Today we are looking back at the BLACK CROWES THE AMORICA TOUR AND A Documentry about the Black Crowes. With videos such as the story behind the Amorica Tour and /a few of the best footage of the Black Crowes.
I have at times been a late bloomer on bands. The Black Crowes were not one. They appeared on my radar the same as the Rest of the world. I saw the growth from “Shake Your Money Maker” to “The Southern Harmony and Musical Companion”. I owned and wore out a few copies of these Masterworks. I however didn’t get the opportunity to go to a Crowes show until “Amorica” was released. That entire experience made up for the lag time. It had less to do with the show than what was happening about an hour and a half before they were to take the stage. With the Amorica Tour on March 14, 1995, in Cleveland, Ohio.
BLACK CROWES AMORICA TOUR And Documentary 2
The ticket purchase was a Birthday present for me. It quickly became much more than anticipated. The opening act was “The Dirty Dozen Brass Band” on Paper. The REAL Opening act was The Crowes themselves in a Reality sense. You often want to interact and witness behind-the-scenes things with your music heroes. This was weirdly perfect timing.
Our little group was walking up the sidewalk and right about the time we reached the Tour Bus on the left of us and the backstage door on our right I stopped dead in my tracks. I was asked what was happening and had to say “SHHHHH!” In a Muffled manner, I knew what I was hearing. There was nothing quite like a Band fight between Chris and Rich Robinson. Screaming, Obscenities straight from the script of “The Exorcist”, Chairs being thrown, Bottles Breaking, and this went on for a couple of minutes. Then the Door was KICKED open and Bassist Johnny Colt stormed out. Another afternoon for him watching his band explode. He walked across in front of me about 4 ft away and I just nodded at him and he shook his head in weariness and we locked eyes.
This was not the time for an autograph, his eyes told the story. It was an appreciation for not bothering him, with a pinch of “I swear if you speak to me right now I might have to kill you.” Those things don’t need to be spoken, you just know. I’d rather it have gone that way than it to have been the boring “Hey I got Johnny Colt’s autograph like millions have done before”. We had a Human Being Moment. He got on the bus. I looked over to my right and see the door is still open, so a few steps forward and I can see more chairs and bottles flying, and then Chris Robinson jumped from the food table like a Cocaine Superman to tackle to the ground brother Rich. A Huge Security Guard reaches out and slams the door. We 4 all in astonishment wondered if there would be a show or a murder. On Reflection, I knew Johnny asked himself that same question…every night.
Two Hours Later they turned in one of the best concerts you could ask for. I’ve been able to find tons of audio and video from shows the same week in other cities, some just a matter of days before or after Yet never that show. So I’ve come to this to give you a perspective on the period of the band’s life as their downward spiral began. Toronto 48 hours later. Secondly a better recording just 3 months later.
The Black Crowes – 16 March 1995 – Maple Leaf Gardens – Toronto, Ontario – Full SHow
The Black Crowes – Glastonbury Festival 1995-06-23
The dispute in Cleveland continued until the next week when they performed a series of concerts at the Beacon Theater in New York. On the opening night, the band was on the verge of canceling the entire 1995 tour and disbanding. Fortunately, their management persuaded them to stay united. Hence, the show I attended was nearly the only show I experienced.
Album and AMORICA TOUR
It’s an album that had to grow on many of us. Southern Harmony was undoubtedly impossible to follow and in time you realized that songs like “Wiser Time” “Gone” “A Conspiracy” worked well. They were living in their own World they did state publicly that was “AMORICA”, emphasis or the MORE. It’s astounding they survived those 2 years and the years of Darkness that followed. In Hindsight it is a solid album and they did find their feet again.
Chris and Rich Robinson are much like Phil and Don Everly. This was not Wake up Little Suzy, this was two brothers who carried a love Hate trip. This is not unusual in the least with the exception of the fights that were in the press, in front of cameras, and the fans. Without them, you had no Crowes. I’ve followed their separate careers and attended a “Chris Robinson Brotherhood” show and was mighty impressed. Chris just has the Voice only he can deliver, a Soulful Monster.
He has always had the Mouth as well, quick with a joke or Hilariously sarcasm as we call them “Chrisism”. Rich is from the school of Keith Richards. Solid, yet being a Grateful Dead Head he navigated the sounds in directions that were more often fabulous and kept the band from stagnating. He also came into his own voice as a solo artist and singer. The entire band lineup was picked by Jimmy Page to do a tour founded on the music of Zeppelin so that should in itself be enough to tell you their talents. They are currently reformed as The Black Crowes, with the Brothers being the only two from the original band.
Drummer Steve Gorman is one of my favorite drummers. He is never Flash. He has an understated groove that is always Just right. I firmly believe he can do more than we fans have ever seen, but he has a level head and serves the song. His Groove is hypnotic. I began to learn to play drums myself in 2007 and in my writing and recordings I subconsciously founded my own thoughts based solely on Steve. He was also much Like The Rolling Stones Bill Wyman the archivist and memory of the band and here we have been given the unflinching truths in his memoir “Hard to Handle”. Steve Gorman details The Black Crowes Breakup, talks about how he taught Jimmy Page how to nap
Marc Ford has always been one of my favorite players. I was fortunate enough to see him in 1995 and then upfront in 2006 during his short 2nd membership in the band. He had redeemed his life as he has often spoken with brutal honesty about his addiction and road to sobriety. He was let go as he did reach the point of not knowing where he was and might well be playing in a different key and on occasion playing entirely different sand than the band. They simply began to turn him off the soundboard. The 2006 shows were him back on A Game, but he departed to protect his hard-won sobriety. He was his brilliant self on this show. Lightning does strike twice in the right circumstances.
The Black Crowes – Lifestyle Communities Pavilion, Columbus, OH 2006-08-01 (full show, audio only)
Johnny Colt turned in his walking papers in 1997 and pursued all manner of musical projects. I recently heard that he was playing Bass with Lynyrd Skynyrd. You can keep up with all things Colt here on Colt.
Ed Harsch was The Glue. He came to the Crowes from an already successful band “The Detroit Cobras” was Keyboard Player Chuck Levell had contributed to the band’s first album but was busy with other projects, the largest of which was being in The Rolling Stones. Ed was just a Brilliant part of the band and was happy to be there. I don’t recall ever seeing him in my many shows without a smile on his face. Sadly the world lost “Old Weird Ed” in 2016.
The Magpie Salute – Gramercy Theatre – Eddie Harsch Tribute Live
After the initial reaction and reception of “Amorica”, it is now looking back over the shoulder a Great work against all odds against it. It was much Like the Rolling Stones “Exile on Main Street” in that over time it progressed from “What the Hell is this?” to “Alright I get it.” Change is never-ending and they were a band that was not afraid to experiment, even if it fell flat on its face. That is something to be respected. They Never once played it safe.
The Black Crowes had many many lineup changes over 30 years and some stellar players, from Audley Freed to Luther Dickinson and Jackie Green paid their dues on the guitar,. Sven Pipien and Greg Rzab are on Bass duty. From 1995’s “Amorica” there was the lost period, They continued making records but it only came back into focus with 2001’s “Lions”. Some argue about that but in my opinion, it was the Redemption album.
I would be remiss If I didn’t mention Original Guitarist Jeff Cease He worked with the band throughout the first album and tour before being fired partly according to the band his lack of musical progress and the Pot calling the Kettle black “substance abuse.”
I had some discussions for about a year in 2010 with Jeff. At first, he was not having it and remained silent. Finally one day I wrote to him again and said “I’m not here to talk about the Crowes, I’m here to talk about YOU.” That broke the ice and we discussed bands he had been in and I tried for a number of months to encourage him in some solo efforts. He expressed that he had become the go-to Guitarist for the tours of the “American Idol” winners and was content doing that. He did also express he found his niche as at that time in Nashville they were fewer Les Paul players and it made him stand out a bit. In hindsight as the acts coming out of the Nashville Industry are somewhat reaping the benefit of the Les Paul Standard as a tool in the new growth of country-related music. He was a great conversationalist and a pleasure to speak with. As happens in life the conversations just got put by the wayside
As it seems the core of the Black Crowes may remain forever by the wayside as well music fans were well gifted with mostly great music. They had their moments of confusion and a few records that left many scratching their heads. No matter how weird and Dark things got there was always one or two shining moments on the record, but on the stage was where they lived. One the road was where they thrived, and in History was where they Rocked. Let the Feathers Fly where they may…. It was a Hell of a mayhem band. Thanks for the memories and the Jams.
Documentary The Black Crowes
Originally we included the VH1 Behind the Music Documentary on the Black Crowes but we have found some copyright issues using the video so instead we are including this video documentary on the Black Crowes from Much More Music
Documentary About The Black Crowes
Lord of the Riffs Keith Richards
Lord of the riffs you could call Keith Richards below we are featuring some of his greatest performances and some background to his playing style
Brian Jones found the Double edge sword when he Founded The Rolling Stones. He was the Most experimental and eclectic but The Jagger/Richards songwriting team soon emerged.Mick and Keith came to the front in short order and have remained there not only in the songs but the Image of The Greatest Rock N Roll Band in the World.
Keith and Stevie Ray Vaughan are the Primary two Guitarists I can call my go to guitar players for inspiration. As Keith was the first to make me get serious, Later He made me enjoy the art of Rhythm Guitar and informed my Guitar writing style. It would be a mix of the Rhythms and The Riff that I learned after the Lead Guitar had been accomplished.
It was a backwards evolution for me, but growing older and wiser I found that for one, it’s difficult to write a Riff that is not already written, and two There is a lot of fun to be had in the Rhythm Guitar.
