This article is fueled by my deep appreciation for Iron Maiden. It stems not from any disdain for Bruce Dickinson, but rather from the profound resonance that the band’s initial two albums with Paul Di’Anno left on me.
Within the past ten years, I shared a meaningful dialogue with Paul. I’ve always been proactive in my approach, believing that failure to try ensures defeat. It was through this mindset that a conversational lottery ticket materialized in the form of a cherished interaction with Paul.
Much to my astonishment, Paul replied in mere hours. We engaged in a warm chat about his anticipated musical trajectory while simultaneously acknowledging the uncertainties that our respective health challenges imposed on our careers.
Irrespective of your existing notions of Paul, I can personally attest to his kind heartedness. The conversation we shared was incredibly authentic, firmly grounded in our shared human experiences.
Iron Maiden was Steve Harris’ brainchild. The band had been a revolving door of talented individuals until finally Dave Murray, a formidable rock guitarist, and formidable drummer Doug Sampson joined the fray. The quest for the right vocalist led them to the unassuming Red Lion Pub where they fortuitously stumbled upon Paul Di’Anno.
Postulating on Paul’s aptitude, Steve Harris noted the distinctly raspy quality of Paul’s voice that brought a unique edge to their music. This was when Murray emerged as the solo guitarist, prompting Harris to acknowledge his ability to superbly carry the guitar sections single handedly. However, the vision of incorporating a second guitarist who could align with Murray’s skill was always challenging to actualize.
Iron Maiden set the foundation for what was to come with a demo they recorded on New Year’s Eve in 1978. Comprising four songs, this demo landed in the hands of Neal Kay, the manager of the renowned “Bandwagon Heavy Metal Soundhouse”. Eventually, it reached Rod Smallwood who soon became the band’s manager. As the band’s popularity soared, they released the demo as “The Soundhouse Tapes” on their own record label.
The release of the recording set ablaze the music industry, with an approximate 5,000 copies flying off the shelves within a month. This phenomenon culminated in a remarkable milestone as Iron Maiden inked a significant deal with EMI in December 1979.
Doug Sampson left due to health issues and was replaced by ex-Samson drummer Clive Burr and Guitarist Dennis Stratton joined.
Iron Maiden released their self-titled album in 1980. This was a headline tour of the UK, before opening for Kiss on their 1980 Unmasked Tour’s European leg. They were also supporting Judas Priest on select dates. Iron Maiden appeared, to much acclaim, at the Reading Festival 1980.
Dennis Stratton was dismissed from the band as a result of creative and personal differences and was replaced by Adrian Smith in October 1980. Maiden Played at the Rainbow Theatre in London.” Live at the Rainbow” was released in 1981 and the edits of songs “Iron Maiden” and “Wrathchild” received heavy rotation on MTV during its first hours on the air as the first metal videos ever.
Iron Maiden – Live At The Rainbow 1980
Iron Maiden seemed to bridge the gap between Metal and Punk, and Paul’s vocals were Brash to Beautiful. The Twin Guitar attack was a force to be reckoned with as well. Recently I read a statement in a Guitar group that the Fender Stratocaster was NOT capable of properly playing Metal, my response was two words. Dave Murray.
The Band worked like dogs, even to the present day they never rested on their laurels. Next came “Killers”.in 1981. Much of the songs were written before the first album was released.
Iron Maiden Killers live 1980(Paul Di’Anno)
The record was followed by the band’s first world tour, which included their debut performance in the United States, opening for Judas Priest. Iron Maiden played 45 shows in North America to several hundred thousand fans, including two headline gigs in Canada. Maiden booked 132 shows to promote their second album.
Musicians played the small or mid-size venues. Mostly using a standard type of stage equipment which included 200 lamps & smoke machines. Then two backdrops with Eddie, and four members of the crew wearing Eddie’s masks during the “Iron Maiden” song live performance.
Eddie The Head Iron Maiden Iron Maiden – Live in Milan, Italy, March 30th, 1981 [with Paul Di’Anno]
The cover illustration runs for cover Derek Riggs’s book became the first of much more iconic in the history of the genre. “Killers” sold much better worldwide than their debut, hitting the million mark a year after its release
The Band toured and recorded in Japan as well and the live album “Maiden Japan” was another huge success and quite the Historical document.
Iron Maiden – Maiden Japan (FULL ALBUM) By 1981, Paul Di’Anno was demonstrating increasingly self-destructive behavior, particularly due to his drug usage, about which Di’Anno comments, “it wasn’t just that I was snorting a bit of coke, though; I was just going for it non-stop, 24 hours a day, every day … the band had commitments piling up that went on for months, years, and I just couldn’t see my way to the end of it. I knew I’d never last the whole tour. It was too much.” With his performances waning, Di’Anno was immediately dismissed following the Killer World Tour, at which point the band had already selected his replacement. Enter Bruce Dickinson.
Funnily Paul avoided the whole “Devil’s Music” Robert Johnson and PMRC flack. Maiden’s next album with Bruce “ Number of the Beast” was the catalyst for that insanity to come.
If there were ill feelings at the time, time heals as Di’Anno now wishes Bruce and all continued success from the stage every time he has performed for many years
Paul Di’Anno aka ‘The Beast’ in Interview
I’ve compiled some footage finds here that are of various quality. I’m just glad to know cameras were rolling.
Iron Maiden is an all-time favorite of mine and I hope to see them as scheduled this year. To all, I wish you health and a mighty “UP THE IRONS!”
Flashback Interview: Paul Di’Anno (ex-Iron Maiden) 2001
The “Flashback Interview: Paul Di’Anno (ex-Iron Maiden) 2001” offers a glimpse into the past, revisiting the era when Paul Di’Anno was the frontman of Iron Maiden. Conducted in 2001, this interview provides valuable insights into Di’Anno’s time with the band, shedding light on his experiences, perspectives, and contributions to Iron Maiden’s early success. It serves as a nostalgic reminder of a significant chapter in the history of one of metal’s most influential bands, offering fans a chance to connect with the charismatic vocalist who helped shape Iron Maiden’s distinctive sound.
IRON MAIDEN – Live At Ruskin Arms (1980)
The iconic “IRON MAIDEN – Live At Ruskin Arms (1980)” concert stands as a pivotal moment in the band’s history. Held at the historic Ruskin Arms venue in 1980, this performance captured Iron Maiden at the cusp of their rise to heavy metal stardom. With their electrifying stage presence and raw energy, the band delivered a powerhouse performance, captivating the audience with their blistering riffs, thunderous drums, and Paul Di’Anno’s charismatic vocals. This show not only showcased Iron Maiden’s immense talent but also solidified their reputation as one of the most formidable live acts in the metal scene. The Ruskin Arms concert remains a cherished memory for fans and a testament to Iron Maiden’s enduring legacy in the realm of heavy metal music.
The Soundhouse Tapes Full Album
https://www.youtube.com/watch?v=k33m2dO8zE4
“The Soundhouse Tapes” full album holds a revered place in the annals of heavy metal history, serving as the seminal debut release of Iron Maiden. Recorded on New Year’s Eve in 1978, this demo epitomizes the raw energy and untamed talent that would propel Iron Maiden to legendary status. Comprising four tracks, including iconic songs like “Iron Maiden” and “Prowler,” the album showcases the band’s signature blend of aggressive riffs, thunderous rhythms, and Paul Di’Anno’s gritty vocals. With its DIY ethos and grassroots success, “The Soundhouse Tapes” not only laid the groundwork for Iron Maiden’s future triumphs but also solidified their position as pioneers of the New Wave of British Heavy Metal movement. This album remains a cherished artifact for fans, symbolizing the humble beginnings of one of metal’s most enduring and influential bands.
