To achieve a great blues sound on guitar, start by using a clean amp setting with a warm tone. Use a guitar with single-coil pickups and play with a light touch to achieve a smooth and mellow sound. Experiment with different types of strings, such as flatwound or half-round, to find the right balance of brightness and warmth. Use a combination of bending, vibrato, and slides to add expression and emotion to your playing. Finally, practice playing with a relaxed and confident feel to truly capture the essence of the blues.
Choosing A Good Blues Guitar
When choosing a blues guitar, it’s important to consider the sound it produces. The blues sound on guitar is characterized by its warm, rich tone and expressive playing style. To achieve this sound, look for a guitar with a solid wood body and a set of high-quality pickups.
Another important factor to consider is the guitar’s playability. The neck should be comfortable to hold and the frets should be well-spaced and easy to play. A good blues guitar should also have a smooth, responsive action that allows for quick and precise playing.
Finally, don’t forget about aesthetics. A good blues guitar should look as good as it sounds. Consider the finish, inlays, and overall design of the guitar to ensure that it fits your personal style and preferences. By taking these factors into account, you can choose a blues guitar that will provide you with years of enjoyment and inspiration.
Picking An Amp For A Great Blues Sound
When it comes to choosing a good blues guitar amp, there are a few key factors to consider. Firstly, you want to ensure that the amp can produce a rich and warm tone that is characteristic of the blues sound on guitar. Look for amps that have a tube or valve-based design, as these tend to offer a more authentic and dynamic sound.
Another important factor to consider is the power rating of the amp. For playing blues guitar, you generally want an amp with a power rating of around 15-30 watts. This will give you enough volume to play in small to medium-sized venues, while still allowing you to achieve a natural and responsive tone.
Finally, it’s worth considering the features and controls of the amp. Look for amps that have a built-in reverb or tremolo effect, as these can add depth and character to your blues sound on guitar. Additionally, having separate EQ controls for bass, mid and treble can help you to fine-tune your tone and achieve the perfect sound for your playing style.
Overall, choosing a good blues guitar amp requires careful consideration of factors such as tone, power, and features. By taking the time to research and test out different amps, you can find the perfect one to help you achieve that classic blues sound on guitar.
Choosing The Best Guitar Strings for Playing The Blues
Choosing the right guitar strings is crucial for achieving the perfect blues sound on guitar. Firstly, consider the gauge of the strings. Lighter gauges are easier to play, but heavier gauges produce a fuller, richer tone. Next, think about the material. Nickel-wound strings are a popular choice for blues guitarists as they offer a bright and clear sound. However, pure nickel strings can provide a warmer, more vintage tone.
Another important factor to consider is the brand of the strings. It’s worth investing in a reputable brand as they often have higher quality control standards and use better materials. Some popular brands for blues guitar strings include D’Addario, Ernie Ball, and Martin.
Overall, choosing the right blues guitar strings involves finding a balance between gauge, material, and brand. Experiment with different options until you find the perfect combination for your playing style and desired sound.
Why You Don’t Need Pedals To Get A Great Blues Sound On Guitar
When it comes to getting a great blues sound on guitar, pedals are not always necessary. By adjusting your playing technique and guitar settings, you can achieve a rich and soulful tone. Start by using your fingers instead of a pick, and experiment with different string gauges and materials to find the right sound for you. Adjusting your guitar’s tone and volume knobs can also make a big difference. By taking the time to explore these techniques, you can create a unique and authentic blues sound without relying on pedals.
Which Guitar Pedals Work Best For Blues?
When it comes to achieving the perfect blues sound on guitar, choosing the right pedals is crucial. Overdrive pedals are a must-have for any blues guitarist, with the Tube Screamer and Blues Driver being popular choices. These pedals add warmth and grit to your tone, allowing you to achieve that classic blues sound.
Another essential pedal for blues guitarists is the wah pedal. This pedal adds a vocal-like quality to your playing and can be used to create expressive and emotive solos. The Cry Baby wah pedal is a classic choice and has been used by many famous blues guitarists.
Finally, the delay pedal is a great addition to any blues guitarist’s pedalboard. This pedal adds depth and dimension to your playing, allowing you to create a more atmospheric sound. The MXR Carbon Copy and Boss DD-3 are both popular choices for blues guitarists.
In conclusion, achieving the perfect blues sound on guitar requires the right combination of pedals. Overdrive pedals, wah pedals, and delay pedals are all essential tools for any blues guitarist looking to create a classic and emotive sound.
Getting A Great Blues Sound On The Guitar From Mick Pini Bluesman
For Recording I have a 10 to 15 watt Fender Sidekick, an old one. Volume to limit and put master very low to one with treble 6 and bass 5. Reverb 2 with my Les Paul Gold Top using by back pick up, a DiMarzio Double Coil, so one gets a thick sound. The settings middle switch 8, that’s it, and it gives out a strong signal. With the settings, I get a slightly distorted sound but thick Les Paul sound. Have A Listen to the Track “Blues in G” as an example.
What are some good websites for learning blues on Guitar?
Learning blues on guitar can be a challenging but rewarding experience. Luckily, there are many great websites available to help you achieve that classic blues sound on guitar.
One website worth checking out is TrueFire. They offer a wide variety of blues guitar lessons, taught by experienced instructors. Their courses cover everything from basic blues techniques to advanced improvisation, so there’s something for every skill level.
Another great option is Guitar Tricks which has a section on Classic Blues Rock. Their extensive library of blues guitar lessons includes everything from classic blues riffs to advanced soloing techniques. They also offer a free trial, so you can test out their lessons before committing to a subscription.
Finally, if you’re looking for a more interactive learning experience, JamPlay is a great choice. They offer live online lessons with experienced instructors, as well as a large library of pre-recorded lessons. Their blues guitar lessons cover everything from basic chord progressions to advanced improvisation techniques.
Overall, there are many great websites available for learning blues sound on guitar. Whether you’re a beginner or an experienced player, these resources can help you achieve that classic blues sound and take your playing to the next level.
Enigmatico guitar Mission Mexico Orphanage
Forget going loco in Acapulco with its D-G-Em-A progression. It’s time to get a new Mexican place name in your head and that place is Anarchapulco according to our old friend Rob Mills a.k.a Enigmatico. Anarchapulco is the place to be and this is Arnachapulco’s new Anthem have a listen to its sweet summery guitar sounds and check out our second Guitardoor interview below with Rob Mills, who previously gave us some lessons from the diamond mine a few months ago. We were talking to Rob about his current mission Mexico orphanage fundraiser and how he is using one of his songs to help raise funds for the orphanage and he also teaches the gift of guitar to these wonderful kids.
So Enigmatico/Rob What Made you decide on fundraising in the first place as a musician?
I think fundraising through music is a great way to inspire people to donate the music sets a tone for the vibe of the fundraiser and with the right promotion can do great things! That’s why when I made the association with Dollar Vigilante and I saw he was trying to help the orphanage, I thought it would be a great way to raise money as he has a pretty big fanbase!
So Rob will you be doing any recording or gigs soon?
I’m currently traveling through Mexico for the past 18 months, I am teaching guitar online, doing a few gigs wherever I go and I also have been writing a putting out songs! My song Mexico came out last September and that was my in with Jeff Berwick of Dollar Vigilante who runs the festival Anarchapulco. I subsequently recorded another song and music video called Pirate train, about crypto, and my latest song Anarchapulco the place to be is a direct result of attending that festival at the beginning of this year!
Where to find out more about the Enigmatico fundraiser for the Mexican Orphanage
My YouTube channel Enigmatico has regular uploads about the fundraiser. Once the song comes out with the official music video we will have the links for people to buy the song and the proceeds will go to “Marsh children’s home in Bonfil, Acapulco!”. Before then the song can be purchased through Bandcamp also through this link-https://enigmatico.bandcamp.com/track/anarchapulco-the-place-to-be-uk-vigilante-master
How do you enjoy teaching guitar online and offline?