There are 3 million dynamics and ways to play the same chord. Each has its own Character. Sometimes Silence and letting the air breathe between the right hand attack is the most important aspect. The silence in Between, can make all the difference in the song.
Lord of the Riffs Keith Richards 5
I worked Backwards in the inspiration as well. I discovered the Rolling Stones in 1981 and worked my way back to the beginning. It is even now a special time in the Band’s Many chapters. The Film “Let’s spend the Night Together” was new in 1982 and the Live album of the tour “Still Life “ was the very first vinyl I ever bought. Those two things were my college education at the age of 10.
If you are one able to focus on just one specific part of a band playing. Keith’s work here on “Shattered” you will hear what I mean in so many ways to play the same basics with a ton of different Variations. It is part Post Punk and part 1950’s Eddie Cochran.
The Rolling Stones – Shattered – From The Vault – Hampton Coliseum – Live In 1981
The Blues as Opera.
The Best version to my knowledge is still from the 1969 Live album “Get Yer Ya Ya’s Out” But this would get my second vote. The Blues as the foundation for a tale of “Jack The Ripper” could only come from Mick and Keith. The overall Vibe and the time changes here are quite the education. I’ve only ever played this live with one drummer who got the time switches right. It is one of His best Compositional Roller Coaster rides.
Riff Lord Keith With the Rolling Stones Ladies and Gentlemen Midnight Rambler
Menacing is the word to describe Keith’s work in “Gimme Shelter” . It’s a tough bet to find 3 chords that convey as much atmosphere and sinister feel. Keef has always made simplicity shine.
Rolling Stones Gimme Shelter 1975 LA Forum
I think the other Factor with Keith and Ron Wood as well is they made it just look like so much fun. Little communications unspoken with eye contact or a nod and wink to me were a Hallmark of Improvisational Greatness. The set list might not change but the Stones never played a song the exact same way twice. Much Like Our Dear Departed, Charlie Watts had said they are a Rock Band that plays like a Jazz band. You never knew what might happen.
I have a personal theory. When the Solo album wars between Mick and Keith came around in the later 1980’s and The Stones as a Band was in question Keith found another Great Band. Steve Jordan was with Charlie Drayton switching off drum and Bass duty. Keith had always said he couldn’t see playing with anyone but Charlie Watts, until Jordan. I think Charlie Picked Steve Jordan so The Stones would carry on and I doubt Keith would have stepped on that stage with anyone else but Steve. Here are a couple examples of Steve Jordan’s talents: First on Bass and then as a Rock steady drummer.
Take It So Hard / Keith Richards & X-Pensive Winos
ROLLING STONES Keith Richards and the X-Pensive Winos ‘Wicked As It Seems’ TV Boston1993
Keith’s Guitars over 50 years
Mainly a Telecaster Man, He has also used almost everything that came down the road.
He subscribes to the thought that every guitar has a song in it…He’s made an incredible use in that line of thought.
Keith Richards – History Of His Guitars
Reggae, Rock, Motown, Psychedelic, Rockabilly Guitar, Funk or the Blues Keith Richards has absorbed it all and it’s literally on call at his fingertips. There will always be the masses of us he inspired or will inspire in the future. There will never be another Keith Richards.
Hat’s off to the Man who launched a million bands, and has Kept us Rocking for 5 decades.
As The Man , The Myth and The Legend would say.. “Gold Rings on ya!”
One more for the road. Thanks for visiting we do hope you can share this or make a comment.
Monkey Man Video Tribute To Riff Lord Keith Richards
Guitar That Rocked the 80’s
What really rocked the 80’s was the 80s rock and metal scene. Metal had many names, kind of like the devil. Hair metal was king for so long, but some bands were lumped in by name only. Did you go to a Poison concert with your girlfriend? I did. But I wasn’t there for Poison. I was there for Faster Pussycat. On the bill as well was “Cinderella” and no matter what the band looked like, they were incredible. Period.
Music is such a large part of my personal Life I’ve picked 3 that have some relevance to interesting events in my life. Rather than go into the details that can be found elsewhere, I’m telling the stories from first hand experiences with more mayhem metal works stories.
The Late 1980’s and early 1990’s a few bands would change members. The Original Gun’s N Roses turned into the Legendary Band we know. The ones left regrouped and may have not succeeded to the lofty heights many others did, but they still Kicked some ass.Let’s look at a few. (Warning if language involved in their videos is going to offend….move along)
L.A. Guns Rocked the 80’s
Traci Guns wasn’t done when G N R changed. He, being a founding member, just switched Gears and delivered Great Contributions. I was Lucky to see them with AC/DC tearing Dayton, Ohio, Down
L.A. Guns – Rip and Tear
14 Studio albums to date this band is still going. Their Sophomore effort “Cocked N Loaded “ is still just a Fantastic Rock album and in 89 and 90 they were giving many bands a run for their money. “The Ballad of Jayne” saw the number 33 on the Billboard 100.
L.A. Guns – The Ballad Of Jayne (Official Video)
Power Ballads were never my cup of tea but I must credit the Guns for writing great songs, and being at the top of the creative end of things. Just Great band That is alive and kicking even now. Swimming Pool’s aside.
Faster Pussy Cat
Sleazy Rock N Roll, no apologies offered. I first found them in the film “Decline of Western Civilization part 2.” Their only Goal was a good time, and they had them to the Limits of The Likes of Led Zeppelin. Rock is supposed to be about Rebellion. These cats delivered
Faster Pussycat Cathouse and Bathroom Wall Live
I was in for a shock when I went to see them live, and they lived by shock factor but this was a different thing. When they got done with their set at the Now Long Gone Polaris Amphitheater they didn’t do the Rock Star thing and disappear to the bus.
They came out to the area we were in and hung out and partied with the crowd. They Gave two great shows that night. One was onstage, and the other was better. They showed us they were of the people. Major Respect earned by us all.
Faster Pussycat – Live in Detroit, MI (1990)
Motley Crue
When we speak of what rocked the 80’s Motley Crue were an exception. Motley were what you can call “Hair Band Metal” yes absolutely but the music Mattered more by far espeicly to the Motley Crue Band Members.
There is very little to none to knock them for. One of the Hardest working bands ever. They earned their place and deserve to be remembered for it. No Matter the Hedonism, and certainly not role models in their personal life. The Record and the Stage was the key and they Owned it, everywhere they went.
Mötley Crüe – Live Wire (Official Music Video)
I found out about them far before “Shout at the Devil” was ever released. I was a kid on a school bus and I was a bit of the wallflower. I was Living in the Columbus suburb Grove City and was being relentlessly Bullied by a couple fools much older than I. One day we had a new Student who relocated and she was The Dream Girl.
Beautiful Blonde with definite Street cred. Something was said on her second day on the bus and she walked up and absolutely Clobbered these two idiots.
One had a broken Nose, the other had a new dentist most likely the next morning, she grabbed me by the arm and said “You are with me now, everyday.” So we talked a lot about music and she loaned me “Too Fast for Love.” over a weekend. In about a four month period I got an education. Then Like a Ghost she was gone.
Motley Crue – Live in Ohio
These bands stood out from the Masses. It’s definitely tough to do and they did it Very well.
To have Clawed their way to the recognition they achieved was no small feat. Most Have probably seen the Mick Mars interview inhis home 1984 already but I’m including it below if you haven’t. It will give you some idea of the magnitude of who were all trying to get there. It will give you a laugh or two as ego’s often outweigh Logic. The California Rock and Metal scene could easily have been the first “American Idol”. Not everyone can be the next star….But you will give it your very best.
In Closing “Hey Ghost Girl….You might be reading this. Thank you. If anyone ever Rocked the 80’s it was you!”
The Decline Of Western Civilization part 2 The Metal Years Spanish Subtitles
DR FeelGood Better Than Any Doctor
The music of DR Feelgood is what you need to pick you up. One of the highlights of working Guitardoor is Myself Knowing what I know in the musical history and current scene, gets combined with Chris’s knowledge and our Guidance from Pete Feenstra. This means we all 3 are constantly teaching each other about bands we don’t know about. Chris just turned me on to Dr. Feelgood and Guitarist Wilko Johnson. These new gems of music we pass back and forth are priceless to us. I must say I have a new favorite on the list now. I Love this music.
Works Like Baby Jane, Going back home, She does it Right and so many others are quirky in the best of ways. Simple and catchy, yet not dumbed down to be popular. The Band knew how to write a fun body of music, accessible without compromising.
Milk and Alcohol.
Two minutes and 40 seconds of Genius. Every aspect of it is right. Groove, Melody, and a stinging to the point guitar lead. As a songwriter, I know the difficulty of writing a song that embodies everything you want in that short time period. They make it look easy. Brilliant!
Dr. Feelgood – Roxette
This was the first song I was privy to. It was at first a study in Guitarface and Wilko’s robot chicken moves. On the second viewing, I got it. His “Frailing” or “Clawhammer” Banjo approach to the guitar is something very familiar to me as a former Bluegrass player. I still today have to employ that when I drop the Plectrum and go to bare hands on. The idea of his style being Primarily based on that is amazingly innovative.
It’s also painful, literally. That speaks to the dedication of his playing down a different road. The song itself with a unique time signature Hint’s of Reggae and Blues structure in a straight-up Roots Rock number Knocks me out.
Dr. Feelgood Southend Kursaal (15 minutes of magic in the 4 songs)
!5 mins of Magic at Southend Kursaal. The Venue is Genuine History. Opened in 1894 and progressed to the world’s first True amusement park in 1910. The Landmark was at other times a Greyhound racing park. 1948 on its showcase was the Ballroom for musical events. By the 1970’s it was considered, THE place to play Rock N’ Roll and was host to Deep Purple, Thin Lizzy, Black Sabbath, and AC/DC as well as Dr, Feelgood. Its functional beauty was a sight to behold. I encourage you to research the History on your own. It is one of the world’s most captivating stories and Venues.