The Cult “Electric Love”
The Cult electric love is a study in constant evolution, reinvention, and self-destruction. Ian Astbury and Billy Duffy founded the band in 1983 initially going out under the name “Death Cult” as Astbury fronted his former band “Southern Death Cult” By 1984 that settled on simply “The Cult”. They found their feet in the public eye and the critics’ words.
Guitarist Duffy wielding a Gretsch White Falcon was the rock, Astbury was the Mystic. Embracing Native American elements and Carrying a fascination for The Doors Jim Morrison Ian Astbury was loved by many and confused the hell out of others.
The Cult Spiritwalker, Flower In The Desert, Horsenation, Live The Tube 13/01/84
The Cult’s music is a captivating journey through constant transformation and artistic exploration. From their early beginnings as Death Cult and later settling on the name The Cult, founders Ian Astbury and Billy Duffy have consistently pushed the boundaries of their sound. With Duffy’s mesmerizing guitar skills, particularly showcased through his Gretsch White Falcon, and Astbury’s enigmatic stage presence, the band effortlessly fused Native American influences with a profound admiration for Jim Morrison of The Doors. Their performances, such as the iconic Spiritwalker, Flower In The Desert, Horsenation, and the electrifying live performance on The Tube in January 1984, left audiences both enamored and perplexed.
The Cult continued to captivate audiences with their constant evolution and self-destructive tendencies. Founded by Ian Astbury and Billy Duffy in 1983, the band initially went by the name Death Cult before settling on The Cult in 1984. Embracing Native American influences and channeling the enigma of Jim Morrison from The Doors, Astbury’s mystic persona and Duffy’s powerful guitar skills propelled the band forward. Their debut album Dreamtime and its successor Love solidified their place in the music industry, gaining both public acclaim and critical recognition.
The Cult Ian Astbury Interview TVAM Star Date AM 02/09/85
1987’s “Electric” Blew up. Success and expansion of “Love Removal Machine” and “Wildflower” kept the train rolling.
The Cult – Love Removal Machine – Live In OGWT – 1987
The Cult continued the musical experimentation of Electric with its follow-up album Sonic Temple (1989), which marked their first collaboration with Bob Rock, who would produce several of the band’s subsequent albums. Sonic Temple was their most successful album to that point, entering the Top 10 on the UK and US charts, and included one of the band’s most popular songs “Fire Woman
The Cult – Fire Woman
By the time of their fifth album Ceremony (1991), tensions and creative differences began to surface among the band members. This resulted in the recording sessions for the Ceremony being held without a stable lineup, leaving Astbury and Duffy as the only two official members left, and featuring support from session musicians on bass and drums.
“Ceremony” brought more fame, yet not of the nature, the band would have wished for. This is the 61 million dollar event. The Family of the Native American boy that graced the cover sued the band and everyone involved in all facets of the band business. Not only did they not get permission to use his image, an official video for one of the tracks had a scene in which the child’s picture was burned, and subsequently the child was emotionally terrified, not understanding the “artistic effort”.
THE CULT LIVE FROM BRIGHTON UK 1994 FULL CONCERT
In 1994 The Cult gave it another go. The self-titled album is commonly referred to as the “Black Sheep” album by fans of the group, due to the image of a black sheep on the front cover. Astbury referred to the record as a collection of “very personal and very revealing” songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to his directionless years spent in Glasgow in the late 1970s.
During the Black Rain tour of South America in the spring of 1995, despite the fact that several more new songs had already been recorded, the tour was canceled after an appearance in Rio de Janeiro in March, and the band split up citing unspecified problems on a recent South American tour.
THE CULT – THE WITCH
1999 saw a reunion and album “Beyond Good and Evil”. Par for the course Trouble ensued and such promise yielded misery in its place.
Where the Electric Love Ended The Cult’s DIsastrous Reunion For Beyond Good and Evil Ian Asbury, Billy D
Astbury went through personal and legal trauma and took time to “Clear himself” on spiritual journeys. In the year 2000, The Doors performed a taping of VH1’s popular “Storytellers” and invited numerous premier vocalists to step into Morrison’s spot. Ian was one as he had done a bit of work prior with Doors Guitarist Robbie Krieger.
He was considered for the Morrison role for Oliver Stone’s film as well but lost out to Val Kilmer.
Following the “Storytellers” The Doors hired Ian in 2002 to tour as “The Doors of the 21st Century” John Densmore suffering tinnitus was not able to participate and drummer Stewart Copeland manned the kit. According to Densmore he had recovered and was left out on purpose, essentially fired from his own band. Right off the Rip Lawsuits were flying like flocks of birds from all directions.
This all got settled as things do when enough money talks and the project continued.
The Doors of the 21st Century L.A. Woman Live (2004)
As for the Cult they have been on and off and on again up to the present day. On May 6, 2020, The Cult announced on their Twitter page that they had signed to Black Hill Records.
On August 15, 2020, Duffy announced on his Twitter that the band was recording their new album with producer Tom Dalgety at Rockfield Studios, where The Cult had recorded their debut album Dreamtime 36 years earlier.
In support of their new album, The Cult will embark on a co-headlining six-date UK tour with Alice Cooper in May and June 2022
Rig Rundown – The Cult’s Billy Duffy
This will mark 11 studio albums from The Cult and 38 years of Rocking to the highest Mountaintops to the Lowest Valleys. The Cult has always been able to find gold in the midst of a smoking crater, whether the bomb was dropped by themselves or others unknown.
Mysticism is always an open door to the next possibility.
The Velvet Underground “Music’s Mirror of Truth”
When I look deeper into the velvet underground and music’s mirror of truth, the dark realities of life were carried by two sets of messengers, one being The Doors and the other coming from the Velvet’s. What did a dirty, seedy Bowery street sound like if you had no eyes to see? If the Velvet Underground wrote a song about it you were receiving a mental portrait in the perfect hue.
They often paired a dark or strange lyric with a sweet melody that sold you into wanting more. For a band that began as a human art experiment a la Warhol, they very quickly overtook Andy and charted their own course.
Lou Reed, John Cale, Sterling Morrison, and Moe Tucker were the core of the 4 years they ruled the sound waves. German Beauty and vocalist Nico came into the mix just before they would begin recording their debut album. The combination worked very well, no matter the personal internal thoughts at that time. They were in Music’s Mirror of Truth Raw, Brutally honest, Fearless, and Open.
No subject was taboo, every show was an experiment, every record a task to capture the feel of freedom and a good dose of anarchy.
“All tomorrow’s parties” “Lyrics” “Velvet Underground and Nico” with “Edie Sedgwick” and “Nico” HD
The Velvet Underground – “Venus in Furs”
Their debut album, The Velvet Underground & Nico, was released in 1967 to critical indifference and poor sales but has since drawn wide acclaim. They released three more albums, White Light/White Heat (1968), The Velvet Underground (1969), and Loaded (1970), with Doug Yule replacing Cale for the final two, and with none performing up to the expectations of record labels or of Reed, the band’s leader.
No matter the album sales they inspired generations to come bringing things to the table even in 1964 and 65 that would be adopted by Punk, Avant-Garde, and straight Garage rock. They were a monster of creativity. John Cale‘s “Drone” approach to much of the music was in truth not only innovative in the Rock world but functional in creating trance-like states. One can look to the 1990’s band Mazzy Star‘s sophomore album “So Tonight That I Might See” to hear Cale’s approach.
Music’s Mirror of Truth Velvet Underground documentary – The South Bank Show 1986
Nothing off limits from Sadism, sexuality, and drugs were just part of the cannon. Lou Reed penned “Heroin” and “Waiting for The Man” and others pertaining to the illicit lifestyle of his friends, the people he saw on the street, and possibly himself. Once again serious, straightforward subject with beautiful music and Hypnotic driving riffs.
The Velvet Underground-Heroin
Percussionist Moe Tucker recalled the build of the take “It hit a point of frenzy and I simply had to stop playing as I lost my bearings” The silence became ultimately more important than had she attempted to continue, the silence is sometimes its own dynamic.