These days I’m traveling as a digital nomad, teaching guitar online with my website rockstar guitar school . On the website, you can get rockstar guitar lessons online. It’s pretty amazing to know I can go anywhere in the world with a good wifi connection, which most places have. So I can teach tomorrow’s generation of upcoming rockstars, or even people that started later in life that just want to enjoy the rewarding, therapeutic experience of learning this amazing instrument!
How long were you living in Mexico before you wrote the song it or any story behind it?
I had just gotten to Mexico and only been here a matter of days in Puerto Vallarta, when I wrote my song Mexico!. Then I was in my AirBnb just strumming a few chords. I also had the underlying feeling of finally being in this amazing country, that I’d wanted to visit for so long!. I started singing the refrain Mexico! Mexico! A bit like New York New York I guess! it seemed to work nicely and I continued with the idea and got the verses down all in about a couple of hours! They say the best songs don’t take that long to write! haha
What next for Rob Mills and a little more about the fundraiser
I am currently in Morelia and will be off soon to record the music video for Anarchapulco the place to be. The festival organizers say if they like the song much they could well use it for the theme tune for next year’s festival! Will be great to get my music licensed!. The feedback from festival-goers so far is that I managed to capture the spirit of that festival Anarchapulco in a song! As for the future at some point, I hope to get back over to southeast Asia with Thailand and Bali calling me! I hear the gig scene in Bali is particularly good!
With so many music sharing sites and platforms for musicians to promote music for free, using music sharing sites can get complex for the artist and listener. In a previous post, we wrote about the main music sharing sites and gave a rundown on them con read our article Bandcamp vs Spotify.
Choosing which Music sharing sites to upload music.
While there are many artists’ stories of making it big on Spotify playlists and being a big hit on Youtube Music for the masses this is not always the case and many talented artists get buried in these music discovery platforms quickly. This is because the sites will always push mainstream material on people who are listening to independent music as the sites tend to push these tracks and they are in the same bed as the record labels. So you need to play them at their own game and try to get on sites that promote more independent music so you have a better chance of your music being heard and hopefully bought and even get a few gigs and tours from it. But sometimes its a case of if you can’t beat them join them so unless you want to develop and promote your own site and go through the painstaking task of SEO optimization which is much based on trust factors and domain authority, Which you cant build without lots of inbound links and lots of content and positive brand awareness.
So most artists will upload their music to sites like Spotify, Bandcamp, and Youtube Music. There are some online services that will do all this for you and create the accounts where needed and give you a discounted rate but that also means earning less per play. Whatever you choose the next step is to get your music heard outside of those sites. And you also have to ask the question “Is the music artist platform Paid or Free” you can’t be paying $16 a month for a service that only brings in $1as you probably need that money for guitar strings and gear.
What to do after your music upload to get listeners?
Finding the best websites for music for you and your Audience is one task but you will be quickly buried on the homepages of these sites. Obviously, you can share your music tracks on social networks like Facebook, Twitter, and Instagram yourself but you will need to think out of the box for alternative ways to reach new listeners and get others to share your music. One way is to have a playable widget on your own site it does not have to be on the homepage as this will slow down your site and make it unresponsive just put it somewhere that people can click on it to play your music somewhere prominent on your sites like in the sidebar or main menu as a link. But this is not going to be enough for many musicians as most musician sites get very little traffic. So you have to move on to the next step to attract more listeners.
Using Free Music promotion sites
Here at Guitardoor, we can help you promote your music for free by doing a Guitardoor Interview you can promote up to 4 videos or embedded Bandcamp, SoundCloud, or Youtube videos. We will ask you a few questions and place your songs in the article and share it across multiple social networks. Just tell us where you publish music online and a story around the tracks or your current tours and gigs. You can also use the contact page and submit a guest post and we will publish it for you and share it around. You will also be included on our playlist below so try a Guitardoor interview today contact us on Facebook or via more traditional email on the contact page.
Get Your Music On Our Youtube Playlist Of Featured Guitarists and Musicians
New Wave Guitar Creators and Innovators
New Wave guitar music emerged in the late 1970s and early 1980s as a subgenre of punk rock and post-punk. It is characterized by its use of synthesizers, electronic drums, and angular guitar riffs. Some of the most notable New Wave guitar bands include The Cars, Talking Heads, and Blondie. The genre was known for its danceable beats and catchy hooks, and it had a significant impact on the music industry. Today, New Wave guitar music continues to influence contemporary artists and remains a beloved genre among music enthusiasts.
As a nascent subgenre of punk rock and post-punk in the late 1970s and early 1980s, New Wave guitar music marked a distinct era in the history of music. Drawing from a rich sonic palette, it integrated synthesizers and electronic drums alongside the traditional angular guitar riffs, crafting a soundscape that was both innovative and hauntingly familiar. High-profile bands such as The Cars, Talking Heads, and Blondie were synonymous with this genre, pioneering a style that merged profound emotional resonance with irresistible danceable beats and catchy hooks. Beyond their influential sound, these bands also made substantial contributions to the broader New Wave landscape, shaping it into the beloved genre that it is today. This article delves into the challenging, often blurred paths these bands ventured, showcasing their intricate journeys through the spectrum of New Wave. Noteworthy mentions besides the household names include Joy Division, PIL and Marianne Faithfull, all of whom added their unique splashes of creativity to the genre. However, the ‘New Wave’ label has its fair share of controversies. Critics argue that it often unnecessarily bundles together vastly different bands under a singular umbrella term. This issue, nonetheless, should not detract us from the main focus – the visceral power of the music itself. Despite these debates, New Wave guitar music’s undisputed quality and enduring legacy continue to reverberate in the music industry, inspiring both contemporary musicians and discerning audiences alike.
The BEGINNINGS of the “The new wave guitar sound?”
The complexity of musical generational labels can often create a maze of misconceptions and inaccuracies. Nonetheless, they serve as useful guides to tracing the evolution of distinct sounds over time. Emerging in the late 1970s as a vibrant subgenre of punk rock and post-punk, New Wave embraced a fusion of rock music with avant-garde aesthetics. An exploration of the sonic palette of synthesizers and electronic drum machines inspired novel rhythmic possibilities. Bands such as The Cars and Joy Division, with their intricate angular guitar riffs, played pivotal roles in defining the burgeoning movement. Numerous bands that emerged in the wake of Punk’s ascendance came to be loosely labeled as “New Wave,” even with their diverse artistic identities. The New Wave label has been a subject of criticism and debate, grouping together disparate bands under one umbrella. Yet, beneath these arguments lies an unwavering musical legacy inextricably entwined with the early 1980s. The New Wave guitar sound redefined the boundaries of music, paving the way for bands like PIL and artists like Marianne Faithfull. They took up the baton and pushed further into the uncharted territories of music. Each has made significant contributions, leaving an enduring footprint on the musical landscape, reinforcing that amidst all debates over labels, the quality and longevity of the music should remain prioritized.
Some incredible Rock bands instigated a true musical revolution during the emergence of the New Wave genre in the late 1970s. These pioneers stepped forth from the shadows of punk rock and post-punk, making great strides in their music by integrating unconventional elements. The term “Synth,” once dreaded in the Rock community, progressively found a welcome seat in the panorama of sounds, embraced notably by heavyweights such as Van Halen and RUSH. Synthesizers, once condemned to the sidelines, became an invaluable asset, not replacing but enhancing the musicianship, proving that music could extend beyond the realm of traditional instruments such as the guitar and drums. The New Wave genre gave bands like The Cars, Joy Division, and Public Image Limited the freedom to experiment, resulting in a stimulating blend of synth-based rock music. Criticisms and debates swirled around the ‘New Wave’ label, creating controversy and lumping distinctly individual bands together. Yet amid these categorizations, it was the music’s quality, resonance, and indelible legacy that skated through in the minds of listeners, underscoring the prime importance of content over labels.