Documentry The Ecstasy of Wilko Johnson
Wilko was diagnosed in January of 2013 with inoperable pancreatic cancer. This documentary shows his inspirational view of Mortality. His guitar playing was unique and so was his view on living life for the first time in an awakened state of Mortality. Well worth your time if you have an interest in the human condition of life and death.
I personally think Dr. Feelgood picked up where the Yardbirds left off and added in their own Rock N Roll paint sets of sound. They have the Blues, The Rave ups, the Wonderful Harmonica, and vocals of Lee Brilleaux. On the other hand, there is no other band quite like them and the works and Legacy left is its own Testament to a simple and Hardworking Band whose works are beyond the recognition deserved. I can tell you they have one more fan today than they had yesterday. Five stars for the Sounds and tons of Love for Making us Truly “Feel Good”. If you are a guitar player and want to try out playing like Steve Wilko check out this video and thanks for reading and watching, please leave a comment, or share this on Facebook and Twitter to join the discussion.
Other People Playing in the Style of Doctor Feelgood Today
DR FeelGood Better Than Any Doctor 12
If you are a fan of Dr Feelgood, why not check out these works in the style of Dr Feelgood by our friends award winning songwriter/lyricist/promoter and author Pete Feenstra and former Wilko Johnson championed Feelgood Band main man, multi instrumentalist and indie artist John Simpson.
Jimi Hendrix’s Outer Space Blues
We would not be a guitarist blog if we did not mention Hendrix, We have covered Stevie Ray and Rory so Now we must address the Man who brought us the Outerspace Blues.
Part Cherokee Hendrix who once spoke of his hair as an antenna. Is being featured here on Guitardoor. Hendrix’s Native culture considered it just that. He was also a musical Shaman as long as he could stay energized and receptive to receiving the Unseen power that flowed through him. Some nights he was the conduit, other nights in the late part of his career he was playing from memory and motion of his own. In either case, He was placed here for 27 years to leave an Eternal Legacy.
Had he never played any music beyond the Performance at Monterey Pop it would have been enough. He is one moment in time that demonstrated a level of prowess that included the best aspects of his abilities. Luckily we did get so much more than that from him.
The Guitar for Jimi was part of him, He was rarely seen without it unless an airplane flight or car ride to get him to the studio or the stage became a necessary separation. His was an equal part practice and work ethic as much as it was Ethereal intervention. He became an immediately recognizable vocalist as well, as his confidence grew to do it. Although he really never accepted himself as a great vocalist.
Bold As Love – Jimi Hendrix
Bold as Love Hendricks
Fashion
It might seem odd to discuss his Clothing in a guitar forum yet as his popularity grew so did the money and he was a colorful figure in that part of his personality as well. He had no Stage clothes vs. Street Clothes, he wore what he wanted anywhere he wanted to. When I visited the Rock Hall of Fame in Cleveland I saw many things, part of which were the outfits from the Isle of Wight and the last show he ever played, The Isle of Fehmarn. I have a few friends who saw Jimi Live.
The most interesting story is about my Friend Nona Hatay. She is an artist in many ways. She shot a few rolls of film at Madison Square Garden and then for many years experimented with double exposures, Black and White’s photos Painted into Psychedelic life, and more recently began a clothing line incorporating some of those visuals as“Art to Wear”
You can find some of her works in the link below. I had the honor of her request for me to do a 15-minute instrumental remix of “Black Widow” for a New York fashion show she was holding.
Thank you again, Nona Hatay.
I want to Clear up something most of the world doesn’t know. When Queen guitarist Brian May inducted Def Leppard into the Hall of fame singer Joe Elliott presented a painting to Brian May from another artist, and Friend of Joe’s.
The photo and painting were presented as this other artist’s work. It was a complete ripoff of one of Nona’s most iconic works.
He didn’t paint it, he had no permission to use it and when confronted he offered insult to injury by offering something like $30 restitution. So if you are a Hendrix fan I urge you to buy some of her works.
I’ve had a few conversations with Management and Handlers of Queen and Def Leppard and I know neither band was aware they had been duped. They may still not know as their management was extremely rude and dismissive and most likely never even passed on my messages. I simply wanted them to know the truth of the matter.
He has since acknowledged it was his “Study” of her work. As far as I am concerned personally it was a study in “Oh I Got Caught”.As of now, I know no further updates on the matter, and If this upsets anyone blame ME not her. Nona Hatay is a wonderful Lady who has been a great friend for about 30 years. She is an inspiration on many levels.
Live at Madison Square Garden 18 May 1969
Hendrix tried to avoid the political realm, yet he did make his statements about the times in his music. His “Star-Spangled Banner” at Woodstock sonically was a monumental expression. The guitar Howled and screamed and perfectly simulated Bombings and sirens and the chaos that was Vietnam and Chicago. His Band of Gypsy’s performances called out more acknowledgment of violence in “Machine Gun”.
Jimi Hendrix – Band of Gypsys: Machine Gun
The Band of Gypsys was not what Management wanted and they went to extremes to cause it to go no further. One instance is Management dosing Jimi backstage with some particularly heavy and not positivity-inducing L.S.D.
Hendrix took the stage and after struggling to connect anything properly he quietly spoke to the crowd “This is what happens when Earth and Space collide” and walked off.
Not being satisfied, he was kidnapped for a few days so Management could swoop in and save him and he would feel even more in debt emotionally to conform to demands placed on him. Hendrix was the Cash Cow. He had True friends, but those were outnumbered by others who simply wanted a piece of his soul and his life.
A compromise was the New Version of “The Experience” keeping Bassist Billy Cox in with Drummer Mitch Mitchell. This version continued up until Jimi’s Death.
Jimi Hendrix – Purple Haze (Live)
He worked constantly during the period of 67 to Sept 1970 and had planned a break and wanted to work with other people, one being Miles Davis.
The final two shows were very poor choices he was pushed to do. We have commercially available the Isle of Wight, and the final show of Fehmarn has some documentation.
3 Proper Studio albums and a couple of live shows on record Show his Body of work was spectacular but brief. There are boatloads of songs he was almost finished with, some were done posthumously with Legitimate care of his vision. More than those were done because well the name sells.
His Half-Sister Janie now has had control of the output of his work and has strived to carry on his name with Class as for many years it was out of the hands of the concerned.
In His short Life, he Gifted us something no one can recreate, we guitarists will give it our best and there are many great players out there Like Randy Hansen, Having said that, Jimi Hendrix came and conquered and left the planet, and no matter how hard we may try There is no Hendrix waiting to happen. Stevie Ray Vaughan gave us incredible takes on Jimi’s music but were he here today he would agree, there was only one Jimi.
He created the form, and the sounds, and had the incredible ability to play the guitar strung left or right-handed. He also left his Baby, Electric Lady Studios that can be visited and performed in even now. What a treasure Lost, what Legend left, what an artist that only sought Love and Truth.
Jimi Hendrix last performance at the Love & Peace Festival 1970, Germany, part 3
He also always strived for Peace. He rests now in Peace forever. I leave this summary on a high note. Jimi is at his best.
The Jimi Hendrix Experience – Like A Rolling Stone (from Winterland) (Music Video)
Featured guitarist Paul Wildman Doing Hendrix Style Licks
If you are eager to learn to play like Hendricks why not check out this voodoo child guitar lick by a previously featured guitarist Paul Wildman on his Facebook page and YouTube channel
Jimmy Page Guitar Magic From A Mystery Man
I am one of Many who as a teen owned some form of Les Paul Copy and a Mirror. We wanted to be Jimmy Page. Low-slung guitar strap and one of many copies of the first Two Led Zep albums were part of our inspiration. The Riff from “Whole Lotta Love” was often the first order of business. Decades later we still find “Black Dog” and the DADGAD Tuning for “Kashmir” a bit perplexing. Many Danelectro Black and Whites were sold due to “White Summer/Black Mountainside”. I’ve owned two myself at different times.
For myself, the Yardbirds Live 1968 album was the kickoff.
The Yardbirds – live Bouton Rouge (Colourised) 1968
https://www.youtube.com/watch?v=8lRcRlMjyBM
The Yardbirds › Yardbirds ’68 (FULL ALBUM)
Taking on the Band and laying the template for Led Zeppelin as well as using his sound and production skills he was visionary light years ahead of his time and age. I was fascinated with the Wah Wah pedal as a Page fan before I dug into Jimi Hendrix and Stevie Ray Vaughan. His use of it was worlds apart from other players. It gave it its own identity due to its use and not overuse of the effect. “Dazed and Confused” in both bands was a great study in the right placement and timing of that tool of sonic color.
“How Many More Times” on album one had an atmospheric quality that like most of his work still carries over to the present. It’s got the proper Mojo in so many ways.
Led Zeppelin – How Many More Times (Danmarks Radio 1969)
Led Zep 3 was at first a bit of a letdown, most expecting more of the same, then met with a wealth of acoustic works. In time and wisdom, one can appreciate this 3rd outing as expansion. Expansion is always a good thing for an artist, if not their public.
Now we come to The Fourth and the Mysticism rumors are now a bit more concrete. The page never really shied away from being interested in the Occult and otherworldly Plains, but the Sigils and other conversations akin to Robert Johnson’s deal at the crossroads were being talked about as much as the incredible music.
Jimmy Page opens up about the Occult ,Satan and the Golden Dawn
The Curse of Led Zeppelin | Music’s Dark Side
The Musician
muse1
noun
1. (in Greek and Roman mythology) each of nine goddesses, the daughters of Zeus and Mnemosyne, who preside over the arts and sciences.
a person or personified force who is the source of inspiration for a creative artist.