The second Record “White Light/White Heat” was Brilliant yet too often panned critically. The tie song and a 17 minute and 30-second version of “Sister Ray” are the bookends of a great album.
The Velvet Underground-White Light/White Heat
White Light/White Heat
John Cale’s departure and the arrival of Doug Yule before the band made 1969’s self titled album has been described as follows “Lou told someone that the reason why he had to get rid of Cale in the band was Cale’s ideas were just too out there. Cale had some wacky ideas. He wanted to record the next album with the amplifiers underwater, and Lou just couldn’t have it. He was trying to make the band more accessible.” Ultimately, Morrison was dispatched by Reed to tell Cale that he was out of the band.
By the recording of” Loaded”, Doug Yule played a more prominent role in the band, and with Reed’s encouragement, sang the lead vocal on four songs:. Yule once commented on the recording of Loaded: “Lou leaned on me a lot in terms of musical support and for harmonies, vocal arrangements. I did a lot on Loaded. It sort of devolved down to the Lou and Doug recreational recording.”
An interesting thought on one particular track on Loaded, “Oh Sweet Nuthin”. I had not heard the song until The Black Crowes chose to record it at Levon Helm’s Studio. The song was released in 1970. In 1973 The Marshall Tucker Band released their hit “Can’t you see”. The chords, the melody, the tempo are just “Sweet Nuthin” with different words and a flute. Can you say ‘Hmmmmm?” I knew you could.
Oh! Sweet Nuthin’ (2015 Remastered)
Lou Reed decided to quit the band during the last week of the 9-week residency of Max’s Kansas City shows in August 1970. Although Reed had informed Tucker, who was attending the show but not playing with the band because of her pregnancy, that he planned to leave the group on his last evening, he did not tell Morrison or Yule. Years Later the discovery that the last show was recorded brought a live album. In May 1972, Atlantic released Live at Max’s Kansas City, the recording of the Velvet Underground’s final performance with Reed made by a fan.
1973 brought the album “Squeeze” which truly was recorded as “The Velvet Underground” in name only.
There were periodic reformations of the Velvets up until Lou’s death, most live events.
Many of the offerings are great but the true band lives Immortal in its original state.
The Velvet Underground – “Live at The Boston Tea Party” (Jan. 10, 1969)
From the velvet underground album live at Boston Tea Party 1969
Lou Reed’s career flourished, Nico’s work carried on until her death as well. Sterling Morrison passed away before he saw his induction into the Rock n Roll Hall of fame.
Patti Smith Inducts the Velvet Underground into the Rock and Roll Hall of Fame
The Velvet Underground Accept Hall of Fame Awards in 1996
Moe Tucker is as of now one of the contributors in a Major Documentary on the band and rightly so. She has been far overlooked for far too long. Every accolade she can be given has most certainly been worked for.
The Velvet Underground — Official Trailer | Apple TV+
Foundation Velvet: The Drumming Of Maureen ‘Moe’ Tucker – A Documentary By CAM FORRESTER
There will never be another band like The Velvet Underground. It can well be argued that for the misfits, the streetwise children, and the disillusioned members of society the Velvet Underground were their Beatles. I dare say they were and still are the voice of the Freaks and the nameless and countless people of the back alley. Beauty can still grow from the Gutter. It worked for them. They are the flower that grows ever upward from the cracks in the sidewalk.
Motorheads Masterworks making everything louder
When it comes to making everything louder then listen to no further than the master’s Motorhead. One never needs to ask what kind of music the band Motorhead played. The Late Great Lemmy announced every night “We are Motorhead and we play Rock N’ Roll” They Rarely deviated from the “Brutal assault of “Everything Louder”, and when they did it was spectacular on its own.
Before Motorhead Started Making Everything Louder
I find something highly valuable that from the first record on Bronze to the last record they made, Much like AC/DC they found what worked and stuck with it. It also never got old. It was never “formula”, it was Identity. Lemmy had already lived quite a life.
He was a Roadie for Jimi Hendrix, Led a band I highly recommend called “Sam Gopal” as a vocalist and guitarist, and then landed in the ultimate underground Space Rock band “Hawkwind”. He approached the Bass as a Rhythm guitar and no one else played like him. When booted out of Hawkwind in 1975, Lemmy didn’t miss a beat to form his own band. It was to be called “Bastard” but wiser thought prevailed as no one would put that name on Television.
I found out about Motorhead in 1984 after a quick discussion with the fellows a few years older than I, as we were driving to my first Rock concert. “Fastway” was opening for RUSH and I was schooled quickly that this was Fast Eddie Clarke’s band. I was there for RUSH, I was also 12 years old, with many things to Learn. I did pay enough attention to go out the next year and purchase a cassette of “The Birthday Party” and I heard Motorhead and then my tape was “liberated” from me the very next day. The Bastard!
Motörhead – The Birthday Party 1985 (Full Cöncert) ᴴᴰ
Lemmy had made many contributions while in Hawkwind. Songs Like “Lost Johnny” “The Watcher” and the last song he wrote for the band “Motorhead” were simply transferred over to the new group but made everything louder than before.
Motörhead – Motorhead
Lemmy wanted the music to be “Fast and vicious, just like the MC5” but everything louder. His stated aim was to “concentrate on very basic music: loud, fast, city, raucous, arrogant, paranoid, speedfreak rock n roll … it will be so loud that if we move in next door to you, your lawn will die”. He recruited guitarist Larry Wallis and Lucas Fox on drums now they just needed to make everything louder than any hard rock that had been played before and it worked for the Motorhead members they can really say that the everything louder mission was complete.
Kilmister has said they used to steal equipment, as the band was short on gear. Their first engagement was supporting Greenslade at The Roundhouse, London on 20 July 1975. Things moved fast and having played 10 gigs, they became the supporting act to Blue Öyster Cult at the Hammersmith Odeon. Little did they know that soon they would be headlining the very same venue.
After the band’s first attempt at a record The Label rejected it and it would be released some years later. After the initial flack, Larry Wallis departed and was replaced by Phil Taylor on the kit, and Phil suggested his friend “Fast Eddie” Clarke should be the new guitarist. This Lineup is now considered an institution and THE Legend. The Albums “Motorhead” “Overkill” “Bomber” “Ace of Spades” and “Iron Fist” and the Live album “No Sleep til Hammersmith” were and are the Pillars that brought Motorhead to the world.
Motorhead Making Everything Louder in Nottingham Theatre Royal 1980
Phil Taylor’s propensity to wreak havoc is the stuff of legend. There are countless tales but the most amusing to me personally was “Philthy Animal” Running around naked in the street while simultaneously alerting the passers-by and witnesses “IT’S OK….I” M ON DRUGS!!! ‘
Nothing about anyone in Motorhead was ever boring.
Motorhead 1977-1982
From 1977 to 1982 Motorhead worked on all these projects and others, Collaborative efforts with the band “Girlschool” included. The only times they were not working, they were playing as hard as they worked and in doing so the Madness would serve to inform their next ideas, which put them back to work once more.
They were also the victims of confusion by the record labels not releasing projects until much later than initially recorded. This was the case with “On Parole” The actual First Motorhead album was shelved until the band reached some success, the Hawkwind songs appeared on that when released in 1979. The other Oddity of timing was the Live effort “What’s Words Worth”
Motörhead – What Words Worth (Full Album)
Dr. Feelgood’s Guitarist Wilko Johnson organized a charity event on 18 February 1978, at The Roundhouse in London, to raise money for the preservation of William Wordsworth manuscripts. Motörhead & Chiswick Records labelmates The Count Bishops, plus Wilko Johnson, were on the bill, but for contractual reasons Motörhead needed to perform under the name Iron Fist and the Hordes from Hell, part of which would later be used for the name of a studio album, Iron Fist. A deal was done to release the recordings (partly) in 1983. As stated in the liner notes:
“..this may not be the greatest live album ever recorded: it is not even the greatest live Motörhead album ever….the album stands as a testament to a band that had the balls to keep on keeping on..”.
