almost stick in your head even Subliminally. I Only Saw John live once in 1991 and heard a particular song that night. This morning as I was writing this I went back over some of his Material and a guitar line stuck out that had popped in my head around 2013 In a tune I wrote called “Creeping Crow” from one of my Solo records and then a Live Staple for the Band “Black Cat Mass”.
Influences are fascinating in that you don’t immediately know they were influences and inspirations. Yet the Hour I got to witness John Campbell do his thing is still with me. He was a Mindblower.
He was a nice man offstage from my experience, yet when he took a stage He was in the Pulpit of the Blues, A Disciple of the True Delta Bluesman. Then he was gone and much too soon. R.I.P. John