I have often had thoughts and conversations for 25 years of the Nature of Musicians capable of improvisational skills at a high level and often a player for lack of a better word “Channeling”, watching the hands move without a premeditated conscious effort. The line From the Grateful Dead is “when the music plays the band.” Why? Because I have had the experience happen to me.
So for good or ill Page is a master of allowing the muse to flow and flourish
He certainly upped the interests by his work as a composer for film scores including “Death Wish 2” but more notoriously being asked by Kenneth Anger in 1973 to score 40 mins for his short film “Lucifer Rising” Page delivered only 20 mins as he had lost interest and by some opinion found a new interest in Heroin. He eventually shed the addiction, and always seemed “The Comeback Kid”, The Cat with 9 lives.
Jimmy Page – Lucifer Rising (Complete Session Remastered)
The Biblical reference of “Test the spirits to see if they are of good or evil” Has most definitely been Tested by Page.
Jimmy Page’s best performance of “White Summer”
Led Zeppelin – Live in Cleveland (April 27th, 1977) – restored 8mm film
Regardless of how much truth or fiction is involved Jimmy Page remains Happy Healthy and active. No Matter the time periods or the gear, from the Dragon Telecaster to the Les Paul formerly owned by Guitarist Joe Walsh Jimmy is an eclectic individual and Musician.
Always with a twinkle in his eye of “I know something you don’t know.”
Many People have been critical of Page as being “Sloppy” and rough around the edges, you must realize regardless of your opinion that Criticism is hard to fully embrace as Pages’ net worth in 2021 is over 170 Million Dollars. He’s been doing something right, like it or not. Maybe he did sell his soul to the devil for guitar skills with that kind of money.
ZOSO Has been there, done that, excelled at it all, and can still amaze an audience of all ages and create excitement with his Physical Presence as well as his Leadership on the Stage like the best bluesman doing the shuffle.
From His solo works, collaborations in “The Firm” and his work with The Black Crowes the music he’s made will continue to last the tests of time. Whatever He’s followed in his private life, He has made an impact on the music world, not only as a player but as an enigma. How he got there is all told we don’t know, But he got there and will always be the Pioneer of Image and sound.
Led Zeppelin – Kashmir (Live from Celebration Day) (Official Video)
Title: “Brian Jones: The Multi-Instrumentalist Maestro of Sound”
Let’s begin by recognizing that musician Brian Jones of the Rolling Stones was not just a skilled Teardrop guitar player; he was a true pioneer in his field and a remarkable multi-instrumentalist often referred to as a “Wizard of Sound.” Jones showcased exceptional talent across a variety of instruments, including the saxophone, keyboards, and mellotron, earning him the reputation of a musical genius.
His influence on The Rolling Stones was profound, as he was a founding member who played a vital role in shaping the band’s iconic sound and style. Brian Jones’s musical intuition and creativity contributed to some of the group’s most memorable tracks, including “Paint It Black,” “Under My Thumb,” and “Ruby Tuesday.” His innovative use of unconventional instruments and experimental techniques introduced a fresh and distinctive sound that set the band apart from their contemporaries.
Musician Brian Jones Beyond The Rolling Stones
Beyond the Stones, Jones’ influence on the wider music scene cannot be overstated. He was a trailblazer in using Eastern and African musical influences in rock music, and his innovative approach paved the way for countless artists who followed in his footsteps. Jones’ legacy lives on today, as his contributions to music continue to be celebrated and recognized by fans and fellow musicians alike.In conclusion, Brian Jones was a true musical visionary whose impact on The Rolling Stones and the broader landscape of music cannot be overstated. His legacy as a multi-instrumentalist and a “Wizard of Sound” will continue to inspire and influence generations of musicians to come.
Rolling Stones – Paint It Black LIVE (1966)
As amusicianBrian Jones was a talented and versatile musician who exceeded the traditional role of a guitarist. He was a virtuoso who effortlessly played various instruments. Although he was widely recognized for his slide and rhythm guitar skills, Jones continued to evolve as an artist by embracing new sounds and techniques and adapting to the band’s changing dynamics. His innovative approach and versatility breathed new life into the Stones’ iconic tracks, shaping the sonic landscape of the 1960s.
Exploring Jones’ Instrumental Palette: Jones’ musical palette was vast and eclectic, reflecting his insatiable curiosity and thirst for experimentation. In compositions like “Paint it Black,” his mastery of the sitar and deep-rooted understanding of Eastern musical traditions added layers of richness and complexity, transcending the boundaries of conventional rock music. Similarly, in the hauntingly beautiful “Lady Jane,” Jones’ delicate touch on the dulcimer transformed the song into a timeless masterpiece, captivating listeners with its ethereal charm.
Rolling Stones – Lady Jane(1966)
Brian Jones was a musician who refused to be limited by the confines of traditional musical instruments. He was constantly striving to push the boundaries of sound and explore new sonic frontiers. In his groundbreaking tracks “Citadel” and “2000 Light Years From Home,” Jones experimented with unconventional instruments such as the flute, horns, and the Mellotron. Jones’s use of these instruments in these tracks was nothing short of revolutionary. He blended these unconventional sounds with traditional rock instruments to create a unique and innovative sound that had never been heard before. His mastery of these instruments allowed him to create music that was both complex and deeply emotional. Through his experimentation, Jones propelled the Rolling Stones into uncharted territories of psychedelia, ushering in a new era of musical innovation and artistic expression. He was a true pioneer in his field, constantly pushing the boundaries of what was possible and inspiring generations of musicians to follow in his footsteps.
The Rolling Stones – Citadel (Official Lyric Video)
Beyond The Rolling Stones: Jones’s musical legacy extends far beyond his tenure with the Stones. His insatiable appetite for musical exploration led him to engage in diverse projects, including the creation of the film score for “A Degree of Murder” and his collaboration with the Master Musicians of Joujouka. These endeavors showcased Jones’s eclectic tastes and his unwavering commitment to pushing the boundaries of conventional music.
The Rolling Stones – 2000 Light Years From Home (Official Lyric Video)
Legacy and Tragedy: Despite his undeniable talent and artistic vision, Jones’s life was marred by personal struggles and tragedies. His battles with substance abuse and legal issues cast a shadow over his meteoric rise to fame, culminating in his untimely demise at the age of 27. The music world mourned the loss of a true visionary, leaving behind a legacy that continues to inspire generations of musicians and music lovers alike.
Brian Jones’ Music Plans After The Split With The Rolling Stones
Conclusion: Brian Jones was more than just a guitarist; he was a musical pioneer whose innovative spirit and boundless creativity reshaped the landscape of rock and roll. His contributions to The Rolling Stones and his fearless exploration of different musical genres continue to reverberate through the halls of music history. As we reflect on his legacy, let us remember the Musician Brian Jones as the quintessential maestro of sound whose music transcends the confines of time and genre, leaving an indelible mark on the annals of musical greatness.
The Guitar As a Songwriting Tool
Masters of guitar based songwriting.
We have been talking guitar Virtuosos for quite some time and it will continue. However, I want to address the Guitar in its own equal use, and its true value from the most important guitar application, songwriting.
Anyone can learn to play the guitar, but not everyone can become a great songwriter. It’s one of the most difficult, yet enjoyable and rewarding efforts. Everyone could be a songwriter with the proper effort and discipline but it often falls by the wayside. 98% of True writers employ either a guitar or a piano..and the craftsmanship of the song is first, without a song, you have zero.
There’s a more profound use in learning Rhythm, Chord arrangement, and the mastery of simple accompaniment to the lyric. You don’t have to be The greatest lead player, you need all the elements to make the silence your canvas and paint that picture through a pen, paper, your voice, and that guitar. Let’s look and listen to a few you should know.
Katie Martin
Alabama Born and now Georgia resident Katie Martin is the definition of The Great American Songwriter. She has a not-so-secret weapon that she is also one of my favorite guitarists ever. In many settings, she can be one of the most unique and jaw-dropping lead players.
No fooling she is a Badass. However, we are talking about “The Song”. I met her in 2018 at Little Creek Vineyard in North Carolina as we both were performing there. We had a brief chat about music and related subjects and she handed me a cd of one of her solo albums..” Hope”
“When the Water Flows” – Katie Martin (Unplugged w/ Tonewood Amp)
Upon returning to Ohio I started digging for more material online and was amazed at the sheer volume of work she has done, and that there was nothing that made me say “That’s good but…” Because it was all so very good. One of the main points in relating to a song is does it move you? In her case They all do.
Katie works as hard as anyone in the world, on the road in the studio and at home to capture such amazing songs from the thing we call life.” When the Water Flows” is One of the best songs ever written by anyone, period. This particular performance moves me to the edge of tears every time and that is often.
“Purpose” by Katie Martin
She is not one you can put in a box and Label. It’s just Katie Martin Music.
‘Fire in Our Hearts’ – Katie Martin + Larry Mitchell
She is not only one of the finest writers, vocalists, and Guitarists, but she is also an artist in every sense of the word. Put a pen or brush in her hand and she will create something special. Hand her a camera and she will bring beauty from it.
World Class, Humble and fascinating. I urge you to subscribe to her youtube and visit and purchase her work. She puts Soul in everything she does.
https://www.katiemartinmusic.com/
Mike Webb
The advantage I’ve had in being a session musician is the people I’ve met. Some you put your time in and never see again, Some you leave having made a long-time friend.
I met Mike Webb in Chillicothe, Ohio’s Mike Webb when recording the Black Cat Mass album at Chilliworks Recording studio.