Lemmy is heard at the end of the concert saying “read plenty of Wordsworth” and as a result, the album got its title because of this.
The album “Iron Fist”, was the last to feature the Lemmy, Clarke, Taylor line-up, though the line-up continued to perform in the Iron Fist UK tour between March 17th and April 12th, and the band’s first headlining North America tour from May 12 until Clarke’s last engagement at the New York Palladium on May 14th. The band took a week off, got a new guitarist Brian Robertson and pressed on until November 1982.
Motörhead – Live in New York 1982 (Eddie’s Last Stand)
The final straw for Fast Eddie was Lemmy wanting to do a collaboration with Wendy O Williams and The Plasmatics of country star Tammy Wynette’s hit “Stand By Your Man”. If you are going to pack your bag, at least have a colorful story to explain why Right?
Brian Robertson was brought in from Thin Lizzy for a one-album try and even though an exceptional guitarist his particular style of dress was not going to work. Consisted of shorts and ballet shoes, and with his point-blank refusal to play the old standards that every Motörhead audience expected to hear. Lemmy actually had to intervene when a Biker gang decided it would be best to just Murder Robertson at a show. The split was amicable and their relationship did produce “Another Perfect Day”.
Relatively unknown Würzel and lead guitarist Phil Campbell were both hired in because Lemmy couldn’t choose between the two after the round of auditions. This Line up would soon be seen on the television program “The Young Ones”. This lineup would be formidable yet Phil Taylor would depart after the recording leaving the drum spot open.
Motorhead on The Young Ones – Ace Of Spades HQ
Saxon Drummer Pete Gill would take the throne until 1987 when Phil Taylor returned.
In Spinal Tap fashion Taylor was fired in 1992 while the band was recording during the L.A. Riots for not learning a song.; Tommy Aldridge who recorded most of the material on the album; and Mikkey Dee, who recorded “Hellraiser”, a song originally written by Lemmy for Ozzy Osbourne’s No More Tears album. “March ör Die” features guest appearances by Ozzy Osbourne and Slash.
While King Diamond was touring with Motörhead, frontman Lemmy repeatedly asked Dee to join his band. In 1992, Dee accepted.
“Phil Taylor was great when he was good… so I could never have filled that space. It’s like when you get married and have kids; no one can take my father’s place… I could never be Phil Taylor, so I had to introduce Mikkey Dee into Motörhead.”
The Lineup of Lemmy, Phil Cambell, Wurzel and Mikkey carried on until Wurzel’s death in 2011. Yet nothing stopped Motorhead until Lemmy’s passing. His health had been in decline for a few years, and shows were canceled and stopped short but Lemmy always bounced back. On 28 December 2015, Lemmy died, four days after celebrating his 70th birthday. He was the second Motörhead member to die in 2015, following Phil Taylor the previous month. The band posted the following message on Facebook:
There is no easy way to say this… our mighty, noble friend Lemmy passed away today after a short battle with an extremely aggressive cancer. He had learned of the disease on December 26th, and was at home, sitting in front of his favorite video game from The Rainbow which had recently made its way down the street, with his family.
We cannot begin to express our shock and sadness, there aren’t words.
We will say more in the coming days, but for now, please… play Motörhead loud, play Hawkwind Lemmy loud, play Lemmy’s music LOUD. Have a drink or few.
Share stories.
Celebrate the LIFE this lovely, wonderful man celebrated so vibrantly himself.
HE WOULD WANT EXACTLY THAT.
Ian ‘Lemmy’ Kilmister
1945–2015
Born to lose, lived to win.
“I Ain’t gonna be easy” A Lemmy Kilmister Film
Former Motörhead guitarist “Fast” Eddie Clarke died on 10 January 2018 after a battle with pneumonia at the age of 67, making him the last member of the band’s classic lineup (following Taylor and Lemmy) to die.
Original Motörhead guitarist Larry Wallis died on 19 September 2019 at age 70 from an unknown cause.
I have purposely not done the play-by-play on the entire body of work, certainly no disrespect to any album. It’s that I would be found a week later trying to tell the tale…
I can’t imagine a world that didn’t have the band Motorhead and there will never be another band like them. We all have our favorite albums and many different people have many different versions of their tops on any list. They Just rode that Iron Horse in every direction, and I’m so thankful they did!
Everything Louder Discography of Lemmy with Motherhead
Motörhead (1977)
Overkill (1979)
Bomber (1979)
On Parole (1979)
Ace of Spades (1980)
Iron Fist (1982)
Another Perfect Day (1983)
Orgasmatron (1986)
Rock ‘n’ Roll (1987)
1916 (1991)
March ör Die (1992)
Bastards (1993)
Sacrifice (1995)
Overnight Sensation (1996)
Snake Bite Love (1998)
We Are Motörhead (2000)
Hammered (2002)
Inferno (2004)
Kiss of Death (2006)
Motörizer (2008)
The Wörld Is Yours (2010)
Aftershock (2013)
Bad Magic (2015)
R.I.P Lemmy and all departed.
The Ace of spades lick on guitar
Finally if you want to play guitar like Motorhead our friend Paul Wildman can help you get started out with the classic guitar lick from the band here is his advice on playing the Ace of spades lick on guitar.
To play the “Ace of Spades” lick on guitar, start by placing your first finger on the fifth fret of the E string and your third finger on the seventh fret of the A string. Then, play the two strings together, followed by the A string alone. Next, move your third finger to the seventh fret of the D string and play it alone. Finally, play the open A string and the seventh fret of the E string together. Repeat this sequence as desired have a listen to me play it here in the video lick short below.
Metallica 86 The Rise of the Puppets
For Metallica 86 was a special year with the release of their album “Master of Puppets” in March of the Year. The time was recently a topical news item with the whole “Eddie Munson Thing” debate over a rock icon scene in the popular tv series “Stranger Things”.
Metallica 86 The Year of Master of Puppets Memories
Each generation has its Profound musical statements and artists and the generation that experienced the launch of the album “Master of Puppets” in 1986 had very special musical memories including myself.
1986 for me was a particularly amazing year. Metallica in 86 had progressed from “Kill Em All” and “Ride the Lightning”. Never resting their creative force, they tapped into the deepest Masterpiece “Master of Puppets” and hit the road to support it. The Summer leg of that tour was being paired up with Ozzy Osbourne during his “Ultimate Sin” tour. I went to see Ozzy but left a Metallica concert which has been an impactful musical memory from the Ozzy and Metallica on Tour in 1986 the year was also the year of Metallica 86 Damage Inc Tour.
July 17, 1986, at The Ohio Center in Columbus, was the defining moment for me as a Metal enthusiast. Being quite new to rock concerts at the time as my first concert was in 1984 for RUSH, and 1985 was my first Stevie Ray Vaughan show so my intro to the power of great live acts was already rolling. I had no idea what was about to happen since I had not yet been to a Metal concert.
I was 14 years old and all I knew was there was a ticket available for Ozzy and Metallica in 1986, and Being an Ozzy and Black Sabbath fan already as well as having some familiarity with Metallica I was on it. Yes. I’ll have that!
Clips for the Ozzy-Metallica Tour 1986
I didn’t realize the seat I had was 2nd row just left of center and due to the stage size Metallica was forced to play right at the lip of the stage due to the size of Ozzy’s setup. This means I was about 10 ft away from the Marshall Stacks and drum riser. A simple black curtain behind that. This Was the area they were given to work in. House lights dim, the intro is playing and like a cannon going off “Battery” had enough force and volume to literally recoil the human body.
Battery Album Version from Master of Puppets
Metallica Full Show @ New York City 1986 (w/ Cliff Burton)
All I see for a moment is James Hetfield’s hair just flying. Gaining my clarity I now am between James and Kirk Hammett with a clear shot of Cliff Burton and Lars. By song two we are getting a sweat on us. Roughly 23 shows later we Lost Cliff Burton in September of that year.
