It’s time to revisit one of our favorite guitarists and songwriters… Nick Drake as the music of Nick drake has been always present here like a rock and roll ghost.
I was fortunate to have a good friend who roughly 20 years ago sat me down and played his entire catalog of work. It became a touchstone for me as a music listener, removed from my personal musical creations. Drake’s music is a meditation, a soothing minder in times of trouble. It is a truly beneficial therapy when you find yourself in the state where as he penned in “Cello Song” the “armies of emotion come out to fight.”
We have previously detailed the “Pink Moon” Album ,in it’s stark simple form of a man and a guitar with that voice indescribable. I wanted to introduce the uninitiated to the excellent “Way to Blue” collection. It’s function as “an introduction” to his music is Masterfully pulled together and I personally have made a habit of gifting other friends the cd. Not everyone is afforded the time to sit for an entire evening and listen to every song he released in one sitting. “Way to Blue” is, in my opinion almost perfection.
Nick Drake – Cello Song
It’s 15 chosen tracks truly show his ability to frame his work in many different ways, be it alone or with orchestration. No matter the context, the staggering guitar style is rarely absent. Drake will always be one of the greatest acoustic guitarists in the shadow of no other.
Nick Drake – From The Morning(Sometimes Called in the Morning)
As a composer he can keep company with anyone. The times of his personal demons are evident and also fearlessly shared with the listener.I feel that when you hear his work, you are essentially reading a private diary. He hints in so many ways and instances he knew he would die young. He clearly predicted his music would have to be passed over decades to gain it’s due credit.
Nick Drake – Fruit Tree
For some the first time they heard Nick was oddly through a Volkswagen commercial.
Alan Pafenbach said of it “ This is the Volkswagen commercial I’m most proud of. We shot in the Bodega Bay area of Northern California and our directors were the amazing Jonathan Dayton and Valerie Faris. (years before their “Little Miss Sunshine” fame.) The soundtrack was by Nick Drake. It was recently named one of the 10 best car commercials in the past 25 years by the OneClub.”
Volkswagen Using the Nick Drake Song “Pink Moon”
Every passing year new life is breathed into his music by someone . He may or may not have known the full measure of influence he would have, yet he knew it would eventually hit the mark in some fashion. I think his influence will have no end as long as there are ears to hear and musicians to interpret this Mystic artist. There will be no limitations until the end of time. I encourage you to seek out “Way to Blue” and keep it close. It is Treasure and a vehicle to know something new in each listening session. It’s depth is timeless , it’s creator a gift to mankind. Nick Drake defines Mystery and is a prime example of hiding in plain sight. He gave us a glimpse in his lifetime and a shining star in the afterlife
The Songs of Nick Drake – Way to Blue 2010 (BBC Four)
I was doing a bit of promo for another player in a Guitar forum and I saw a video right below in my visual field. I clicked it and discovered in roughly 30 seconds of watching that this gentleman plays right among the ranks of Eric Johnson, Mick Taylor, Carlos Santana, and many more. Felix Marin has the elusive “It” factor and has a clear language through the guitar that is his only. The tone, the eloquence, and the understated yet perfect style were Truly an attention grabber. It reaffirmed my belief that some of the best players are not the most famous, and they have the capability to stand toe to toe with the all-time greats.
A Guitar Jam Innovation Guitarist of Well Known Tunes That Are Not Played On Guitar Normally
Felix does improvised versions on backing tracks and cover versions of both guitar and non-guitar-based tracks along with a monthly jam. I like this one where he does an improvisation of the tune Diamonds by Rianna.
Diamonds (Rihanna) – Epic guitar cover by Felix Marin
JTC Jam Of The Month February 2022 | Happy Shred (Jack Gardiner) by Felix Marin
Funky Jamming To Sebastien Zunino’s Track in Cm
If you don’t know the channel of Sebastien Zunino he puts up some backing tracks with guidelines to play such as key and scale guides on his backing track videos. This is one Felix done in Cm over Sebiestiens Shiny Funk Backing Track in Cm which ads the unique tones of Felix’s playing style.
A Player can have technique and musical knowledge in an academic sense yet lack feel, or Have tons of soul and limitations. Then occasionally you find one who just has a perfect balance. Felix also uses every manner of dynamics a guitar has. The tremolo bar is in the perfect spot, and only there is one, the volume knob ala Rory Gallagher in another space. The Blues is represented, yet not in any traditional way. This man knows how to color the styles he chooses with his own palette of shades and shifts. He is quite simply one of the best players I’ve heard in my lifetime.