Mike was working on one of his many projects around the same time and one day I was called to do some work as a Lead player. I just wanted to know the daytime and style of music.
The reply was Honky Tonking and I thought well cool, I spent 15 years doing that so I dusted off a Telecaster and showed up to record “Where The Hell’s my Truck”. On Mike’s “Another Day” Project. A true friend was made that day.
BLAME IT ON EVE
By Mike’s recollection, he started writing about 50 years ago but got serious About 30 years. In the years I’ve been in touch with him he has been the most prolific of writers. He allows no boundaries, It might be Country, Bluegrass, Rock N Roll, or any combination of those.
He Has lived the things he writes about and there are no 6 people in a room songwriting team. Give him his Guitar and a place to sit and think and he’s going to come up with something to make you know what’s on his mind, and often what’s climbing out of his soul.
No one Trick Pony here. His music can be tongue in cheek with his humor, or he can dig into the deepest well and make you think about the Human condition.
He’s also just a good man. He has often taken me to Dr.’s appointments. One particular evening he drove me down to the studio so he could sit silently in the corner while I was doing an interview with some other musicians.
Chilliworks owner Chad Uhrig and I had started the “Music on the Mountain” program but we just hit 4 episodes when I had to pause as Covid was escalating. I had been wanting Mike as a guest and Luckily we got there as it was the last one. I foresee it coming back when the time is right.
I met Mike at the age of 15 when he allowed me to play a break during his sets at Taylor’s Stagg Bar in Chillicothe. I had no business being there and a high school friend was with me to take the drum Throne and we played LOUD! Surprisingly instead of being tossed out, we were told to play more. Mike has been my friend ever since and he is the reason I am a songwriter. We had countless years of fun playing together in planned shows and impromptu performances.
One night he and I were talking about the fact I had written maybe three songs and I didn’t even know if I could call them songs. He explained to me that inspiration can come from anywhere, a line in the newspaper, or on the bathroom wall. You Just have to work at it.
It took another 5 years but I began to take his advice and now I’ve written over 100 songs. In truth, I owe the second half of my music career to him. He always had my back, and in more ways than one. He has been an incredible friend. He is also the best-kept secret, a Gem of a writer.
Little Miss Moonshine (2021)
Over the years He’s written staggeringly emotional songs, and each embodies his incredible versatility in subject matter and musical style. One evening he played me a song called “Bad Boy” and said he wasn’t sure he liked it. It spoke to me as it related to some wayward family members and the region was very specific. I asked if I could adapt it into my show and he once again was fully supportive.
I filled a lot of time Over the years playing a few more of his works and have always said he was our Bob Dylan.
I plan to reconnect and expand further on Mike in a separate article soon but for now, know this Gentleman I owe a debt of gratitude to. He NEVER ceases to amaze me.
Hit up his youtube and see where he goes next as he’s gonna treat you so many ways you will have to like one of them, or in most cases ALL of them. Bless ya Brother.
Rockabilly Guitar Players 6 of Best Rockabilly Guitarists
When it comes to the style of Rockabilly guitar players they are different animals not only because of their rockabilly hairstyles and hot chicks in rockabilly dresses. But there are many reasons rockabilly guitarists really rock here are 6 of the best rockabilly guitarists for you to enjoy and discover on guitardoor.
1: Johnny Cash was also a Rockabilly Guitar Player
Rockabilly is a genre of music that originated in the United States in the mid-1950s. It is a fusion of country music, rhythm and blues, and western swing. Rockabilly is characterized by its driving rhythm, its catchy melodies, and its often humorous lyrics.
The genre was popularized by artists such as Elvis Presley, Carl Perkins, and Johnny Cash. These artists helped to spread rockabilly music around the world, and it quickly became a global phenomenon.
Today, rockabilly is still enjoyed by fans all over the world. There are rockabilly clubs and festivals in many countries, and there are even rockabilly bands from countries that you might not expect, such as Japan and Brazil.
The rockabilly guitarists on your list are all legends of the genre. They helped to define the sound of rockabilly, and their music continues to inspire musicians today.
Luther Perkins and Scotty Moore were two of the most important rockabilly guitarists. They played on many of Elvis Presley’s early recordings, and their work helped to make Elvis a star.
You mentioned that you found rockabilly music through your dad’s record collection. That’s a great way to discover new music! I’m sure your dad had some great rockabilly records in his collection.
I also love the story you shared about listening to Johnny Cash’s version of “Rock Island Line” in your dad’s truck. That sounds like an amazing experience!
Rockabilly is a great genre of music, and it’s wonderful to see that it’s still enjoyed by fans all over the world. I’m glad that you’re a fan of rockabilly, and I hope you continue to enjoy the music for many years to come.
Johnny Cash-Rock island Line
That Sound Melted and Morphed into many different variations each year to create a subculture that thrives in most countries in the world. It was The beginning of a different type of Guitar Hero and in my mind was the first Rock N Roll that was Guitar based. Eddie Cochran , Cliff Gallup from Gene Vincent’s Blue Caps, Bo Diddley and Buddy Holly also played a hand in the sound to varying degrees. Brian Setzer and The Stray Cats brought it back to the masses. Now let’s look at a few you might not know about.
2:The Reverend Horton Heat
Jim Heath is a force to be reckoned with. The Reverend Horton Heat, as he is known to his fans, is a Grammy-nominated psychobilly musician who has been tearing up stages for over three decades.
Heath was born in Dallas, Texas in 1962. He began playing guitar at a young age and quickly developed a love for rockabilly and country music. In 1986, he formed the Reverend Horton Heat Trio with drummer Scott Churilla and bassist Jimbo Wallace.
The trio quickly gained a reputation for their high-energy live shows and their unique blend of psychobilly, rockabilly, and country. They have released 13 studio albums, including their 1990 breakthrough album, Smoke ‘Em If You Got ‘Em.
Heath is known for his flamboyant style, which includes wearing a preacher’s hat and sunglasses, and his energetic stage presence. He is also known for his virtuosic guitar playing, which is influenced by rockabilly, country, blues, and jazz.
The Reverend Horton Heat is a true original. He is a master musician who has helped to define the psychobilly genre. His music is a high-octane mix of speed, ferocity, and humor that has entertained fans for years.
Here are some additional details about Heath and his music:
Heath is a self-taught guitarist. He began playing guitar at age 13 and taught himself how to play by listening to records.
Heath is a prolific songwriter. He has written over 200 songs for the Reverend Horton Heat.
Heath is a skilled guitarist. He is known for his fast, aggressive playing style.
Heath is a charismatic performer. He is known for his energetic live shows.
Heath is a respected musician. He has been nominated for a Grammy Award and has won numerous other awards.
If you are a fan of rockabilly, country, or psychobilly, then you should definitely check out The Reverend Horton Heat. His music is sure to get your blood pumping and your feet stomping.
The Reverend Horton Heat – Psychobilly Freakout (Live on KEXP)
Perkins’s influence can be heard in the music of countless artists, including Elvis Presley, the Beatles, and Eric Clapton. His signature sound, characterized by his driving guitar playing and his energetic stage presence, helped to shape the sound of rock and roll for generations to come.
The phrase “Go Cat Go!” was Perkins’s battle cry, and it quickly became a rallying cry for rockabilly fans around the world. It was a call to action, a declaration that rock and roll was here to stay.
Perkins’s music continues to inspire musicians today. His songs are still covered by artists of all genres, and his influence can be heard in the music of modern rock, country, and blues artists. Perkins was a true original, and his music will continue to be enjoyed for generations to come.
As for Jerry Lee Lewis’s headband, there is no definitive answer to the question of where he got it. Some believe that he stole it from Hillary Clinton, while others believe that he got it from a friend or family member. Whatever the case may be, Lewis’s headband has become an iconic part of his image, and it is a reminder of his status as one of rock and roll’s greatest pioneers.
Here are some additional details about Perkins and his music:
Perkins was born in Tiptonville, Tennessee, in 1932.
He began playing guitar at a young age and was influenced by country, blues, and rhythm and blues music.
In 1954, he signed with Sun Records and released his first single, “Blue Suede Shoes.”
“Blue Suede Shoes” was a huge hit, reaching number one on the Billboard charts.
Perkins went on to release several other hit singles, including “Dixie Fried,” “Honey Don’t,” and “Matchbox.”
He was inducted into the Rock and Roll Hall of Fame in 1987.
Perkins died in 1998 at the age of 65.
Perkins’s music is a lasting legacy of his talent and influence. His songs are still enjoyed by fans around the world, and his music continues to inspire new generations of musicians.
Rockabilly Session With Carl Perkins and Friends
4:Hasil Adkins
Hasil Adkins was a one-of-a-kind musician who had a profound impact on rockabilly music. He was born in Boone County, West Virginia, in 1937, and he began playing music at a young age. He was influenced by the country, blues, and rock and roll music that he heard on the radio, and he developed his own unique style of rockabilly.
Adkins’s music was often dark and macabre, with lyrics about violence, sex, and death. He was not afraid to push the boundaries of good taste, and his music was often controversial. However, his music was also incredibly creative and original, and it helped to define the psychobilly genre.
Adkins was a self-taught musician, and he played all of the instruments on his recordings. He was also a one-man band, which meant that he could perform his music without any other musicians. This made him unique in the rockabilly world, and it helped to contribute to his wild and unpredictable stage presence.
Adkins’s music was not commercially successful during his lifetime, but he gained a cult following among fans of outsider music. In the years since his death, his music has been rediscovered by a new generation of fans, and he is now considered to be one of the most important figures in rockabilly music.
Here are some additional details about Adkins and his music:
Adkins was inducted into the West Virginia Music Hall of Fame in 2009.
