Kevin Shields is synonymous with the Fender Jazzmaster. He preferred the offset body and the specific bridge/tremolo system of the Jazzmaster because it allowed for the subtle, constant pitch manipulation required for his "glide" technique.
Bob Mould is a seminal figure in alternative rock, serving as the bridge between the blistering hardcore of the 1980s and the melodic alternative boom of the 1990s.
Forget the "Wall of Sound" and the psychedelic light shows for a second. On December 17, 1987, at the Warfield Theatre in San Francisco, something much more intimate—and arguably more…
Danny Marino remains a "guitarist's guitarist," a musician who prioritises the song over the ego. His ability to balance the raw energy of a metal show with the precision of a classical composer has made him one of the most distinctive voices of his generation
The legendary performance took place in London around 1990, as Gary Moore was celebrating the massive success of his blues watershed album, Still Got the Blues. To truly cement his return to the genre, Moore brought two of his greatest influences—and two of the most influential guitarists in blues history—to share the stage: Albert King, the "King of the Blues," and Albert Collins, "The Master of the Telecaster" (or "The Iceman").
The signature style of Ray Toro is defined by a unique fusion of 1980s metal and 1970s glam rock. He is famous for his "orchestral" approach to the guitar, frequently double-tracking his leads to create harmonies reminiscent of Queen guitarist Brian Ma
Dean Brown remains a tireless performer and educator, traveling the world to share his unique approach to the instrument. He views the guitar not just as a tool for notes, but as a vehicle for global communication, often incorporating rhythmic ideas from