The unprecedented emergence of “Give the drummer some”, essentially a moniker for a drum machine, perfectly encapsulates the seminal evolution of New Wave guitar music during the 1970s. The metamorphosis from a subgenre of punk rock to a standalone genre characterized by the innovative use of synthesizers, captivating electronic drums, and edgy guitar riffs arguably defined a golden era in popular music. A hundred-dollar bill awaits someone who can unearth an influential document showcasing a “Drum Machine Solo” captured live, embodying a poignant crystallization of inspiration. This cultivates an often-debated impression that the guitar got somewhat sidelined during this epoch, which is, in fact, a sliding scale, highly contingent on one’s musical preferences. Some of the most admirable feats of guitar prowess ever witnessed graced this era, thus repelling such an oversimplified view – a stark reminder that the ‘New Wave’ concept had a myriad of remarkable acts, such as The Cars, Talking Heads, and Blondie. Crucially, despite the extensive deliberations and potential mislabeling associated with the ‘New Wave’ moniker consequently clubbing together disparate bands, the fundamental and unwavering focus should invariably remain the quintessential quality of the music and its enduring legacy. The likes of Joy Division, PIL, Marianne Faithfull, and The Cars have inscribed their indelible marks on this genre, proving that an all-encompassing label shouldn’t detract from the striking individual contributions these bands made to New Wave music.
New Wave Guitar From The Cars.
The Cars were an American rock band formed in Boston in 1976. Emerging from the new wave scene in the late 1970s, it consisted of Elliot Easton (lead guitar), Greg Hawkes (keyboards), Ric Ocasek (rhythm guitar), Benjamin Orr (bass guitar), and David Robinson (drums). Ocasek and Orr shared lead vocals, and Ocasek was the band’s principal songwriter.
Elliot and Rick crafted not only the song into something radio and fans would quickly grow to love then and now, but the guitar breaks, and in reality, the foundation for a larger portion of their work has not been diminished by time. Elements of Punk, Rockabilly, Art Rock, and pop were exactingly placed to create one of the most unique and identifiable signature sounds of any band ever with their new wave guitar sounds. I’m hard-pressed to find many people who still love the Cars from their debut album
“ The Cars” was released in June 1978, reaching “Just What I Needed” was released as the debut single from the album, followed by “My Best Friend’s Girl” and “Good Times Roll”, all three charting on the Billboard Hot 100. The album featured multiple album tracks that received substantial airplay, such as “You’re All I’ve Got Tonight”, “Bye Bye Love”, and “Moving in Stereo”.
Released in June 1979, Candy-O, the band’s second album, was an even bigger hit peaking at No. 3 on the Billboard 200 album chart,
Cars, Guitars, and Elliot Easton
The band continued to create spectacular sounds right through the Death of Rick Ocasek.
The Cars: Rock & Roll Hall of Fame video presentation, 2018
Joy Division
An integral part of the new wave evolution was Joy Division, an English band that originated in Salford in 1976. Comprising of talented members like vocalist Ian Curtis, Bernard “Barney” Sumner who handled new wave guitar and keyboard duties, bassist Peter Hook, and drummer Stephen Morris, they brought a distinctive edge to the genre. Inspired by The Sex Pistols’ electrifying performance in Manchester, where they all happened to be audience members, they later became principal drivers in the new wave movement. Amidst criticisms and debates around the ‘New Wave’ label grouping vastly different bands together, the overarching quality and lasting legacy of the sound they created reassured their prominence. Despite these labels, the sublime fusion of synthesizers, electronic drums, and particularly Sumner’s edgy guitar riffs in Joy Division’s music, provided a unique and compelling contribution to the genre’s evolution.
At the inception of their musical journey, the band fashioned a risky, almost defiant persona — raw, dark, and brooding. They even chose a name that sparked controversy due to its contentious origin in Nazi abuse, inviting an outroar of flack. They did not support the atrocities committed by the Nazis, far from it, instead, they sought to reclaim the term, breathing into it a positive essence, thereby distancing it from its horrific roots. An equivalent historical act is the appropriation of the “Swastika” by Hitler, a symbol that ironically predates Nazi Germany and comes from Native American culture. It was merely pivoted into the worst configuration. As we delve further into the makings of New Wave guitar music, the tumultuous journey of these bands becomes UNDENIABLY evident. From the angular guitar riffs of The Cars to the new-fangled electronics that PIL infused into their punk roots, each ensemble added another striation to the evolving genre. Even as debates loom around the ‘New Wave’ identifier, often causing discord about its aptness for these diverse bands, the article advocates for a more music-centric discourse. Despite the diversity, or perhaps because of it, New Wave music resonates with a dynamic richness that has permeated the decades, lending to it a timeless appeal.
From my firsthand experience in an Ohio museum, I’ve observed the significant influence of foundational designs like the original Hopewell Micah on New Wave guitar music. This genre’s evolution, seen in the late 1970s, was influenced by bands such as The Cars and Blondie zealously experimenting with their art. The thrive for recontextualizing elements, analogous to how these bands repositioned the so-called negativity associated with their names, showcases a distinct aspect of this genre. Their music comprises angular guitar riffs blended intriguingly with synthesizers and electronic drums, counteracting the criticism that the ‘New Wave’ label lumps eclectic bands together. Their contributions have unquestionably shaped the genre, foregrounding the enduring quality and legacy of New Wave music over debates and labels.
Joy Division – Shadowplay (40th Anniversary Remaster) 1978 Granada TV, Live
Musically the band was stripped down and new wave guitar innovator Bernard Sumner was playing Heavy Handed Distorted and Powerful Chords. At times a bit heavier than the Punk Element and there were most likely unknown flashes of Link Wray. They were another group evolving in the Public eye. You can see the beginnings of the search for a melodic sense in his solos. They were not hiding in the garage practicing for years, they were out there fearlessly working on their craft on television.
Their self-released 1978 debut EP” An Ideal for Living” drew the attention of the Manchester television personality and when announcement was made by Tony Wilson on his radio show the world started falling in love with joy division. Wilson had signed them to his independent label Factory Records. Their debut album Unknown Pleasures, recorded with producer Martin Hannett, was released in 1979.
Joy Division’s second and final album, Closer, was released two months later; it and the single “Love Will Tear Us Apart” became their highest charting releases. With its pillar new wave guitar sound and bass riff.
The remaining members regrouped under the name” New Order”. They were successful throughout the next decade, blending post-punk with electronic and dance music influences.
The Heartbreaking Demise of Ian Curtis: A Pivot in Joy Division’s New Wave Narrative
The late 1970s gave way to the rise of the illustrious New Wave music genre, a remarkable offshoot of punk rock and post-punk that was morphed into a unique soundscape by bands like The Cars, Talking Heads, and the iconic Blondie. These lauded bands infused catchy, angular guitar riffs with lashing electronic elements, creating a fresh, eclectic sound that took the music scene by storm. Supreme talents, including Depeche Mode, Trans-X, Yazoo, O.M.D., Berlin, Kraftwerk, Human League, New Order, Visage, and countless others, loudly announced their arrival on this stage. However, amidst this technological revolution in music, the defining characteristic of New Wave – the charismatic guitar – seemed to have evaporated in certain instances, leaving an indelible hole in the genre’s soul. Anchored by the likes of The Cars, Joy Division, PIL, and Marianne Faithfull, the evolution of this genre sparked discussions and debates around the labelling of ‘New Wave’, which critics argued tended to paint very different bands with the same broad brush. However, the music’s undeniable quality and enduring impact should, the author contends, take precedence over any such taxonomical classifications.