His music has been covered by The Cramps, Hank III, and many other artists.
He was the subject of a documentary film called “Wild Man of Rockabilly.”
He died in 2005 at the age of 67.
Adkins’s music is a testament to his creativity, his originality, and his wildness. He was a true outsider artist, and his music continues to inspire fans around the world.
Hasil Adkins Documentary
Hasil Adkins 2018 West Virginia Music Hall Of Fame Induction Vignette
5: FLATS Duo Jets ‘ Dexter Romweber
Flat Duo Jets videos
Flat Duo Jets – Athens, GA: Inside/Out
Dexter Romweber is a living legend of rockabilly music. He is the co-founder of the Flat Duo Jets, a band that is considered to be one of the most influential rockabilly bands of all time. Romweber is a master guitarist and songwriter, and his music is infused with the spirit of rockabilly’s golden age.
Romweber was born in Batesville, Indiana, in 1966. He began playing guitar at a young age, and he was quickly drawn to the sound of rockabilly. In 1983, he met Chris “Crow” Smith, and they formed the Flat Duo Jets. The band released their debut album, “In Stereo,” in 1985.
The Flat Duo Jets quickly became one of the most popular rockabilly bands in the world. They toured extensively and released several albums, including “Flat Duo Jets” (1990) and “High Noon” (1994). The band’s music was a major influence on the White Stripes, and Jack White has said that he would not be a musician if it wasn’t for the Flat Duo Jets.
In 1998, the Flat Duo Jets broke up. Romweber went on to form the Dex Romweber Duo with his sister, Sara. The duo has released several albums, including “Ruins of Berlin” (2009) and “Piano” (2015). Romweber has also released several solo albums, including “Carrboro” (2022).
Romweber is a true original. He is a master musician and songwriter, and his music is a vital part of the rockabilly tradition. He is a true inspiration to musicians around the world.
Here are some additional details about Romweber and his music:
Romweber is a self-taught guitarist.
He is a prolific songwriter. He has written over 100 songs for the Flat Duo Jets and the Dex Romweber Duo.
He is a skilled guitarist. He is known for his driving, melodic playing style.
He is a charismatic performer. He is known for his energetic live shows.
He is a respected musician. He has been nominated for a Grammy Award and has won numerous other awards.
If you are a fan of rockabilly music, then you should definitely check out Dexter Romweber. His music is sure to get your toes tapping and your heart racing.
6:Bloodshot Bill
Bill, also known as Bloodshot Bill, is a Canadian rockabilly musician who is known for his wild and crazy stage presence, his twisted sense of humor, and his driving, energetic music.
Bill was born in Montreal, Canada, in 1970. He began playing guitar at a young age, and he was quickly drawn to the sound of rockabilly. In the early 1990s, he moved to the United States without proper work documents, and he was banned from the country for several years.
During his time in Canada, Bill developed his own unique style of rockabilly. He was influenced by the classic rockabilly musicians of the 1950s, but he also incorporated elements of punk rock and psychobilly into his music. He also developed a one-man band act, where he played all of the instruments himself.
In 2001, Bill was finally able to return to the United States. He quickly gained a following among rockabilly fans, and he began touring extensively. He has released several albums, including “One Man Wrecking Crew” (2002), “Psychobilly Freakout” (2006), and “Wild Bill” (2012).
Bill is a true original. He is a master musician, a gifted songwriter, and a charismatic performer. His music is a wild and crazy ride, and it is sure to get your blood pumping and your feet stomping.
Here are some additional details about Bill and his music:
Bill is a self-taught musician.
He is a prolific songwriter. He has written over 100 songs.
He is a skilled guitarist. He is known for his driving, melodic playing style.
He is a charismatic performer. He is known for his energetic live shows.
He is a respected musician. He has been nominated for several awards.
If you are a fan of rockabilly music, then you should definitely check out Bloodshot Bill. His music is sure to get you moving.
Bloodshot Bill live at ToBeScene Studios, Toronto
Rockabilly and Psychobilly are a global reach and have reached a full lifestyle and culture all their own. You need to look no further anywhere in the United States and even Japan to know it’s alive and kicking. Rockabilly is a Beautiful Rebellion and its forces number more each year.
Teaching the rockabilly/phycobilly guitar
There is no brakeman on the Train but each new player is pouring on another round of Coal.
Heavy, Crushing, Lyrically conceptual, and Running neck and neck with Motorhead for The Loudest band ever, SLEEP is not a band they are an Entity they are the true Stoner Rock Masters.
Stoner Rock Masters-SLEEP 16
I saw the stoner rock masters inadvertently in Columbus, Ohio’s “Staches “on campus. A tiny bar when they were on tour in 1994 with Nik Turner’s Hawkwind. We arrived about 5 mins before their set and had no idea the Massive onslaught that was about to happen 7 feet away from where we stood.
The projection behind the band started, Nasa footage of space travel, and then Guitarist Matt Pike let loose the most brutal Guitar Drone, and Drummer Chris Hakius built the tension for Bassist/Vocalist Al Cisneros to Take us to true liftoff. “Look into the Rays of the New Stoner Sun Rising….” announced this band was not lacking a lyrical foundation.
It was SABBATH on Steroids, Psychedelic but not Pink Floyd. I truly had nothing to compare them to. Sleep was a Tornado that stayed in place for over 30 mins. They were Playing material from their second record “Holy Mountain” and bits and pieces of what eventually became the Legendary Opus “Dopesmoker”.
I foolishly leaned in to speak to Al…extending my arm for a handshake and said “You are incredible and it’s great to have something to get excited about again”. It was then I realized that he wasn’t speaking back and I was put on notice by his eyes and the drool coming from the side of his mouth that he was Tripping his face off and I probably looked like any number of characters in “Fear and Loathing in Las Vegas”. There’s no discussion in that situation.
Stoner Rock Masters Sleep – Dragonaut [Official Video]
Green Meta amps, Rickenbacker Bass, and a Les Paul were the sound of the Monster in the room and Pike was a flurry of Dreadlocks. The Drummer at times would wait until the very last millisecond to hit the timing of a cymbal is was like watching Bruce Lee in Slow Motion. Mesmerizing.
Sleep – Carrboro 23/01/1994
After the show was done I lost track of the band as the internet was not an option at that time for me to know anything. The Band Toured Europe and elsewhere and at some point the London record label signed them and quickly were confused by the “DopeSmoker” Project. They refused to release it, and it lay in the Vaults while lawsuits and arguments ensued. It was edited and released at some point later as “Jerusalem” an Official Bootleg by the Band, Later that year was released properly by The Music Cartel in the US and Rise Above Records in Europe.
The struggles of all this caused the band to break up and they became two other successful acts. Matt Pike went on to form “High on Fire” and Al and Chris formed the duo “Om”
In 2003 “Dopesmoker” got its Due credit being released in its original form by Tee Pee Records.
Sleep How They Created Dopesmoker
The single projects “The Clarity” came prior and “Leagues Beneath” shortly thereafter. I was chomping at the bit for the announcement of Tour dates in 2018. Ecstatically we got them and During the time I was working with Maya Calvert , My Partner in Crime Matt Moon, Maya and I were all three able to see this Gift of a tour. I Had Tickets for Detroit, Cleveland, and Columbus but due to scheduling we ate the Detroit show but caught them at The Agora and The Columbus Athenaeum.
SLEEP Stoner Rock Masters, Cleveland Agora April 1st, 2018 Dopesmoker / Holy Mountain
SLEEP fans are a bit like RUSH and Grateful Dead fans. You can run into the same people and talk about the show the night before In any given city. Those 2 nights were also a testimony that the Merch is highly sought after. I looked both nights and realized the lines were so long to pick up a shirt or a poster meant you had a choice. You could A. See the show or B. Stand in line the whole show and possibly find out they sold out of every item you were there to purchase. We chose the Show live at the Agora, and rightly so.
SLEEP has a very successful relationship with Third man Records and some very cool releases hit now and then. Who knows what the future holds, and I think that’s the intrigue that keeps us die-hard fans on the edge of our seats. If you haven’t seen them Live I can’t recommend it enough . Fair Warning to the new, your ears will ring for a day or two after but if you love Heavy Doom and Trance like music, you will also be grinning for days and talking about it for years.
Craig Goldy Guitar Interview on Dio and Musical Influences
Guitarist Jimmy Fleming chats with Craig Goldy Guitar player of Dio about his experiences over the Years
Craig Goldy Is more than just great guitar playing I have had Craig Goldy’guitar playing in my ear since the 1980s and have read about him since I began to Read Guitar Player and Guitar World Magazine. I Had been a fan of Rough Cutt, I missed out on his tenure with GIUFFRIA being locked in my various phases of listening. Then I heard Ronnie James Dio, and DIO was and still is a constant rotation in my Musical Favorites. I reached out to Craig and thought “This is so crazy it just might work.”
I found a quick response from a very Lovely down to earth fellow. I’ve admired the man’s work for way over half my life, in our correspondence I came to simply admire the man. I presented him with the same basic questions I do most everyone, but I knew the answers were going to be a whole different story.
He was most generous with his time and thoughtful replies and the back and forth questions and talks of timelines or deadlines he was Genuine in his interest and apologized for his delays and I can tell you he cares about the people he speaks to. The following speaks volumes about that aspect of his character.
Even if he were not the Legend he has become, I would still want him as a friend. We wish him all good things and welcome him to our extended family. Craig, you are the Tops brother!
“What brought you together with music? ” Inspirations, People who made you want to play”.