Cliff Burton Bass Solo ‘Metallica 86
The Band has spoken many times about how Cliff was a driving force that informed their music and he was more often than not the Magic involved in any given piece as he had a sense of melody and orchestration, much Like Mick Ronson, he was the secret weapon. He drew no musical boundaries. I consider myself so fortunate to have seen him live and in my face. The experience of that night in my mind is total recall. I can stop and think and truly transport myself back to photographic memory. It was a gift from the Metal Gods.
The tour had its issues before this as Hetfield had a skateboarding accident and had to have guitar tech John Marshall play guitar. Evansville, Indiana was canceled. This situation continued through Nashville, Chattanooga, Knoxville, Charleston, Columbia, Hampton, Cardiff Wales, Bradford, Edinburgh, Dublin, Belfast, Manchester, Sheffield, Newcastle, Birmingham, London, Lund, and Lillestrom Norway. James returned to the guitar in Stockholm, Sweden. Ironically the Last show with Cliff.
One thing that divided the Old School Fanatics from the “Black Album” new fans was the sense of respect for the audience, the venues, and themselves. It may have been a Party in the Parking lot, but in the show, there was a certain collective atmosphere.
That show I was witness to in 1986 had only one incident and it was Righteous. At the end of the set, Lars threw a drumstick to the crowd, and a young man in a wheelchair caught it. He was right behind our group to our left. Some Punk took it away from him.
Well about 10 of us on either side of him saw it and absolutely beat down the idiot and returned the stick to the young man. Security saw it too, and let us beat him down. They didn’t interfere, they waited until we were satisfied, then ejected the now bloody fool from the venue. I Love Old School Metal Militias.
Master of Puppets is an Iconic album I never tire of and have listened to it many times a year since 1986. Its the subject matter, the combination of Cliff’s Orchestral mind and the balance of Thrash and Melodic sensibility as well as songs like “The Thing That Should Not Be” and “Sanitarium” proving the music didn’t have to be 200 miles an hour to make an impact drew a line that said, “We are Metallica, we do what we want.”
The lack of airplay didn’t matter, The shows and relentless touring continued after Cliff’s untimely Death proved it had songs that resonated no matter the band members. Cliff would certainly have wanted them to continue and Bassist for Metallica at the time Jason Newstead took up the ride of his life and enjoyed his time with the band members mayhem was normal for him and he was there for a long ride.
Metallica Full Show @ Quebec, Canada 1986 (w/ Jason Newsted)
Scorching Metal from Slovakia Thalarion
We ran across a well-established Scorching Metal Band a short time back and I was pleased to be able to communicate with metal vocalist Petronela Hederova of Thalarion from her home of Bratislava, Slovakia.
Thalarion being a Scorching Metal Band she was at first wondering if it was a proper fit for Guitardoor, as with everyone I explained we don’t limit our interests and I was very interested in their music. But we told her we like everything louder when it comes to guitars so here is the Guitardoor interview with Thalarion.
I found that question and our subsequent brief discussions charming and considerate. There was a small delay as she was fielding interviews from France and other countries and was classy to keep me in the loop. Highly professional and just a pleasure to chat with.
How did the band initially come together and How Long has it been together?
This is a long story, but when it comes to my arrival in the band Thalarion, it can be dated around the year 1998. At that time I was looking specifically for this type of band that would accept a female vocalist.
Juraj answered extremely fast – one day I wrote him a letter (emails were not that frequent back then) and on another day I found a response in my mailbox. It was a miracle since it usually takes several days for a post to deliver a letter.
Tell us about the current members and the New album
Current members are easy to remember – they are all either Peter or Juraj:) I am not joking: Peter Bartakovic, Juraj Grezdo, Juraj Schlosser, Peter Schlosser, Peter Dvorak and myself – Petronela Hederova (close to Peter).
There will be some changes and extra players for live shows. The Album “Dying on the Scorched Plains” was released after the almost 2-decade break. It consists of an intro and 9 songs. They all can be found on Spotify and elsewhere.
You have certainly played some high-profile shows over the years. Any Particular highlights or stories from those experiences?
We played many gigs and some are hard to remember for me as I feel like having a memory blackout (it was so long ago that it feels like another life). I guess the best was big festivals in the Czech republic – Brutal Assault and Nuclear Storm. There are some live videos from events on YouTube. But of course, Also small club concerts had their specific charm
Obviously, Covid has Created major issues but do you plan to tour behind the new record?
Yes indeed, we already have some plans for 2022. Let’s see how the situation will unfold. IT would be really great to show up at some festivals, too.
Your Passion for music is very apparent, what keeps you motivated?
Appreciation and positive feedback from the audience, and numbers on Spotify and YouTube. I am very angry at Youtube since they decreased views on our video (allegedly because of some algorithm). But seriously, guys are motivated by themselves. Our main music composer Peter Bartakovic is capable of big things, he can create an album in a week or so.
Our guitarists also have their other music projects – Juraj Schlosser plays in Flashback to Future (along with Peter Dvorak) and Nailed Nazarene (with Juraj Grezdo). Peter Bartakovic is active in Constans Compromissum.
I am looking forward to Thalarion climbing Higher in the coming years. They certainly have all the qualities to achieve their wishes and dreams. They do stand out brightly from the pack. Intensely talented and ambitious they are going full steam ahead. We wish them all good things and continued success as a Force in Metal.
Before Reading 5 Essential Punk Bands to know Read the Disclaimer
DISCLAIMER.. If you are offended by Language, Political Truths that are uncomfortable, or the Truth period not glossed over… this is not your cup of tea. Skip it. For me, Punk Has always been the Mirror some never want to look in. Life is not pretty, but it’s Very Very REAL. I personally don’t carry a Banner for others’ beliefs, only my own. I Believe in Freedom, whether I like it or not. I don’t do Cancel Culture.
I would rather write about 50 but had to trim it down to a number I could work and not become Methusela. Punk and Hardcore has so many Gems and is such a part of the fabric of Music History. All Punk/Hardcore bands from the most famous to the garage act of today all matter.
1.The Germs
Total Anarchy! The Germs were from Los Angeles, California, originally active from 1976 to 1980. The band’s main early lineup consisted of singer Darby Crash, guitarist Pat Smear, bassist Lorna Doom, and drummer Don Bolles. They released only one album, 1979’s (GI), produced by Joan Jett, and were featured the following year in Penelope Spheeris’ documentary film The Decline of Western Civilization, which chronicled the Los Angeles punk movement.
Germs disbanded following Crash’s suicide in 1980.
Germs – The Whiskey, Los Angeles 1979
Former Runaway and solo artist Joan Jett got tapped to help capture the Rawness of this Iconic Mayhem.
On Joan Jett Producing the Germs Record
2. The Damned.
The Damned were incredibly Musically inclined by comparison to many but they retained the spirit of Punk because well they frankly were up for anything. The band was formed in London in 1976 by lead vocalist Dave Vanian, guitarist Brian James, bassist (and later guitarist) Captain Sensible, and drummer Rat Scabies.
They were the first punk rock band from the United Kingdom to release a single, “New Rose” (1976), release an album, Damned Damned Damned (1977), and tour the United States
The Damned – New Rose (Official HD video)
The Damned – Neat Neat Neat – Supersonic 1977 HD Best Version
3. Black Flag
Black Flag was formed in 1976 First called Panic, the band was established by Greg Ginn, the guitarist, primary songwriter, and sole continuous member through multiple personnel changes in the band. They are widely considered to be one of the first hardcore punk bands, as well as one of the pioneers of post-hardcore.