Next week we will be doing a guitardoor interview with Felix Marim in the meantime find out more about the unique sounds of Felix Marin the guitar jam innovator through these links.
Sweet and Spicy New Guitar Sounds From The Birmingham Blues Duo
Great musicians are always creating and Birmingham blues duo Ritchie Dave Porter and Debra Susan have just made a new track “Sugar and Spice” which is released on Amazon, iTunes, and Spotify. I asked Ritchie about the new Track after hearing a cleaner overall sound and great production by Micheal Tingle. If there was much new equipment and he told me that Mike was still using the same old 32 Channel Mixer but Ritchie was playing his new guitar and amp a Fender Squire Affinity Telecaster and Fender Champion 50xl amplifier. This is how the Birmingham blues legend demos the new guitar rig with some sweet and spicy sounds and sweet soulful guitar.
Fender Squier Affinity series Arctic White Telecaster played by Ritchie Dave Porter
The Blues Duo are confirmed to play at the Nantwich Jazz and Blues festival on Easter Sunday 17th at 2 pm. This is the original Youtube Video of Sugar and Spice. This track is one of my Favorites from the Jazz and Blues Duo “Lonely and Blue” reworked for 2022 with the Arctic White Telecaster.
Lonely and Blue by Ritchie Dave Porter and Debra Susan
‘Sugar and Spice’ by Ritchie Dave Porter and Debra Susan
There have been 10 original Ritchie Dave Porter and Debra Susan blues singles released on Amazon and iTunes and Spotify produced by Michael Tingle who also designed and updates our website www.ritchiedaveporter.co.uk which has all Rock and Blues reviews and news of releases.
Ritchie’s current thoughts and plans for 2022
“We will be releasing an album of all original Ritchie Dave Porter and Debra Susan songs in 2022.
I write the Telecaster riffs, chord structures, and solos and Debra writes all lyrics and melodies. “
From the outset of launching Guitardoor, we wanted to view it as an ever-expanding family of artists. We want to thank Ritchie and Debra for their ongoing support of our endeavors here. They along with Blues Legend Mick Pini and others have come on board to promote us as we promote them.
We greatly appreciate that the concept works in reciprocal nature. We also want to convey that if you work with us you are not limited to a one-time article. We wish to keep up with your music ongoing and we grow as you grow. It’s a matter that we value the artists as much as they become our friends and we walk together in our collective journeys.
Support Featured Artists By Buying their music on Amazon
BIRMINGHAM BLUES DUO RITCHIE DAVE PORTER AND DEBRA SUSANS MUSIC ON AMAZON
Interview With Guitar Teacher Dave From DMC Guitar
Dave is a guitar teacher in the Wigan area and online via Skype. He has a BA Honours in Jazz Studies from Leeds College of Music and is a resident support act at Liverpool Carling Academy. He is passionate about music and loves to share his knowledge and skills with others.
Dave’s online guitar classes are designed for students of all levels, from beginners to advanced. He uses a variety of teaching methods to make learning fun and engaging, including video lessons, interactive exercises, and live Q&A sessions.
Dave’s classes are available on his website and YouTube channel. He also offers one-on-one lessons for students who want more personalized instruction.In this interview, Dave talks about his online guitar classes, his teaching philosophy, and his advice for aspiring musicians
Hello David can you tell us a little about you and why you got into the guitar.
I was 10 years old and my sister came into my room strumming a Michael Jackson song. I was very jealous and cried myself to sleep that night. The next day I developed this big drive to learn the guitar. I’ve been hooked ever since
What type of guitar do you have/want?
I have 2 hand-built guitars in a Fender Tele shape. Richy Thompson (Wigan) built my first which he managed to make 5 guitars out of the same piece of wood. Everyone who purchased the guitar was called Dave. So it’s the Dave edition. The second one I bought from eBay for £90 hand-made. It was as good as my other. Because it’s unbranded no one would buy it but that doesn’t mean to say it’s not a high-quality guitar
Favorite guitar songs to teach on guitar
I have a massive repertoire of songs, riffs, solos, and techniques and I love teaching them all. I love it when I have a total beginner and by the end of a session they can play a few ⅔ chorder songs like songbird by Oasis, Horse with no name, Dancing in the Dark, etc
Best songs/scales to learn first on guitar?
The best scale to learn is simply the Major scale. Every scale is within this. So if you learn a Major scale you will automatically know 3 minor scales, the dominant scale, and the diminished scale all by starting on different points. It’s truly amazing when this clicks with students. This would see you through the most popular music
Pick one of your videos and say a little about it
He Ain’t Heavy He’s My Brother tutorial by the Hollies.
I think the lyrics are very emotional and it always brings a lump to my throat.