I was always a music lover…..when I was just a little guy…..my favourite Aunt said that she thought it was cute when I was nodding my head up and down while listening to the radio in their car…..I didn’t even know I was doing that! My parents had a radio in the front room of our house we grew up in, and I would land on one station and like it……thinking that this type of music was my favourite……but then got bored eventually…..this happened with Jazz, Blues, Rock, Classical, R & B…..even though I mostly stayed with R & B.
Then one day I was at a friend’s house and I heard the song “Burn” by Deep Purple come on the radio…..I thought to myself……”Who is that!!??” So, I bought the “Burn” album…..and there it was….all my favourite types of music in one band! Ian Paice was Jazz-based, Glenn Hughes sounded like a white Stevie Wonder and his bass lines were very different than in most rock bands….. Jon Lord had classical music mixed in his solos…David Coverdale had that cool thick bluesy rock sound to his voice…..and Ritchie Blackmore was on another planet!! It was at that time that I wanted to try and learn how to play like Ritchie Blackmore!! Little did I know I was in for the ride of my life!!
Craig Goldy Guitar Interview on Dio and Musical Influences 19
Dio – Rainbow In The Dark Live ( Finding the Sacred Heart – Live in Philly 1986 ) 60FPS
https://www.youtube.com/watch?v=CKaBYoFUa5k
Dio – Sacred Heart (1985) – Interview With Ronnie James Dio & Craig Goldie
Have you a favourite guitar and why?
I still love and miss playing the Fender Strat…..but my favourite is the ESP Mark II. I’ve tried just about every brand of guitar……and the Mark II allows me to do the things that I want to do…..it doesn’t limit me. I learned the hard way that the type of wood and pick-ups make a huge difference nearly more than the type of amplifier being used. It took me a while to finally narrow it down to the ESP Mark II.
How long have you been active in music? What are career highlights or dreams?
My first real professional band was Rough Cutt around 1983-84. I’ll never forget both the day I was asked to join Dio…..especially since Ronnie James Dio was and still is my favorite singer! And the night we headlined Madison Square Garden……I called my Dad and he said…..” After all these years of telling you that you can’t do it……I’ll be damned if you didn’t do it…..I’m proud of you”.
That was a very big deal for me! There are so many highlights that it’s almost like being the “Forest Gump” of Heavy Metal……cause like in that movie…..it’s almost impossible to believe that one person could have that many different experiences in one lifetime! One of the biggest was the night Ritchie Blackmore asked me…..”You’ll have to show me how you do that?”!
I couldn’t believe what I was hearing! After all the years of trying to learn his solos note for note…..there he was asking me to show him, how I did something I just played guitar. It was the one-handed soloing thing that I do. It was created by all the years of writing out solos note for note for my students. While I was writing the solos in Tablature with my right hand…..I was checking to make sure I was writing the right note, string, and position on the Fretboard, which made me tap the neck with my left hand. I thought to myself…..” I wonder if I could play this with one hand?”…..Since it is part percussive with my left hand having to tap harder on the Fretboard to make up for the times I went up the stings and my first finger position was always picked……there was no picking now……so, I had to hit the neck harder than normal……The percussiveness….made the other strings ring out……and it sounded like noise…..so my first instinct was to mute the strings with my right hand.
Eventually, I got it down and it became one of the things that set me apart from the other guitarists in San Diego where I grew up.
Craig Goldy Guitar Solo with Dio (1988)
Black Knights Rising – Mistreated – XG Extreme Guitar Tour – Agora – 2015
Inspirations. any advice for new people in music , or picking up an instrument etc.
Dare to dream! A lot of people don’t even allow themselves to even dream of something that they wish to achieve that on the surface seems impossible to reach! When a pure heart makes a wish and leaves no stone unturned……something magical will happen.
What have you learned from your success or even failures?
Good question! Not many people ask about “Failures”! Many of my greatest achievements were gained by prior failures! One of my demos that had some songs on it that I thought were quite good got turned down…..so, I submitted them to Warner Bros. for the song publisher I was assigned to, to try and place them with another band.
The very next day my girlfriend at the time answered the phone and looked at it like the President of The United States was on the other end. Then she handed me the phone with such wonder in her eyes.
I didn’t know what to expect. I said “hello?” and on the other end was David Lee Roth told me that he loved my songs and could we meet at his producer’s house to discuss writing more songs.
At that time he was working with Bob Ezrin…..I wasn’t familiar with all that he had done…I just remember listening to the “Pink Floyd” album he produced with Carmine Appice on it that we listened to on the tour bus while in Dio.
Next thing I know…..I’m at Bob Ezrin’s house talking with him and DLR. Then…….the next thing I know……I’ve been invited to DLR’s private residence to keep writing with him. And that is how I got my first Gold Record.
Many times when life forces me down a path that I don’t like…….once the dust settles…..I often find myself in a place and/or situation better than originally planned.
Success ……..success was and is an entirely different situation for a guy like me! I came from an abusive family…..physically and verbally…..in and out of the hospital, ER, stitches, and surgeries.
So, I left home at a very young age, bought a car I was too young to own, and got a job I was too young to have. I could only sleep in my car on the streets of San Diego, California.
Had a wind-up clock to wake me for work. Had two 7up bottles with water….one to wet my hair and one to rinse. Shaved in the side view mirror and my clothes were in the trunk.
So, when I found myself on a Headlining stage with my favourite singer Ronnie James of Dio……I found that this new status also comes with a certain amount of influence over certain fans.
Ronnie was the voice for the downtrodden, the black Sheep of the Globe, and the Secretly Hurting. I know…..I was one of them!! When they saw us on stage they saw “Rock Stars”…..so they wanted to meet us…..but when they met us…..it was not a “Rock Star” that they got.
We all know and love how Ronnie treated his fans….but with me…..I’d usually find someone who was secretly hurting inside….eventually they would open up about their life situation and almost every time it would end with them saying-“You don’t Know What It Feels Like”!….And I got the chance to put my arm around them…..look them straight into their eyes and say….”I know EXACTLY what that feels like”! And this would start a whole new kind of conversation that would ultimately end with them coming back the next year we were in their town all cleaned up, happy and successful! And that became my ultimate passion.
To use what I once hated as a child & teenager growing up & it becoming like a “Super Power” to help others. Ronnie often used his money and talent to build shelters for the homeless and broken kids who moved to Los Angeles in search of a dream and wound up in very bad situations and some into prostitution.
Craig Goldy Guitar Interview on Dio and Musical Influences 20
He even paid a fan’s rent when he heard that fan was in trouble. So, imagine my disappointment when I finally worked my way up the ladder to get the “Lion’s Share” and utilize it to help even more people……only to find streaming took over……and that means little or no money at all!! I’ll get into that in another question of yours…..but money is a tool.
Money was not to buy a golden toilet seat for my mansion on a hill……it was supposed to go to help others who often get tossed aside because of their dreams! We kinda covered that! Hopefully, things will change and I can help more people someday soon!
Are you more comfortable in the studio or onstage when it comes to Craig Goldy Guitar Playing?
Sometimes that question is like asking “ if you could only pick one…….which would you choose…..to inhale or exhale?”!
It really depends on the situation……but in all…..if I had to pick only one…..it would be the studio.
This all started because of my love for the creative process. But when you factor in the fans……getting to treat them as good as Ronnie James Dio treated his fans……and trying to make sure that his way didn’t die with him……cause his music will live on forever no matter what …….and no matter who plays in a Dio tribute band…….but his way with the fans was so very special!
I got a chance to stand next to him while he signed and took pictures and interacted with his fans…..and I got a chance to develop a relationship with many of them…..and during the “Dio Disciples” concerts…I got a chance to try and treat his fans as well as I could possibly reach. And that was magical! It was difficult because we all love and miss Ronnie…….and there’s nothing like the original……and Ronnie was the first and the last of his kind…..but I can at least try!!
How do you feel about the state of the digital music industry
Well, on one hand, it has given anyone the capability to become the famous Craig Goldy Guitar player from the first note pick I made to the player I am Today. No matter skill level or talent, or none at all. And that’s not necessarily a bad thing…..I was trying to start a program to help unknown musicians break into the music industry……but they had to have a certain amount of skill and/or talent.
It’s very similar to the difference between McDonald’s and Red Lobster. Both are very famous restaurants…..but even though McDonald’s isn’t known for its quality food that can be good for you…..in fact…..if you ate a “Big Mac” every day…..chances are you’d be in poor health within a very short period of time……yet it doesn’t keep Mcdonald’s from being one of the most popular restaurants in the world. However, we now have a totally different game.
At first, I thought that what the internet had done for the music industry was quite good. Even though it made things totally different, and more difficult for me for decades! and lot’s of lost sleep. However, the process of creating music that pierces the very heart and soul of people making them want to buy that music……that process is still the same and it always will be. But with streaming…..they misspelled the word…..cause it’s Stealing!
I understand how it all came about…..but nowadays no matter how great you are…..making a living as only a musician is nearly as impossible as it was before, but for different reasons.
This whole thing can be traced back to the days of “Desert Storm”. That war created a nationwide recession. Then around that very same time…..Michael Jackson demanded a billion-dollar advance……which he got and did not recoup. Then Madonna heard about that and did the very same thing…..she got a billion-dollar advance and did not recoup.
That created a recession within a recession. So, the record companies started tightening their belts when it came to recording advances. This made some of the best Rock bands have to work just as hard……but for much less money.
This created resentment towards the industry and why fans started to complain about buying a $15 CD with 10-12 songs on it ……and only getting 3 good songs. I understand the whole “YouTube” thing……when I had to brush up on my Deep Purple and Rainbow songs before going out on tour dates with Joe Lynn Turner.
I often used YouTube, I had already bought the album on Vinyl, Cassette, 8-track, and the CD. So, I felt ok with using YouTube for the reasons that I did. Then When Netflix came out……it was great…..I still went to the movie theatre, bought tickets, and even paid extra for the 3-D experience in certain theatres.