Public Image Ltd
“PILL” as they were also known as a very different band that one can look to as in the same song being deconstructionist, Clever, and reaching for something more.
Formed by singer John Lydon, guitarist Keith Levene, bassist Jah Wobble, and drummer Jim Walker in 1978. The group’s personnel has changed frequently over the years; Lydon has been the sole constant member.
Following his departure from the Sex Pistols in January 1978, Lydon sought a more experimental “anti-rock” project and formed PiL. That year PiL released their debut “First Issue” in 1978, creating an abrasive, bass-heavy sound that drew on dub, noise, progressive rock, and disco.
PiL’s second album Metal Box in 1979 pushed their sound further into the avant-garde and is often regarded as one of the most important albums of the post-punk era.
PIL – Public Image
Guitarist Keith Levene had many approaches to the Guitar in whichever context he was placed. One can hear his work in the song “ Public Image” and hear sounds most likely influential to Billy Duffy of The Cult adopted later on. Levene in time began to drop out of the guitar playing in favor of synthesizer, picking up a new technique although owing to debt to Allen Ravenstine of Pere Ubu. The 1981’s “Flowers of Romance” is a personal favorite. In a conversation a couple of decades ago a friend and I were talking about the albums to put on when the Party was getting to that point you wanted people to leave without telling them outright. I mentioned Captain Beefheart’s “Trout Mask Replica”, He countered by playing me “Flowers of Romance”. We came to the agreement that if people did stay after the first 7 minutes, then those were the kind of people we wanted to party with.
Public Image Ltd.- The Flowers Of Romance (Top Of The Pops) 1981
Public Image Ltd. – Anarchy Movie 1985 – Full Show
Regarded as titans in the history of New Wave guitar music, it’s crucial to delve into the distinct identities of bands like Elvis Costello, The Pretenders, and Talking Heads. Admittedly, Elvis Costello’s artistry significantly shaped the late 70’s soundscape. Meanwhile, The Pretenders’ profound influence as an outstanding Rock N Roll ensemble unjustly forced under the “New Wave” classification is significant. And the Talking Heads remains untamed, establishing a unique sonic realm, far removed from their contemporaries. Despite the mix-up and controversies surrounding the genre classifications, the brilliance of their music undeniably marks an enduring legacy worth focusing on.
The trouble with categorizing New Wave’s diverse array of sounds and influences into a single definition unveils itself when we look at bands like “Tears For Fears” and “Devo”. New Wave, born from the gritty chaos of punk rock and post-punk in the late 1970s, was quintessentially shaped by pioneering bands such as The Cars, Talking Heads, and Blondie who unabashedly incorporated synthesizers, electronic drums, and angular guitar riffs into their music. Their influence, and that of other iconic bands like Joy Division, PIL, and even Marianne Faithfull, each contributed uniquely to the multifaceted landscape of New Wave. However, this broad spectrum of music has caused debates around the legitimacy of the ‘New Wave’ label, with criticisms arguing it wrongly groups highly distinctive bands together. Contrarily, we should view this variety not as confusion, but rather as testament to the genre’s distinct quality and lasting legacy – an enduring tribute to the creative experimentation it upheld.
In wrapping up this exploration of New Wave’s evolution, I offer a poignant example highlighting the genre’s rich musical stratums. Let’s appreciate the artistry of a unique album: Pink Moon by Nick Drake. Released in the epoch also marked by notable bands like The Cars, Talking Heads, and Blondie, this album grew under the broad ‘New Wave’ umbrella. Yet, it stands out for its extraordinary synergy between synthesizers and the traditional guitar. This musical interplay, both angular and melodic, echoes the post-punk subculture while reflecting its own sonic identity. It represents a milestone in the genre, transcending the confines of its period, proof of the enduring quality and valuable legacy intrinsic to good music, regardless of the diversity in labels.
Marianne Faithfull
“Broken English” released in 1971 is a work for the ages.
As Journalist Tom Lanham described it “ The daughter of an Austrian baroness, this swinging London socialite was first discovered by Rolling Stones Svengali Andrew Loog Oldham, who provided her first Mick Jagger/Keith Richards-penned hit “As Tears Go By” in 1964.
After flirtations with film, drugs, and even Jagger himself, Faithfull disappeared for a decade, reinventing herself as a smoky-throated chanteuse on 1979’s New Wave gem, Broken English.
It’s a mix of punk and rock and balladry with the generous amount so synthesizers from Steve Winwood, but it’s Faithfull’s smoky, cracked voice singing vulnerable songs about sex and heartbreak that led to a Grammy nomination and critical acclaim. “
Marianne Faithfull Broken English
Marianne Faithfull – Broken English Short Film by Derek Jarman
Derek Jarman’s Broken English is a short film that was released in 1979. The film is approximately 22 minutes long and features a cast of actors including Karl Johnson, Toyah Willcox, and Liz Smith. The film tells the story of a group of people who are living in a post-apocalyptic world where communication has broken down and English has become a fragmented language. The film is shot in black and white and features a haunting soundtrack composed by Simon Fisher Turner. Overall, Broken English is a powerful and thought-provoking film that explores themes of communication, isolation, and the fragility of language.
Guitarists Barry Reynolds, Joe Mavety, and Guy Humphries each found their own way to accentuate this music and remind the world of techno sound beginnings that The New Wave Guitar still had its place in popular music.
You may feel that these are odd choices of music to bring under the umbrella of “New Wave”. We are a guitar-based forum so that was a challenge in some ways. More Importantly, my last conclusion is no matter what you call any form of music..it’s all music.
Labels are helpful in certain circumstances and create confusion in others. Rather than ask “Is it Punk, Post Punk, New Wave, Pop or Rock?’ The question in music might be better served if one asks “Is it good Music or does it fall short?” “Is it Art or Image?” “Will it be important 20 years from now?”
Elvis Costello has been documented, The Pretenders were just a great Rock N Roll band that were lumped into “New Wave” The Talking Heads were an Island unto themselves.
Therein lies the problem of the New Wave as a broad stroke of definition. “Tears For Fears” and “Devo” in the same sentence are confounding.
It’s time to revisit one of our favorite guitarists and songwriters… Nick Drake as the music of Nick drake has been always present here like a rock and roll ghost.
I was fortunate to have a good friend who roughly 20 years ago sat me down and played his entire catalog of work. It became a touchstone for me as a music listener, removed from my personal musical creations. Drake’s music is a meditation, a soothing minder in times of trouble. It is a truly beneficial therapy when you find yourself in the state where as he penned in “Cello Song” the “armies of emotion come out to fight.”
We have previously detailed the “Pink Moon” Album ,in it’s stark simple form of a man and a guitar with that voice indescribable. I wanted to introduce the uninitiated to the excellent “Way to Blue” collection. It’s function as “an introduction” to his music is Masterfully pulled together and I personally have made a habit of gifting other friends the cd. Not everyone is afforded the time to sit for an entire evening and listen to every song he released in one sitting. “Way to Blue” is, in my opinion almost perfection.
Nick Drake – Cello Song
It’s 15 chosen tracks truly show his ability to frame his work in many different ways, be it alone or with orchestration. No matter the context, the staggering guitar style is rarely absent. Drake will always be one of the greatest acoustic guitarists in the shadow of no other.
Nick Drake – From The Morning(Sometimes Called in the Morning)
As a composer he can keep company with anyone. The times of his personal demons are evident and also fearlessly shared with the listener.I feel that when you hear his work, you are essentially reading a private diary. He hints in so many ways and instances he knew he would die young. He clearly predicted his music would have to be passed over decades to gain it’s due credit.