Black Flag by any means parts 1 and 2
By Any Means: A Brief History of Black Flag (Part 1: 1976-1980)
By Any Means: A Brief History of Black Flag (Part 2: 1980-1986)
4. The Sex Pistols
Now I love Johnny Rotten. As the Years have gone by and the insolence is still there, but he’s proven his incredible Intelligence and could do well to be a world leader, but he’d never have that. He cites the Fact if there were no Hawkwind or Alice Cooper they may have not been a Johnny Rotten. With guitarist Steve Jones, drummer Paul Cook, and bassist Glen Matlock.
Matlock was replaced by Sid Vicious in early 1977. Under the management of Malcolm McLaren, the band attracted controversies that both captivated and appalled Britain. The band’s only album Never Mind the Bollocks, Here’s The Sex Pistols (1977)—a UK number one album—is a staple record of punk rock. In January 1978, at the end of their over-hyped and turbulent tour of the United States, Rotten announced the band’s break-up.
They did everything with a Flare and Flame. Steve Jones could explain why Bowie sang “The Music comes out better on a Stolen Guitar.”
Sex Pistols – Pretty Vacant (My Reproduction 20/20)
The Pistols Chaotic Tour Of America 1978
https://www.youtube.com/watch?v=jpf0MWobV2Q
5. FEAR
Lee Ving. One of my favorite people. They Broke the Mold on him. Formed in 1977, The band is credited for helping to shape the sound and style of Californian hardcore punk.
No Matter the Line up they are even now Relentless. Dig into the internet to find the things you won’t find here. I Must just share the Madness in short Form. A Tease, a Taste of Beef Bologna. Remember any press is good press!
Video FEAR I Don’t care about you!
FEAR on SNL
When The Runaways Rocked The Globe
Today we look at when The Runaways rocked the globe in an era of great guitar music, They were an all-female rock band formed in the 1970s and made a significant impact on the music scene with their powerful songs and rebellious attitude. Their songs and videos captured the essence of their era, showcasing their raw talent and unique style. The original members of The Runaways included Joan Jett and Lita Ford, who were pioneers in the male-dominated rock industry, breaking barriers and proving that women could rock just as hard as men.
One of their notable performances was on a UK TV show the old grey whistle test in 1977, where they performed their song “Wasted.” This appearance showcased their electrifying stage presence and solidified their reputation as a force to be reckoned with. The Runaways’ ability to captivate audiences with their energy and talent was undeniable, and it was this performance that helped them gain recognition on a global scale.
Runaways Rocked the Globe 1977 Wasted
THE RUNAWAYS – Wasted (1977 UK TV Appearance) ~ HIGH QUALITY HQ ~
The Runaways, made a significant impact on the global music scene with their album “Wasted.” The release showcased their rebellious spirit and raw energy, challenging traditional gender norms in the male-dominated rock genre.
The Runaways – Cherry Bomb
With tracks like “Cherry Bomb” and “Queens of Noise,” the Runaways captured the essence of the punk and glam rock movements, leaving an indelible mark on the cultural landscape. The album’s provocative lyrics and powerful performances resonated with a generation, solidifying the Runaways’ place in rock history and paving the way for future female musicians to break barriers in the music industry.
EdgePlay the Runaways Documentary
The Runaways’ story is further explored in the documentary film “Edgeplay,” which delves into the band’s rise to fame, internal struggles, and ultimate disbandment. It provides an intimate look into the lives of these trailblazing musicians and the challenges they faced in a male-dominated industry. Through their music and personal stories, the documentary highlights the impact The Runaways had on the music industry and the lasting legacy they left behind.
Lita Ford’s Close My Eyes with Ozzy and Kiss Me Deadly
Lita Ford, one of the original members of The Runaways, went on to have a successful solo career. Her duet with Ozzy Osbourne, “Close My Eyes Forever,” became a hit and solidified her status as a talented guitarist and vocalist. The song showcased her ability to blend her rock sound with emotional depth, and it remains a fan favorite to this day.
Ozzy Osbourne And Lita Ford – Close My Eyes Forever (HQ)
Another popular song from her solo career is “Kiss Me Deadly,” which further showcases her edgy rock sound and her ability to captivate listeners with her powerful vocals and guitar skills
Lita Ford “Kiss Me Deadly” – live – Mar 14 2020 80’s Cruise
Joan Jett Crimson and Clover With A Bad Reputation
Joan Jett, another original member of The Runaways, also had a successful solo career. Her song “Bad Reputation” became an anthem for outsiders and rebels, solidifying her status as a rock icon. The song’s rebellious lyrics and catchy melody resonated with audiences, and it continues to be a staple in her live performances.
Joan Jett – Bad Reputation (Live)
Another notable song from her solo career is “Crimson and Clover,” a cover of the classic rock song. Joan Jett’s unique interpretation of the song showcases her ability to infuse her style into well-known tracks, making them her own. The Runaways’ impact on the music industry cannot be overstated. They paved the way for future female rock musicians and proved that women could rock just as hard as men in a time dominated by guitar legends and creative wizards of rock like lead guitarist of queen Brian May were at the forefront of guitar groups..
JOAN JETT…CRIMSON AND CLOVER…LIVE..PARAMOUNT,LI..9/28/21
Their songs and videos continue to inspire and empower generations of music lovers. The Runaways’ legacy lives on, and their influence can still be felt in the rock music landscape today. In conclusion, The Runaways rocked the globe with their powerful songs, rebellious attitude, and trailblazing spirit. Their performances, both as a band and in their solo careers, showcased their raw talent and unique style. Joan Jett and Lita Ford, as original members of The Runaways, went on to have successful solo careers, further solidifying their status as rock icons. The Runaways’ impact on the music industry is undeniable, and their legacy continues to inspire and empower musicians and fans alike.
Brian Jonestown Massacre the industry
Brian Jonestown Massacre probably has had even more members than Hawkwind and the Grateful Dead. But they were nearly all big against the industry elites. True Massacres of the industry
There is nothing like the Brian Jonestown Massacre. They have a drug-fueled, Bullet riddled history and are still going with a new Album released in 2021. They are one of my favorite bands of all time.
Anton Newcombe has been the Brainchild and has brought the artistic level of their catalog to its glory and at times singularly destroyed many opportunities. However, he never did anything halfway, if there was trouble he simply poured more gasoline on the fire.
The Guitar based rock band has been his baby, but every member has stood on equal footing. Joel Gion specifically is someone I would put on my Bucket List to sit and have a conversation with.
He has been the Front and Center Tambourine man, comedic relief, and somewhat the face of the band. From Matt Hollywood to every member past and present, everyone has left their stamp on the music.
Since forming in 1990 The Massacre has been able to keep the guitar-based music influenced by the retro ’60s sounds Fresh. They are not a throwback to anything. They have harnessed the music and instruments of decades gone by and given it a new life. The band is a living and breathing force.
Brian Jonestown Massacre – Servo
Using an arsenal of vintage Vox guitars and many other Pawn Shop treasures they have recalled the times of The Velvet Underground and a few obscure others but created new music.
Beginning with demos that were titled “Pol Pot’s Pleasure Penthouse” in a couple of short years they were off and running.”Spacegirl and Other Favorites” “Methodrone” moved the reputation along. In 1996 they recorded 3 albums in one year alone.
Those are now thought of as the classic lineup and widely the best 3 albums in their story. “Take it From the Man!” “Their Satanic Majesties’ Second Request” (a nod to The Rolling Stones Brian Jones) and “Thank God for Mental Illness “
BJM Full Show Atlanta Live 1998 Best Audio
They continued to make a wealth of records and friends and my first exposure to them was a Documentary of their working relationship and largely positive association with the band “The Dandy Warhols”. The film was released in 2004. “DIG!” put them on my radar as well as the Dandies.
I am not normally a pop music fan but the film showed both bands equally rising and I became a Dandy Warhols fan. The two bands could not be more different, Light and Shade.