It is about a young homeless child taking care of his younger brother and turning away help because he wanted to keep his brother close. Great tune
Where do you teach guitar?
I teach guitar online mainly at the moment. I also teach a few days in a high school and also for Warrington council running music groups for adults who struggle to interact in society. It’s very rewarding to see people grow in confidence through music. It’s very powerful
Any Advice for Guitarists
Just take small achievable goals. The guitar is a long game. There are very few I’ve ever known who can play instantly. It takes years of dedication. Find a good tutor. Even if you can’t afford it every week just get one a month, that’s what I do with my golf lessons!
Anything you would like to add
Keep guitar fun and remember there is no one way to play guitar. That’s what makes all your heroes sound different. As long as you achieve the sound you want then it’s the right way
What is your YouTube channel Facebook page website?
Seamus O’Connor is a tenor singer and multi-instrumentalist who we were chatting about his single lonesome highway and Global Flu. Seamus is from Cork City Ireland which we mentioned before as it is the place Rory Gallagher grew up in. He goes under the name Seamus and the Prophets sings plays guitar keyboards and more today he is showcasing his latest musical works here on guitardoor.com.
What inspired you to enter the world of
music?
When I was in my teens I was listening to the music of the time. I Saw Depeche mode then Big country listened to a lot of The Police but when I saw Simple minds in the city hall in Cork I was hooked after that I started looking for a band that was 1984
How long have you been a songwriter and vocalist?
I tried to write my first song at 13 I was in a buddy of mines bedroom a year later we were jamming His mother heard me singing and said she liked it gave me the encouragement to pursue music
Lonesome Highway
Do you attribute your work to personal life experiences as far as subject matter?
Yes about 80 percent of it when I was younger It was harder to write lyrics I was more self-conscious now when I write lyrics I say what I feel and touch them up afterward
What would you ultimately like to achieve through your music?
To release singles which I am doing through Spotify and YouTube and do an album sometime this year and to do more live gigs since the restrictions are gone nothing like playing live at a gig.
Update 2022 Sheamus O Connor has released his tunes on the following platforms Spotify, Apple music and Distrokid
How did you find “Your Sound” and feel your true self in music?
By going with the gut and my heart you can learn chords and listen to the people you follow your heroes and others and yes you need as many chords that you can learn. But in the end, it’s primal you go with your gut to find your sound
As I wrote earlier about being a bluegrass guitarist before a rock guitarist. It’s difficult to have a conversation about Bluegrass music for very long before the name Tony Rice comes into the conversation. He was a polarizing figure among players. He went beyond traditional Bluegrass. Rice was born in Danville, Virginia but grew up in Los Angeles, California. That fact had a profound effect on his influences.
I recall when the “New Grass” Movement had truly hit stride in the world of the 1980s. My Dad and I were in master Banjo maker Geoff Stelling’s workshop as we had him duplicating a Banjo neck from a 1920’s Vega. Bela Fleck was a new name in the Big picture and He asked me what I thought of the progressive movement. I replied, “I hate Mathematics.” He and my Dad had a good chuckle. That fruition began a long time before Radio and T.V Really became aware of what they were involved with. It was there, but the discussions among the Traditional Bluegrass players had been happening for years.
In time Rice moved to Kentucky and began to work with J.D. Crowe and that was the seed for many a player to expand. In the Mid 70’s it was already a progression and it was loved or hated. Crowe eventually would incorporate electric instruments and even drums and Rice exited that chapter.
Crowe & The New South 1975 – JD Crowe,Tony Rice, Ricky Skaggs, Jerry Douglas, Bobby Slone
Rice had known and admired players like Clarence White and David Grisman. As part of the David Grisman Quintet, in order to broaden his expertise and make himself more marketable, Rice began studying chord theory, learned to read charts, and began to expand his playing beyond bluegrass.
Renowned guitarist John Carlini came in to teach Rice music theory, and Carlini helped him learn the intricacies of jazz playing and musical improvisation, in general. The David Grisman Quintet’s 1977 debut recording is considered a landmark of acoustic string band music.
With the Tony Rice Unit, he pursued experimental “space grass” music on Mar West, Still Inside, and Backwaters. Members of the Unit included Jimmy Gaudreau (mandolin), Wyatt Rice (guitar), Ronnie Simpkins (bass), John Reischman (mandolin), and Rickie Simpkins (fiddle). In the late 1980s, Alison Krauss played regularly with the group in concert for about a year but never appeared on the albums. Alison Brown also guested with the group during that period.