Nick Drake – Fruit Tree
For some the first time they heard Nick was oddly through a Volkswagen commercial.
Alan Pafenbach said of it “ This is the Volkswagen commercial I’m most proud of. We shot in the Bodega Bay area of Northern California and our directors were the amazing Jonathan Dayton and Valerie Faris. (years before their “Little Miss Sunshine” fame.) The soundtrack was by Nick Drake. It was recently named one of the 10 best car commercials in the past 25 years by the OneClub.”
Volkswagen Using the Nick Drake Song “Pink Moon”
Every passing year new life is breathed into his music by someone . He may or may not have known the full measure of influence he would have, yet he knew it would eventually hit the mark in some fashion. I think his influence will have no end as long as there are ears to hear and musicians to interpret this Mystic artist. There will be no limitations until the end of time. I encourage you to seek out “Way to Blue” and keep it close. It is Treasure and a vehicle to know something new in each listening session. It’s depth is timeless , it’s creator a gift to mankind. Nick Drake defines Mystery and is a prime example of hiding in plain sight. He gave us a glimpse in his lifetime and a shining star in the afterlife
The Songs of Nick Drake – Way to Blue 2010 (BBC Four)
Stoner doom Acid and the deadbeats?
Sometimes the most random finds are the best. I generally research an album before I buy it but I saw a project for sale called “The Night Creeper” and bought it solely on the artwork. It arrived and the year 2016 was owned by “Uncle Acid and the Deadbeats “ around my house.
Uncle Acid – Waiting for Blood (OFFICIAL)
They are an English rock band, formed in Cambridge, England, by Kevin Starrs. The band has released five albums, the most recent, Wasteland (2018).
The band I was happy to learn was described exactly by Mr. Starrs as I had in my mind upon first listen. “Black Sabbath meets the Beatles.” Melodic with Harmony vocals and twin guitar parts over some of the best Doom Laden Riffs ever.
I’ll Cut You Down UNCLE ACID & THE DEADBEATS
The 2010s “Volume 1” set the fire and 2011’s “Bloodlust” broke the band to the larger masses.
2013 “Mind Control” and Then “The Night Creeper” just kept the momentum rolling.
Uncle Acid Desert Daze 2018 Full Set
AllMusic summed them up best as “a mixture of psychedelic rock’s harrowing comedown, garage and punk rock’s nihilistic ascent, and the earliest manifestations of heavy metal’s occult-laced, nerve-damaging bludgeon.”
Acid & the deadbeats – Mt. Abraxas (TV Version)
Their interest and love of Classic Horror films and the cult of the culture surrounding them keep a wonderful tongue-in-cheek approach. They often sound like the Classic Hammer films look. That coupled with their dark humor of releasing a single under the name of “The Sharon Tate Experience” wins my vote .( If you don’t have a sense of humor, you will hurt yourself by getting mad at me.)
I was already a fan and then they were asked to cover Iron Maiden’s classic “Remember Tomorrow” for a KERRANG album project “Maiden Heaven” Vol.2
If you don’t know of them, I highly recommend picking up one if not all of their albums. They have the proverbial “it” that makes them not only talented and entertaining but unique.
Call it “Stoner” “Doom” or just god old Heavy Rock. They have placed an indelible stamp on Guitar based music and I eagerly await the next sonic offerings from the band.
Top Albums of Uncle Acid & the Deadbeats
BRUTE Force Metal Guitar “Torturous Presence” -Brute
Gothoom Productions’ second offering in a godzilla vs kong noise style guitar battle of the bands in conjunction with Guitardoor continues in promoting including Bands from Slovakia and the Czech Republic. We as one of the emerging websites for musicians are pleased to have the ability to share their visions of Metal. In this case the Band “BRUTE”.
What Music is Brute?
BRUTE is a technical death metal band in its most brutal form their sound is straight from the brute himself. The new album “Essence of Tyranny” combines ferocity, brutality, and incredible technical maturity.
Brute Band Members
The album Essence of Tyranny Being features, Stefan Tokár, Dominik Mesaroš , Jaro Ďurech and Krzysztof Klingbein.
The Band has an already successful and prolific presence in the Metal world. The Slovak death metal band BRUTE was founded by Štefan Tokár in December 1998 . The first line-up consisted of: Štefan Tokár / bass guitar /, Pavol Fil / vocals /, Slavko Tokár / guitar /, Jozef Mucha / drums / and Tomáš Laco / guitar.
As with Many bands, members have come and gone but the vision of Tokar has remained steadfast and the Music Leading up to this new album is the true evidence of his dedication.
Fetus of Evil Demo 2000
Furious Pictures and Agony Demo 2008
Inhuman Seed of Terror Demo 2010
Sophisticated Atrocity Full-length 2012
Pillory Full-length 2014
Henchmen Full-length 2017
The new album will be released under their hard metal rock label @Gothoom productions on February 22, 2022 as an exclusive digipack, jewel Box and USB, vinyl is also planned !!! It will be a massacre !!!! The album will be dedicated to the great supporter of the band Juro Immortal Haríň as well as his brand Slovak Metal Army.
BRUTE is an avalanche of Ferocity. I generally don’t prefer to make comparisons as they are their own entity , yet I think if you are a fan of bands like “Cannibal Corpse” then “Essence of Tyranny “ will find its home in your collection of great and true Death Metal.
In looking back a decade to BRUTE’s “Sophisticated Atrocity” project you can gleen the mission of the band has not waivered. They found their sound and have no reason to deviate from that path. They wave the banner for old school Mosh Pit, Black eye and Broken teeth grin.
BRUTE – Sophisticated Atrocity (Full Album)
Gothoom Productions dates back to 2008. Gothoom’s priority is to provide comprehensive services for bands from the initial recordings to the release itself, combined with a mission statement for the promotion and distribution to a target audience of metal music fans. They hold annual events such as their own music festival. The company is top-notch in every way and we look forward to hearing and seeing what they have on tap next.
Gothoom 2018 Aftermovie
GOTHOOM OPEN AIR 2019 AFTERMOVIE
Brute on Facebook
Stay updated on the Brute Page on Facebook to hear more like Essence of Tyranny and the Sophisticated Atrocity summer 2022 doom metal gigs and more Mayhem band members with new releases.
Sweet and Spicy New Guitar Sounds From The Birmingham Blues Duo
Great musicians are always creating and Birmingham blues duo Ritchie Dave Porter and Debra Susan have just made a new track “Sugar and Spice” which is released on Amazon, iTunes, and Spotify. I asked Ritchie about the new Track after hearing a cleaner overall sound and great production by Micheal Tingle. If there was much new equipment and he told me that Mike was still using the same old 32 Channel Mixer but Ritchie was playing his new guitar and amp a Fender Squire Affinity Telecaster and Fender Champion 50xl amplifier. This is how the Birmingham blues legend demos the new guitar rig with some sweet and spicy sounds and sweet soulful guitar.
Fender Squier Affinity series Arctic White Telecaster played by Ritchie Dave Porter
The Blues Duo are confirmed to play at the Nantwich Jazz and Blues festival on Easter Sunday 17th at 2 pm. This is the original Youtube Video of Sugar and Spice. This track is one of my Favorites from the Jazz and Blues Duo “Lonely and Blue” reworked for 2022 with the Arctic White Telecaster.
Lonely and Blue by Ritchie Dave Porter and Debra Susan
‘Sugar and Spice’ by Ritchie Dave Porter and Debra Susan
There have been 10 original Ritchie Dave Porter and Debra Susan blues singles released on Amazon and iTunes and Spotify produced by Michael Tingle who also designed and updates our website www.ritchiedaveporter.co.uk which has all Rock and Blues reviews and news of releases.