It documents very well the complexities of driven bands dealing with the music landscape of the times and the Reckless abandon of both, yet BJTM was definitely the Dark anarchists of the two and the success and differing definitions of what success meant were and are fascinating. 7 years of both bands’ excess and triumphs, with a great dash of competition and self-destruction.
DIG! VF / The Brian Jonestown Massacre
https://www.youtube.com/watch?v=QU0vYaFH7Vk
Somewhere around the many band members came and went. The Albums kept on being made under many different situations aside from any solo and other collaborations by Anton
Albums By The Brian Jonestown Massacre
Methodrone (1995) Spacegirl and Other Favorites (1995) Take It from the Man! (1996) Their Satanic Majesties’ Second Request (1996) Thank God for Mental Illness (1996) Give It Back! (1997) Strung Out in Heaven (1998) Bravery Repetition and Noise (2001) …And This Is Our Music (2003) My Bloody Underground (2008) Who Killed Sgt. Pepper? (2010) Aufheben (2012) Revelation (2014) Musique de Film Imaginé (2015) Mini Album Thingy Wingy (2015) Third World Pyramid (2016) Don’t Get Lost (2017) Something Else (2018) The Brian Jonestown Massacre (2019)
TAMBOURINE MAN: Interview with Joel Gion of The Brian Jonestown Massacre
As it Stands the band appears on the tour for 2022 to support “Fire Grows on Trees” on the road with Mercury Rev.
If you are any sort of music fan I think you will find many things to like in any given album.Much like the statement made by Jerry Garcia about the Grateful Dead they are like Black Licorice Candy “ Not everyone likes it but the ones that do REALLY Like it.”
Manic Street Preachers Guitar TIMES Two
Sometimes the loudest sound is the one not present. For a Band to carry on and leave a mix of tribute and hope on the stage for the member now is a beautiful and mysterious effort.
Richey Edwards loved a good mystery and the writer and rhythm guitarist for the Preachers would ultimately become one himself.
The Preachers still feel they are a two guitar band, one is just not present.James Dean Bradford Vocalist and Lead guitarist and the rest of the band have carried on with a new album release “The Ultra Vivid Lament”.
In 2021 To this day the band acknowledges their fourth member by paying his family 25% of all earnings and have for the last 25 years.
Onstage as well on stage right is an open microphone where Richey would be.. Striking the heartstrings of memory and possibly just waiting for the day he might walk back into the band.
This is a second extension of Love for Richey as when he first was brought into the group he couldn’t play the guitar but they allowed him to pretend he could as the guitar was not turned on. Fake it til you make it a success.
He did in time become a solid rhythm man. The current status is “Death in Absentia” for the unknown whereabouts of Edwards.
Manic Street Preachers Suicide Alley
The band identified and promoted an image and theology borrowed from Glam, Punk, and Edwards was the instigator for the gender bending no rules approach.
As a well self educated spokesman for the group he was fearless in the public eye. Privately he dealt with depression and severe mood swings and was soon to be known in the world view as one who suffered from self harm and did have a degree of nihilistic attitude.
He may have been the focal point of the group but In my recent study I must say that Bradford was an equal genius .
Bradford was and is able to include incredible guitar work in the ever changing contexts of Punk , Pop, and straight up Rock. A Brilliant Lead player and singer. Truly underrated .
Getting the Manic street preachers sounds on guitar
February 1992 saw the bands debut record “Generation Terrorists” followed by “Gold against the Soul” in 1993 and Thirdly “The Holy Bible” in 1994.
The band worked as hard then as the later decades leading to present day efforts. There was one big issue, In February of 1995 as they were leaving to tour the United States well, Richey just disappeared .
He was reportedly seen by Cab drivers , fans, and even purchasing a new passport sporting a shaved head after leaving his legal passport behind. His vehicle was found abandoned near a bridge where many before had taken a dive to end their lives. From all accounts he had been making gestures of gifts to friends and was in hindsight behaving calmly in a manner that precedes a planned death. However he was not the suicidal type and referred to the act as the “S Word” as he did not wish to speak the very word fully.
He was tormented by the Death of Kurt Cobain and was not able to comprehend the reasoning behind it . Did he go the way of Syd Barrett, choosing to become someone else in dissolution with the Music Industry? Was he Pulling the Jim Morrison card or possibly just faking his death? There are no clear answers
From Despair To Where – The Life and Disappearance of Richey Edwards
Richey’s proclamations in the third album Lyrically deal with subjects including prostitution, American consumerism, British imperialism, freedom of speech, the Holocaust, self-starvation, serial killers, the death penalty, political revolution, childhood, fascism and suicide.
He was truly preaching his views and had insisted everything contained in that album be perfect. His final Testimony? Quite possibly. The style of music had expanded into hard rock, British punk, post-punk, new wave, industrial, art rock and gothic rock.
Manic Street Preachers – Faster (Glastonbury 1994)
The Manic Street Preachers made a massive impact with him and without him and one should not allow the mystery to overtake the music of his time and all the work the band did ongoing. I hear elements that may have well influenced so many bands to come such as Foo Fighters and others.
The Manics are a Mighty band , not caged to any style but their own. Always pressing forward while still looking over at the empty spot where that Microphone awaits the missing man who helped catapult them to the world. Perhaps waiting on the band to again be Guitar times Two.
The creepy story behind the disappearance of Ritchie Edwards
Black Sabbath Wizard Beyond The B-Side of Paranoid
Black Sabbath Wizard or the wizard a B-Side of Paranoid, Normally “The B-Side of Paranoid by Black Sabbath can consist of three tracks: ‘Rat Salad,’ ‘Fairies Wear Boots,’ and ‘Evil Woman.’ ‘Rat Salad’ is an instrumental piece that showcases the band’s musical prowess, particularly the drumming skills of Bill Ward. ‘Fairies Wear Boots’ is a heavy and riff-driven song with dark and cryptic lyrics. Finally, ‘Evil Woman’ is a cover of a song originally performed by the band Crow, and Black Sabbath’s version adds their signature heavy sound. Overall, the B-Side of Paranoid offers a diverse range of songs that further solidify Black Sabbath’s status as pioneers of heavy metal.
The Beat Club program was my induction as a fan. “Paranoid” from the second album was the video. Thus the album Paranoid was quickly purchased. I wore out many copies of that but the true bombast and Doom lay in the self-titled first release. No one before or since has created anything as alarming to new ears as the song “Black Sabbath” itself. Boris Karloff’s film inspiration was evident in the album art and the songs within.
Black Sabbath – Black Sabbath (1970)
Bassist Geezer Butler has always been open about his interest in the occult, yet he’s been clear it was an interest and the band’s songs are much maligned as they address stark realities against the Demonic and are anti-war and anti destruction. The band’s interest lies more in the sonic destruction of the foundation of the venues they performed in.
Guitarist Tony Iommi detuned his Gibson SG to make the strings easier to bend due to the loss of his fingertips and the secondary consequence of that is the wider and fuller sound. He is not only the Riff master but the innovator of sheer power.
Drummer Bill Ward has been the most unique contributor as his unorthodox drumming was based on Jazz and the result being those songs are enveloped in a certain “swing”.No other drummer plays like him in that setting.
Then we have Ozzy. Madman? Absolutely. Yet he had an unheard-of voice and sense of melody. He is also one of the best frontmen any band ever had.
Black Sabbath – Wizard (Demo) [Vinyl]
Biography: Black Sabbath (2010), documentary with Finnish subtitles.
The First three albums thirdly “Masters of Reality” were the encyclopedia for great heavy songs. “Iron Man” War Pigs” ‘Children of the Grave”. The endurance of the first few years’ outputs resounds now because someone somewhere is playing those albums on the stereo or with a guitar in their bedroom, now.
Volume 4, Sabbath Bloody Sabbath, Sabotage, all had some incredible moments but by 1976 to 79 Technical Ecstasy and Never say die had seen the band running full steam for almost a decade and no breaks. The Weed and drink were eclipsed by harder drugs and communication had broken down between the Band and Ozzy.