Then those very same movies came out on cable TV with “On Demand”, Then “HBO”, then rentals, and so forth. But the industry didn’t suffer for the sake of Netflix back then.
The music industry is suffering due to Streaming. I get people telling me on Facebook…..”Hey, I’m listening to you on sites like Spotify right now…..you rock”!
And I can’t help but think to myself…..”Thanks for the .000003% of a penny”!
I worked very hard to get to the level of making the “Lion’s Share” in Album sales, Merchandise and Ticket sales……as did with the musicians that came before me! I was paid as a sideman…..like many of them were….and they worked their way up the ladder and earned their keep!
But now……it’s so bad that bands are hiking up ticket prices and forcing fans to buy something first before they get a chance to get an autograph or get a picture with their favourite band at a paid meet & greet!
This just causes resentment within the hearts of the fans……who are being let down by their favourite bands……yet these bands feel forced to do this all due to streaming…..which causes resentment within the hearts of the bands.
It is my sincere hope that proper balance is restored with the bands and their fans….like it was in the ’80s.
That was a great era! I understand that there is so much new music being released on nearly a daily basis……that it’s impossible to purchase all the new music that’s coming out. However, over saturation of the marketplace shouldn’t be an excuse to basically steal music.
Some people still refuse to stream the music they love. God Bless them!! They like having a physical item like a CD or on Vinyl. What’s even more pathetic…..is that Vinyl has become a “fad”……and many people that buy the Vinyl……don’t even have a record player. But God Bless them for at least buying it!
I was watching a talk show with a very snotty young girl who now because of her exposure on that talk show has given her a “Global Platform” in which to do and release many questionable acts and videos…..and these kids are becoming millionaires as long as they are willing to basically cut their Grandmother’s throat while strangling a kitten in the other hand….meanwhile crushing a child’s head under their feet……as long as it gets “Likes”, “Views” and “Clicks”.
I know that’s a bit of an exaggeration……but the point is still the same! There was a young boy on that very same talk show who also was granted a “Global Platform” in which to become an absolute nuisance to his neighbourhood and neighbours in order to gain recognition on YouTube becoming a multi-millionaire simply by being overly annoying and shameless.
Where is the skill level and talent in that? Has the world gotten to the point where we call being a nuisance and overly annoying and interrupting and bothering innocent people a skill? A talent?
I certainly hope not! Thank you and believe it or not…..I’m actually quite optimistic about the future! I still have a few tricks under my sleeve!! If you could also add this to the interview….it would help me greatly!! My website is under reconstruction by a very good friend of mine: Jay Wilson. To see a sample of his work click the link below:
http://www.massdestructioninc.com/
Dream Child – “Under The Wire” (Official Music Video) Craig Goldy Guitar
The language of guitar playing goes beyond just modes, scales, and progressions. It’s difficult to explain in musical theory, but some guitarists are fluent in it, while others just like to listen. For some, the instrument is their voice and the notes are their words. As children, we learn to speak by repeating the words we hear from others. We may not use some words until later in life, but the result can be surprising. Influence is all around us and it sometimes creates great worship in the language of guitar.
Some guitarists play, others actually speak in the lines and Melodies. The instrument is their voice and the notes are their words. We as children learn to speak as we repeat others’ words we hear. We generally grasp the basics and may not speak some of the words until later in life. Sometimes the end results are surprising. Influence is all around us and it sometimes creates great wordship in the language of guitar.
We Guitarists are often influenced by the Guitars they play as the music. Dreaming of the day we can own the Model they speak to us through. So let’s address a bit of each.
Paul Kossoff was a Rock Steady player as the only Guitarist in the band Free. He didn’t solo constantly as he was the Rhythmic Glue holding the sound together, but when he played a lead break he made it count.
Originally in a Band called “The Black Cat Bones”, He was 17 years old and already an old soul. It showed. He was a Virtuoso we have most likely all heard via Radio from their song “All Right Now”. There were album tracks strewn through the band’s short Career equal in power one standout being “Fire and Water” the Title song of the band’s third album.
Free – Fire And Water (1970)
The late Paul Kossoff, a legendary guitarist, was known for his love for Gibson Les Paul guitars. Among the many Les Pauls he played over the years, his favorite was the one he used from 1969 to 1974. Unfortunately, he had to part with it during a difficult time in his life and sold it for a mere $4,000. A recent analysis by a Gibson expert has revealed that the guitar was a 1959 model and not a Gold top, as previously thought.
The guitar went up for auction and the final number is not disclosed but its minimum bid price was roughly $340,000. Paul Kossoff was one of the most influential players in history.
He passed away in 1976 due to the substance abuse that had ravaged his body and soul. I Credit Jimmy Page and Peter Green for my expansion to add The Les Paul to my collection of tools. I also now know Kossoff was another expansion that keeps the magic of the Les Paul fresh and new.
Eddie Hazel
The Jam Master from Parliament-Funkadelic who could have easily given Hendrix a run for his money Combined his Wild Stage Persona to match the soaring tone of his Stratocaster.
Eddie was ranked 83 in Rolling Stone Magazine’s list of Top 100 Guitarists of all time. He was best known for his 10-minute guitar solo in “Maggot Brain”, but his skills were exceptional on any track he played or any stage he performed on. Looking back, I now realize that Eddie was just as influential as Stevie Ray Vaughan or Jimi Hendrix. My friend used to play Funkadelic in the background during our hangouts, but at that time, I didn’t know who Eddie was.
According to the discussion that took place, it was determined that the answer to a particular question was none other than Frank Zappa. Frank is widely recognized as one of the greatest musicians of all time, with his unique style and sense of humor being only a small part of his overall appeal. What cannot be ignored is his proficiency as a face-melting lead guitarist, which set him apart from his contemporaries. He was also known for his band, which was essentially a traveling music conservatory. This allowed him to work with and mentor some of the most talented guitarists in the industry, including Adrian Belew and Steve Vai, among others. All of these factors combined to make Frank Zappa an iconic figure in the world of music and an inspiration to many aspiring musicians.
Frank Zappa : City Of Tiny Lites (Palladium, NY, Halloween 1977)
The guitarist in question is known for primarily playing SG and Les Paul guitars but has also showcased his skills on the Fender Stratocaster. According to his cousin, he is an incredible improvisational player who seems to be in complete control of the guitar during his epic solos. In 2005, his band “Black Cat Mass” recorded “The Watcher”, and during the mixing process, the guitarist realized the connection to Frank Zappa’s music.
When I started exploring different types of music, I came across Robin Trower, who was one of the first artists I listened to. In the late 80s, I sent my first album, The Storm, to the Editor of Musicians Magazine, but he rejected it, saying that it reminded him a lot of Robin Trower’s music. He warned me that others would also notice the similarity. Although I had only heard Robin’s music casually, his use of the Stratocaster and Univibe left a lasting impression on me. Many musicians strive to replicate his sound, but there’s only one Robin Trower.
ROBIN TROWER – Bridge Of Sighs (1974 UK TV Appearance) ~ HIGH-QUALITY HQ ~
The guitar virtuoso Robin Trower continues to captivate audiences to this day with his phenomenal blend of Jimi Hendrix’s style and his unique approach to the instrument. Despite having seen him perform live on more than one occasion, I still find myself in awe of his exceptional talent. I can’t help but wonder, “How does he do that?”
Another Honorable Mention is the Rhythm work of Ritchie Havens. He scratched and thumped his acoustic in such a percussive way that I was taken back to the revelation of seeing him in the film of the “Woodstock” Festival. In Preparation to do a Live hour interview with Artie Kornfeld, the Main Man who was responsible for the Festival’s creation, It dawned on me that Ritchie was the singular foundation of my guitar style. I viewed that performance many times during my youth and development as a guitarist.
Influence is a funny thing. You can hear something played by someone you were not aware of in a direct fashion, and a year or 20 years later an outside listener brings a name up.
This leads you to go back to see who they mentioned and discover that yes they got in your creative mind. I personally think there’s a truth in having a subliminal impact and then you have direct conscious inspirations. Once the Subliminal comes to light, from there more direct inspiration can happen. In Fact, that is for me personally a fact that happened with all the players spoken of. They are Four of Four Hundred potentially. A musician’s mind is like a sponge or a computer database.
How this piece on speaking the language of guitar came about?
Why this Article? In talking with Guitardoor Partner Chris Dempsey He brought up the question of My song “Black Widow” and some press I received in 2007 by a brief review in ‘Guitar Player Magazine”
Michael Molenda on Black Widow
Black Widow “This is a Slow Burn with some cagey wah work, slinky bends, and economical licks. Everything adds up to a smoky atmosphere that still manages to pulse-Albeit like a Racehorse on Opium. I dug the Juxtaposition of a dreamy groove with Fleming’s edgy Paul Kossoff-meets-Link Wray style.” . Chris Dempsey’s thoughts on Black Widow.
I feel a few other insights and influences as a listener.
“Link Wray was certainly in my head..but Kossof’s influence was subliminal. I certainly had heard Free on the Classic Rock Radio stations, but I only found Kossoff after the mention in Guitar Player. I heard him somewhere before or in a movie and it stuck in my mind, but I never knew his name or studied him. However, The Mention would cause me to in the aftermath. “ was Jimmy’s take on it.
At the start, Black Widow’s string bends vibrate in your ears creating suspense like the call of a Cherokee Indian going to war in the distance. Until The Stevie Ray Vaughan style wah, chunky badass bassline kicks in. I find it more Jesse Ed Davis than Kossoff sounds. If you are looking for a sound like Kossoff listen to “BORN of the Black Tree”