Ritchie’s current thoughts and plans for 2022
“We will be releasing an album of all original Ritchie Dave Porter and Debra Susan songs in 2022.
I write the Telecaster riffs, chord structures, and solos and Debra writes all lyrics and melodies. “
From the outset of launching Guitardoor, we wanted to view it as an ever-expanding family of artists. We want to thank Ritchie and Debra for their ongoing support of our endeavors here. They along with Blues Legend Mick Pini and others have come on board to promote us as we promote them.
We greatly appreciate that the concept works in reciprocal nature. We also want to convey that if you work with us you are not limited to a one-time article. We wish to keep up with your music ongoing and we grow as you grow. It’s a matter that we value the artists as much as they become our friends and we walk together in our collective journeys.
Support Featured Artists By Buying their music on Amazon
BIRMINGHAM BLUES DUO RITCHIE DAVE PORTER AND DEBRA SUSANS MUSIC ON AMAZON
In 1970 Black Sabbath released its self-titled debut and the world began to take notice. However, the uproar of parents, Critics, and “Normal” people was thrust at them. It did not belong to them alone. Black Widow were about to enter the music scene.
After one album and name change in 1969 from “Pesky Gee! “ and the release “Exclamation Mark” A second Band from England Became “Black Widow” and released their own true debut “Sacrifice” in 1970 as well.
They have been described as Progressive Rock, Jazz Rock, and other things. They pulled their music from the darker corners. Attention came swiftly as they were invited that same year to the now-infamous “Isle of Wight Festival”.
The band wanted to be more “accessible” to a larger audience A/K/A “can we make some money? “ This failed upon the release of the self-titled Black Widow “album in 1971. A quick return to form saw them release Black Widow III in 1972.
In Ancient Days (1972)
Come To The Sabbat (1972)
Way To Power (1972)
Conjuration/ Seduction/ Attack Of The Demon/ Sacrifice – Medley (1972)
The band recorded an album, Black Widow IV, later in 1972 without a recording contract. By this time, however, lack of critical and label support, plus many lineup changes, caused the group to falter. Late in 1972, after losing their deal with CBS Records, Black Widow recorded Return to the Sabbat, a self-produced set that did not see the light of day until 1999, when it was released by Blueprint Records.
Black Widow Sacrifice 1970
BLACK WIDOW (1971) | FULL ALBUM
Black Widow III 1971 Full Album
The Band has retained a cult following throughout all the decades and Has always had a friendship with Black Sabbath members even though their work is a whole other type of music, they were equally scrutinized for their stage productions and lyrical content.
It would have to be the Shock Rock ethic predating any other band that kept them Banned from performing in more places than one can count and as much as some may find the band unsettling on the surface, much of their work is actually just a grand fusion of instrumentation the hints at Deep Purple at times with great Organ work and does indeed delve into Prog Rock in its overall analysis.
The final release 1997
Black Widow IV. 1972. Progressive Rock. Heavy Prog. Full Album
The Final Release 1999
Return To The Sabbat 1969 (full album)
It is notable how little information there is beyond this. Excerpts from an article by Dom Lawson do provide a bit more in relation to their acknowledgments from current bands they carried over the years to new generations.
“Black Widow was the obvious band that everyone knew about, but their interest in the occult only lasted for one album,” referring to the Leicester band whose debut, Sacrifice, reached No 32 in 1970.
Black Widow reunited in 2007 after a 34-year hiatus and are touting a new studio album, the gleefully preposterous Sleeping with Demons. They remain very much the godfathers of occult rock, and their anthem Come to the Sabbat is the only song from that first era that had any discernible impact on the rock mainstream.
Their supremely cheerful frontman Clive Jones is happy to admit to his own spiritualist beliefs and fascination with witchcraft, but also concedes that Black Widow abandoned the path of darkness fairly quickly after their 1970 debut seemed to cast its own shadow of negativity over their ambitions.
“After Sacrifice, we had to change direction and I didn’t want to do that, but we’d had lots of bad luck,” he recalls. “We were banned by the BBC and they wouldn’t play the records. We were going to tour in Amorica but Charles Manson did what they called his ‘black magic murders’ and suddenly we weren’t allowed in. Our management looked after Black Sabbath at the time, too, and sent them in our place.”
Black Widow were innovators and carved many a road for others. One must accept that Light and Dark are the balance. It applies to music, it applies to art. Skip one, you just may cheat yourself. A Half experience isn’t really an experience at all.
My Own Track Black Widow
The Name of the mighty Black Widow spider has launched more than one band and thousands of songs by many an artist…..Even I fell into its Web “
OM: A Cosmic Journey Through Sound
Emerging from the ashes of the legendary psychedelic doom band SLEEP, OM has carved a unique niche in the world of heavy music. Founded by bassist/vocalist Al Cisneros and guitarist Matt Pike, OM’s sound is a blend of heavy, hypnotic riffs, droning vocals, and Eastern-inspired elements.
After the dissolution of SLEEP in 1995 due to creative differences and label tensions, Cisneros and Pike took a much-needed break from music. During this hiatus, they found solace and inspiration in the Hindu concept of Om, which represents the natural vibration of the universe. This philosophical foundation would later become the band’s namesake.
In 2003, OM released their debut album, Variations on a Theme, which showcased their signature sound: a heavy, monolithic riff structure overlaid with Cisneros’s deep, meditative vocals. The band’s music often incorporates elements of Eastern spirituality, such as sitar and tabla, adding a unique dimension to their sound.
Over the years, OM’s lineup has evolved, with various drummers and guitarists contributing to their ever-expanding musical palette. However, the core elements of their sound—heavy riffs, droning vocals, and Eastern influences—have remained consistent.
One of OM’s most notable performances was their marathon concert in Jerusalem in 2007, which lasted over five hours. This epic event showcased the band’s ability to create a trance-like atmosphere through their hypnotic music.
In addition to their studio albums, OM has released several live albums, capturing the raw energy and intensity of their performances. Their music has been praised for its ability to evoke a sense of spiritual transcendence and introspection.
While OM’s sound may be rooted in the heavy metal genre, their music transcends labels and genres. Their unique blend of heavy riffs, Eastern influences, and meditative vocals has earned them a dedicated following among fans of psychedelic rock, doom metal, and experimental music.
Om live at Bottom of the Hill, San Francisco CA (08.15.04) First Official Show
OM’s Discography: A Deeper Dive
OM has released a collection of albums that showcase their unique blend of heavy, hypnotic riffs and Eastern-inspired elements. Here’s a more detailed look at each album:
OM’s Variations on a Theme: A Groundbreaking Debut
OM’s debut album, Variations on a Theme (2003), marked the beginning of their journey into the world of heavy, hypnotic music. This album established the band’s signature sound, which would become a defining characteristic of their career.
Key Elements of the Album:
Heavy, Monolithic Riffs: The album features powerful, repetitive riffs that create a hypnotic and meditative atmosphere.
Deep, Meditative Vocals: Al Cisneros’s deep, resonant vocals provide a haunting and soulful counterpoint to the heavy instrumentation.
Eastern Influences: While not as prominent as in later albums, there are subtle hints of Eastern influences, particularly in the album’s meditative and introspective nature.
Minimalist Approach:Variations on a Theme takes a minimalist approach, focusing on the essential elements of the music rather than complex arrangements.
Notable Tracks:
“Variations on a Theme”: The title track showcases the album’s signature sound, with its heavy riffs and Cisneros’s deep vocals.
“Gebelein”: This track features a more rhythmic and driving approach, while still maintaining the album’s overall meditative quality.
Critical Reception and Impact:
Variations on a Theme was met with critical acclaim, praised for its innovative approach and unique sound.
The album helped establish OM as a pioneering force in the world of heavy and experimental music.
It laid the groundwork for the band’s future releases, shaping their signature sound and defining their artistic direction.