THE Black Sabbath WIZARD DEPARTS
Ozzy was unceremoniously let go and Sabbath returned with one Ronnie James Dio for the second chapter of their life. The Albums ‘Heaven and Hell” and “Mob Rules” were a departure in many ways but Still Rocked relentlessly. New Blood, however short-lived.
Black Sabbath – Neon Knights Live In N.Y. 1980
“Live Evil” marked the tenure of Dio. It was brief but Lasting.
Black Sabbath BORN AGAIN
The next Vocalist for Sabbath Ian Gillan entered the band and the work produced was the very Underrated “Born Again”. It was not the lack of quality of the collaboration, it was more just simply a poor mixing of the sounds. Had it been recorded in a different studio or mixed by a different person the songs would have made a better impact. Sadly this happens to many bands. Proper careful attention to the details will make or break any project.
Ian departed and a string of vocalists came and left and some came back again. Glen Hughes, Dio, Tony Martin, and others. Success and Failures abounded from 1984 and the band danced with dalliances with Ozzy for events Like Live Aid and other reunions.
In 2010 Black Sabbath and Ozzy rejoined with all the Original members to make the album 13 and shows followed. Contractually there became a problem as Ward was feeling not respected and so he left and was replaced by drummer Tommy Clufetos.
NiB Black Sabbath
The End Tour
TONY IOMMI REFLECTS ON THE END OF THE END FOR BLACK SABBATH
I had tickets to see this In Indianapolis but for some reason, I had Hesitations and Gave the tickets to a friend. That Friend is the vocalist for one of the best Ozzy/Sabbath Tribute bands I’ve ever heard. “Ultimate Ozzy”. I thought proper use, proper gift.
You only get one Black Sabbath and they are to remain Timeless. No matter your great loves or hates of the multitude of time periods, everyone contributed something special.
Groundbreakers, Road Dogs, Legends. We Thank Them for the music. It will always spark Magic and smiles in Memory.
https://www.youtube.com/watch?v=3ipSJrQP5E8
Check out these fellows, Keep up them if you are an Ozzy and Sabbath fan. They never disappoint. Rock on!
The Kentucky Headhunters Remembering Your Roots
For My Friends who know this story about the Kentucky Headhunters and me, well you know. This is a study for those who don’t. This is a collection of Kentucky headhunters songs and my own personal story about playing guitar with the Kentucky Headhunters.
I’ve had many highlights in my career and have had many interesting opportunities as an Opening act for The Late Jani Lane Of Warrant, Country Legend Martina McBride, Guitar Legend Neil Zaza, and a few others. As you climb the Ladder of a musician you are often going to find that you are just there to do your 45 minutes and many times the main act doesn’t care who you are.
The money is Great, the interactions are awkward at times. Talking Jani Lane down from a flip-out was a test of my willpower as a representative of the Hometown. Many folks have to remember they are not doing the enormodome and the Stadium and nothing is ever perfect.
I’m not speaking ill of the dead here. I’m saying we are all human and prone to bad days. The Audience has no idea what happens before the Venue Doors open. They see the Headliner smiling and being professional. The opening act sometimes knows more about the reality of dealing with a Rock Star in a bad mood. Things don’t always go well. Then you get a show that does and it’s a gift.
Quick Photo while Getting the guitar from the bus
The Kentucky Headhunters – Walk Softly On This Heart Of Mine (Official Video)
Walk Softly Music Video
The Kentucky Headhunters were a gift. I’ve been a fan since they broke through to worldwide fame in the late 1980s and played many of their Hit’s in cover bands and Showbands all across the midwest the first half of my career. I never ever saw it coming that I would be called to actually work a show with the band and get paid to present my own songs to their audience. I was already truly honored to just have that laid on the table.
I assumed it would be like most of those shows I had done prior and expected nothing more. I was in for a whole different experience.
I arrived at the Oktoberfest early in the day knowing my setup would be simple, an amp, a couple of guitars, and a vocal mic. I saw the Tour bus parked and thought well the band is at the Hotel and I’m not here to bother anyone so I made contact with the event organizer and he said “I’ve got someone I want you to meet.” and brought me to the soundboard. He told the Soundman I was Jimmy Fleming and then said “This is Steve Wilson, He worked for Stevie Ray Vaughan and I’m sure you two have plenty to talk about.” Mind Blown.
Steve was one of the nicest people on Earth and we talked for 30 mins or so about shows I had been to and some specific events like Stevie getting that scooter he loved so much, and that he had run over a friend of mine on the thing. The guy didn’t care as SRV helped him to his feet and asked if he was ok and he said “I don’t care if I am or not, you are Stevie Ray Vaughan!”
Steve asked if I wanted to soundcheck and I looked up at the stage and said “ I see Greg Martin’s 1959 Gibson Les Paul on the stage and I’ll gladly sound check AFTER you put that thing in a case because I’m not going near it!” Steve Laughed and agreed. I went up a few minutes later and out of nowhere, I have Richard Young and Brother Fred Young onstage too. I apologized and began to move my Guitar cases out of Richards‘ way. He then said something that spoke volumes about their Humble nature. “This is as much your stage as it is ours.”
Greg Martin and Bassist and Lead vocalist Doug Phelps were actually at the Hotel so I got drafted to not only get my sound but to soundcheck with them. That’s a surreal experience to play and do the vocal check and be a Headhunter by proxy. I saw Richard was being approached by a young man and young Lady so I thought ok this is a private matter so I’m going to step off. Richard says “Hey man come back here, check this out.
I want your opinion.” What was happening was he was being delivered a Stratocaster style guitar he had ordered a few years prior, made from wood cut from his family farm decades earlier. This was no little project, he had cut the wood himself and let it sit for a very long time so it was a very sentimental and deeply heartfelt piece of his life now being seen for the first time by just the two of us and the Luthier. Then He hands me the thing to play and seriously wanted my thoughts. I was speechless. Yet I managed a response of the beauty of the work and the sound.
Checking the sound
Soundcheck was done and we walked back behind the stage and talked about Family and our roots in Kentucky and Virginia and our mutual Love of Waylon Jennings and The Rolling Stones. He then said, “well I’m gonna hit the bus and have a power nap, I’ll be listening when you hit it and have a good show..see you after this Horse Race is over.”
The Kentucky Headhunters perform “Oh, Lonesome Me” Live at the Shed
I had very little time to get my head around what just happened in the last couple of hours and I still haven’t even thought of playing, which was the only reason I was there, to begin with. I had noticed a few folks coming in 30 mins prior, and took another look and I am now seeing a sea of people. I asked my friend how many this was roughly and his response was “Oh somewhere around 2 thousand, AND… you are onstage in 10 minutes.
You are as the Great Ronnie Hawkins would say “In the BIG TIME JIM”. Grammy award winners, people you watched on television and this may be your stage too, but it’s their audience. You have a carnival going on, crowd noise, announcements, games, and sonic chaos. Then You realize “I can’t think of the first words to the first song and I wrote the thing!!” The only thing I could do was lock myself in the Porta-John and stick my fingers in my ears and think hard. You are opening with “Bottled Devil Blues”, what is the first LINE?
BOOM “ ‘I have a Darkness stalking doing that high step walking “ OK. The door opens annnnnnd “You are on”.
That set flies by, 45 seems like 10 minutes. Yet you made it through.
It’s sadly a rare thing to be treated that well and respected as an equal by the Legends, but thank Goodness there are bands like the Kentucky Headhunters who treat you the way they do. If you find yourself discouraged in the business by dealing with a run of ego trips as a support act, remember it’s part of the program that if you endure, you’ll get a Blessing as I did. If you are an established act the single best thing you can do for yourself and your Legacy is remembered when you were starting out, Treat your support with respect and Remember your Roots. It means everything.
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