Variations on a Theme is a groundbreaking album that solidified OM’s position as a leading band in the heavy music scene. Its heavy, hypnotic riffs and deep, meditative vocals continue to resonate with fans and critics alike.
Significance: This debut album established OM’s signature sound, featuring heavy, monolithic riffs and Cisneros’s deep, meditative vocals.
Key Tracks: “Variations on a Theme,” “Gebelein”
Hypnotic Soundscapes: OM’s Pilgrimage
OM’sPilgrimage (2007) marked a significant step forward in the band’s evolution, further solidifying their reputation for creating hypnotic and immersive music. This album showcased their ability to expand on their signature sound while maintaining their core principles.
Key Themes and Influences:
Eastern Spirituality:Pilgrimage delves deeper into Eastern spirituality, with lyrics and themes inspired by Hindu and Buddhist philosophy.
Meditation and Contemplation: The album’s meditative and contemplative atmosphere is a central theme, reflecting OM’s ongoing exploration of spiritual concepts.
Sonic Exploration:Pilgrimage features a wider range of soundscapes and textures, including the use of synthesizers and other electronic elements.
Notable Tracks:
“10,000 Days”: This epic track showcases OM’s ability to create extended, hypnotic jams, with its repetitive riffs and droning vocals.
“Om Namah Shivaya”: This mantra-based track is a powerful and meditative piece, featuring traditional Indian instrumentation and chanting.
“Gebelein”: A re-recording of the track from their debut album, this version offers a new perspective on the song and showcases the band’s growth as musicians.
Critical Reception and Impact:
Pilgrimage was met with critical acclaim, praised for its immersive atmosphere and spiritual depth.
The album further solidified OM’s reputation as a leading band in the world of heavy and experimental music.
It showcased the band’s ability to evolve and expand their sound while remaining true to their core principles.
Pilgrimage is a landmark album in OM’s discography, demonstrating their commitment to creating music that is both heavy and thought-provoking. Its hypnotic and immersive qualities have made it a favorite among fans and critics alike.
Advaitic Songs: A Deep Dive into Eastern Philosophy
The groups Advaitic Songs (2009) marked a significant departure from their previous work, delving deeper into Eastern philosophy and spirituality. This album showcased the band’s exploration of Advaita Vedanta, a school of Hindu philosophy that emphasizes the unity of all existence.
Key Themes and Influences:
Advaita Vedanta: The album’s title is a direct reference to this school of philosophy, which emphasizes the non-dual nature of reality.
Meditation and Contemplation: The album’s meditative and contemplative atmosphere reflects the spiritual themes explored in Advaita Vedanta.
Sonic Exploration:Advaitic Songs features a wider range of soundscapes and textures than previous albums, incorporating elements of ambient music and electronic sounds.
Notable Tracks:
“Advaitic Song”: The title track is a powerful and meditative piece that explores the core concepts of Advaita Vedanta.
“Meditation”: This track is a pure meditation on sound, with minimal instrumentation and a focus on atmosphere.
“Om Namah Shivaya”: A re-recording of the track from Pilgrimage, this version offers a new perspective on the song and showcases the band’s growth as musicians.
Critical Reception and Impact:
Advaitic Songs was met with critical acclaim, praised for its spiritual depth and innovative approach.
The album further solidified their reputation as a leading band in the world of heavy and experimental music.
It showcased the band’s ability to explore new sonic territories while remaining true to their core principles.
Advaitic Songs is a landmark album in the discography of the band, demonstrating their commitment to creating music that is both heavy and thought-provoking. Its exploration of Eastern philosophy and spirituality has made it a favorite among fans and critics alike.
OM’s Self-Titled Album: Exploration of New Sound
OM’s self-titled album (2012) marked a significant departure from their previous work, showcasing the band’s willingness to explore new sonic territories. This album incorporated more ambient and experimental elements, while still maintaining their core principles of heavy, hypnotic music.
Key Themes and Influences:
Ambient Music: The album features a strong influence of ambient music, with a focus on creating atmospheric and immersive soundscapes.
Experimental Sounds: OM experimented with a wider range of sounds and textures, incorporating elements of electronic music and noise.
Minimalism: The album maintains a minimalist approach, focusing on the essential elements of the music rather than complex arrangements.
Notable Tracks:
“Om”: The title track is a powerful and meditative piece that showcases the album’s ambient and experimental qualities.
“Emptiness”: This track delves deeper into the concept of emptiness, a central theme in Eastern philosophy.
“Gebelein”: A re-recording of the track from their debut album, this version offers a new perspective on the song and showcases the band’s growth as musicians.
Critical Reception and Impact:
The self-titled album was met with critical acclaim, praised for its innovative approach and experimental soundscapes.
It further solidified OM’s reputation as a leading band in the world of heavy and experimental music.
The album showcased the band’s ability to evolve and expand their sound while remaining true to their core principles.
OM’s self-titled album is a testament to their artistic vision and their commitment to pushing the boundaries of their music. This album serves as a landmark in their discography, showcasing their ability to create experimental and thought-provoking soundscapes.
5. State of Non-Return (2015)
The launch of the album State of Non-Return (2015) marked a significant departure from their previous work, delving deeper into experimental soundscapes and ambient music. This album showcased the band’s evolution and their willingness to explore new sonic territories.
Key Themes and Influences:
Drone and Ambient Music: The album heavily emphasizes drone and ambient elements, creating a meditative and immersive atmosphere.
Minimalism:State of Non-Return features a minimalist approach, with repetitive rhythms and simple melodies that gradually unfold over time.
Eastern Philosophy: OM’s continued exploration of Eastern philosophy and spirituality is evident in the album’s contemplative and introspective nature.
Notable Tracks:
“State of Non-Return”: The title track sets the tone for the album, with its droning guitars and atmospheric textures.
“No Return”: This track features a more rhythmic approach, but still maintains the album’s overall meditative quality.
“Meditation”: As the name suggests, this track is a pure meditation on sound, with minimal instrumentation and a focus on atmosphere.
Critical Reception and Impact:
State of Non-Return was met with critical acclaim, praised for its innovative approach and immersive soundscapes.
The album further solidified OM’s reputation as a pioneering force in the world of heavy and experimental music.
It showcased the band’s ability to adapt and evolve while remaining true to their core principles.
Live Performances:
OM’s live performances of material from State of Non-Return often feature extended jams and improvisations, allowing the band to explore the depths of their sound.
These performances are known for their hypnotic and meditative qualities, creating a unique and immersive experience for the audience.
State of Non-Return is a testament to OM’s artistic vision and their commitment to pushing the boundaries of their music. This album serves as a landmark in their discography, showcasing their ability to create experimental and thought-provoking soundscapes.
Additional Notes:
The band’s music has been described as “heavy, hypnotic, and meditative.”
OM has incorporated elements of Eastern spirituality, such as sitar and tabla, into their music.
The band has performed numerous marathon concerts, including a five-hour set in Jerusalem.
OM’s music has been praised for its ability to evoke a sense of spiritual transcendence and introspection.
This expanded text provides additional context and details about OM’s history, music, and impact. It also highlights the band’s unique blend of heavy metal and Eastern influences, as well as their ability to create a trance-like atmosphere through their music.
The Grateful Dead “Love for Legend Valley Ohio
The Grateful Dead had a Love for certain Venues and settings. For a band that played so long and performed countless shows and Places like the Great Pyramid of Egypt, they had a particular fondness for Ohio. “Legend Valley” as it was known before the switch to “Buckeye Lake Music Center” has been the place to be to host all manner of events with all the camping legends.
In the end, as much as it’s been said “There are some who know about the Dead from their most popular songs on the radio, but there was nothing like a Grateful Dead concert
When did the Grateful Dead play Legend Valley Ohio Last?
The Dead played Ohio 49 times from 1968 to 1994. Their first was at Veterans Memorial, and the last was Legend Valley and that is fitting. That was the only time our crew was upfront, dealing with the Rain and as The bands, appropriate humor was in top form they opened with The Beatle’s “Rain” and they were right, we didn’t mind… The venue was rather like our own mini “Woodstock type festival”, in a beautiful woodland setting.
In the shows, I attended there were roughly 60 thousand in the field of legend valley. A Large number were still camping and hanging out on “Shakedown St.” It was always a magical experience to just be there. It was almost always a problem-free zone.
I say almost because of one other organization that seemed to have loved the place more than the band and the Heads. That would be Law Enforcement. Ohio at the time still was a bit of a trip back in time when it came to the attitude of The Sheriff’s dept and the Ohio State Patrol. I saw it as the 1960s all over again in “the Damn Long Hairs” look in their eye.
It was running the Gauntlet on the road to Thornville. Once you entered the grounds then you had passed challenge one. The secondary was getting into the Concert area from the Parking. You Had a couple of ticket takers and 3 Police officers per line looking at you Hard.
It was a bit like “Fear and Loathing in Las Vegas”, the Ether, and the Two dollar turnstile.
After you were injected, inspected, detected, infected, neglected, and selected the 27 8×10 color glossy photographs with circles and arrows and a paragraph on the back of each one, you could have a sigh of relief. Once you got inside, it was pure Joy. You could move freely and breathe even in a modest 60 thousand Heads.
Grateful Dead-Box of Rain-6/25/88 legend valley concert venue and campground
I was at 4 of the 5 shows and most aspects of those experiences were a blast. Even when we met adversity we turned it into fun. One shows the venue and security had decided that there would be no more crossing from Parking lot 1 to 2 . This meant we would have had a very long trip around to get to the gate. Their reasons were to control the trade and sale of illicit items. This was the start of a 10-year mandatory minimum prison sentence for L.S.D. and of course, no one there would ever have any of that vile stuff, nudge nudge wink say no more.
We chose the fact that there were thousands of us against 6 security guards. In the wooded area between our destination. So we began the movement and were being threatened by the six guys. It became “Talk to the Hand” as 20 odd Dead Heads circled the 6 and locked arms rendering them useless as the rest of us marched through freely. To extra effect, a few thousand of us were calling out “MOOOO” as our Herd moved through.
GD Buckeye Lake Legend Valley Concert 1992
Legend Valley Ohio The Lost Land Festival Location
Legend Valley evolved from a grassroots entity in the early ’70s and by the late ’70s became the place to be. In the ’80s and ’90s Hosted the premiere names in music. Often being the only place large enough to hold an activity or a music festival.
For perspective, I attended my second “Metallica” show there during the Black Album tour. Years before, friends of mine went to Motley Crue’s “Shout at the Devil” tour. If you dig through youtube you will find amazing things documented from the 1970s to just recent events. Its full story can be found here.
Grateful Dead valley concert- Live at Buckeye Lake 6/11/93 [Full Concert]
GRATEFUL DEAD Buckeye Lake OH 7-29-94 set 1.mpg
GRATEFUL DEAD Buckeye Lake OH 7 29 94 set 2
I wanted to pull all this material together in one place to hopefully share the memories. You may have been there. We Deadheads have a million stories to share, and The Grateful Dead had as many songs to sing to bring us those memories.
I’ve embraced the shows of Dead and Company now 3 times as well and they are a bundle of fun. They bring to Pavilions and arena’s their own magic. It however fun takes me back to Jerry G. and I miss that gift in time tremendously.
It was indescribably special and beyond ownership and name change. It will always Be “Legend Valley Ohio” to me and many others.
P.S. If anyone locates more documentation from 1988 let me know I would love to include it. Phil’s “Box of Rain” is superb regardless.
Best Blues Guitar Albums
Making a list of the best blues guitar albums ever is not easy but these are the best 5 blues guitar albums to have in your collection. So you have a collection of a Range of blues music to listen to when you can’t go online.
Best electric guitar blues album
Live at the Regal is a live album by American blues guitarist and singer B.B. King. It was recorded on November 21, 1964, at the Regal Theater in Chicago. The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone’s 2003 edition of the 500 Greatest Albums of All Time list, before dropping to number 299 in a 2020 revision. In 2005, Live at the Regal was selected for permanent preservation in the National Recording Registry at the Library of Congress in the United States.
SON HOUSE “Live at the Gaslight Inn” is a 1965 New York City revelation. Son house as a man was sometimes a subject of difficulty even for himself but put the National Steel in his hands and he would lay out the Truth of the Blues in all its somber glory.
Father of Folk Blues by Son House
Son House is often referred to as the “Father of Folk Blues” due to his pivotal role in shaping and popularizing this genre. His raw, emotive vocals and powerful guitar playing, combined with his deep connection to the Delta blues tradition, have had a profound influence on countless musicians. House’s music, characterized by its haunting melodies, stark lyrics, and rhythmic complexity, has become a cornerstone of the blues canon. His recordings, such as “Death Letter Blues” and “Crossroad Blues,” have been widely studied and celebrated as essential examples of the blues art form.
Best acoustic blues guitar albums
Robert Johnson King of the Delta Blues Singers is the album that shook the world and I would imagine every major Player from Clapton to Keith Richards and thousands more had their world rocked by the complex simultaneous rhythm and lead of Robert. It sparked off a fire that set the world alight and someone somewhere right now is listening to those songs as you are reading this.
Robert Johnson \ King Of The Delta Blues Singers Vol. I, 1961 [Full Album]
(Runner up…._ Charlie Patton Vol 1, I must include this as he was the very first Legend of the Blues…predating Robert Johnson.
Best blues guitar solo albums
The Complete Blind Willie Johnson. Johnson was blinded as a youth as an irate parent threw Lye in his face. He was essentially an evangelist with a Guitar. Blind Willy Johnson was Preaching in the grooves of the record. He was accompanied vocally by his wife. His song “ Dark Was the Night Cold Was the Ground “ is one of the songs selected to have been placed on the Space Station as a document of human achievement.
Blind Willie Johnson – Best Of Blind Willie Johnson
Best blues on Guitardoor
Want to channel the wild soul of Mississippi Hill Country blues? Look no further than R.L. Burnside. Yearn for the smooth tones of Peter Green? Mick Pini will take you there. Like the electrifying twang of a Telecaster? Ritchie Dave Porter is your man. Need a dose of raw, relevant American blues? Blue Rick cooks it up fresh. Blues that transcend borders? Boris Zamba brings the voodoo heat. These are just a few of the incredible artists you’ll find at GuitarDoor.com. Dive in, explore their sounds, and unleash your inner blues master!
![Marianne Faithfull - Broken English (Short Film by Derek Jarman) [1979]](https://i.ytimg.com/vi/f2tbc81Ujno/hqdefault.jpg)
![Om - Variations on a Theme [2005 Full Album]](https://i.ytimg.com/vi/vYrH8sWLuXo/hqdefault.jpg)
![Om - Advaitic Songs [Full Album at 420 Hz]](https://i.ytimg.com/vi/gU3GG5BPk-Y/hqdefault.jpg)
![Grateful Dead - Live at Buckeye Lake 6/11/93 [Full Concert]](https://i.ytimg.com/vi/YDgqP_4Q_fM/hqdefault.jpg)
![Father Of Folk Blues [1965] - Son House](https://i.ytimg.com/vi/rEcNwlh6Oy4/hqdefault.jpg)
![Robert Johnson King Of The Delta Blues Singers Vol. I, 1961 [Full Album]](https://i.ytimg.com/vi/Pxwz8ab6xHY/hqdefault.jpg)