Tony Rice Strawberry ’86
Rice had a successful run as a solo artist and collaborated with many, Notably Grisman and Jerry Garcia on what was to later be called “The Pizza Tapes”
Man of Constant Sorrow
The Pizza Tapes – The Real Story
In 1994 he was diagnosed with a disorder known as muscle tension dysphonia which robbed his singing style. A decade later he was also faced with lateral epicondylitis (“tennis elbow”) made guitar playing painful and Rice’s last performance playing guitar live was his induction into the International Bluegrass Music Hall of Fame in 2013.
Tony Rice was a driving influence on so many players and I have no doubt that generations ahead will pick up on his work. Guaranteed without Tony there would be no Billy Strings.
I met Rice one time at a festival. I spoke to him, he did not acknowledge it and gave me a dirty look, and walked away. Regardless, I honor his musicianship. Everyone has their days.
Watch and Listen to over 1 hour of Tony Rice Live
https://www.youtube.com/watch?v=55aY6ctAHYc
The Real Story Behind Tony Rice’s 1935 Martin D-28 Herringbone Guitar
OM: A Cosmic Journey Through Sound
Emerging from the ashes of the legendary psychedelic doom band SLEEP, OM has carved a unique niche in the world of heavy music. Founded by bassist/vocalist Al Cisneros and guitarist Matt Pike, OM’s sound is a blend of heavy, hypnotic riffs, droning vocals, and Eastern-inspired elements.
After the dissolution of SLEEP in 1995 due to creative differences and label tensions, Cisneros and Pike took a much-needed break from music. During this hiatus, they found solace and inspiration in the Hindu concept of Om, which represents the natural vibration of the universe. This philosophical foundation would later become the band’s namesake.
In 2003, OM released their debut album, Variations on a Theme, which showcased their signature sound: a heavy, monolithic riff structure overlaid with Cisneros’s deep, meditative vocals. The band’s music often incorporates elements of Eastern spirituality, such as sitar and tabla, adding a unique dimension to their sound.
Over the years, OM’s lineup has evolved, with various drummers and guitarists contributing to their ever-expanding musical palette. However, the core elements of their sound—heavy riffs, droning vocals, and Eastern influences—have remained consistent.
One of OM’s most notable performances was their marathon concert in Jerusalem in 2007, which lasted over five hours. This epic event showcased the band’s ability to create a trance-like atmosphere through their hypnotic music.
In addition to their studio albums, OM has released several live albums, capturing the raw energy and intensity of their performances. Their music has been praised for its ability to evoke a sense of spiritual transcendence and introspection.
While OM’s sound may be rooted in the heavy metal genre, their music transcends labels and genres. Their unique blend of heavy riffs, Eastern influences, and meditative vocals has earned them a dedicated following among fans of psychedelic rock, doom metal, and experimental music.
Om live at Bottom of the Hill, San Francisco CA (08.15.04) First Official Show
OM’s Discography: A Deeper Dive
OM has released a collection of albums that showcase their unique blend of heavy, hypnotic riffs and Eastern-inspired elements. Here’s a more detailed look at each album:
OM’s Variations on a Theme: A Groundbreaking Debut
OM’s debut album, Variations on a Theme (2003), marked the beginning of their journey into the world of heavy, hypnotic music. This album established the band’s signature sound, which would become a defining characteristic of their career.
Key Elements of the Album:
Heavy, Monolithic Riffs: The album features powerful, repetitive riffs that create a hypnotic and meditative atmosphere.
Deep, Meditative Vocals: Al Cisneros’s deep, resonant vocals provide a haunting and soulful counterpoint to the heavy instrumentation.
Eastern Influences: While not as prominent as in later albums, there are subtle hints of Eastern influences, particularly in the album’s meditative and introspective nature.
Minimalist Approach:Variations on a Theme takes a minimalist approach, focusing on the essential elements of the music rather than complex arrangements.
Notable Tracks:
“Variations on a Theme”: The title track showcases the album’s signature sound, with its heavy riffs and Cisneros’s deep vocals.
“Gebelein”: This track features a more rhythmic and driving approach, while still maintaining the album’s overall meditative quality.
Critical Reception and Impact:
Variations on a Theme was met with critical acclaim, praised for its innovative approach and unique sound.
The album helped establish OM as a pioneering force in the world of heavy and experimental music.
It laid the groundwork for the band’s future releases, shaping their signature sound and defining their artistic direction.
Variations on a Theme is a groundbreaking album that solidified OM’s position as a leading band in the heavy music scene. Its heavy, hypnotic riffs and deep, meditative vocals continue to resonate with fans and critics alike.
Significance: This debut album established OM’s signature sound, featuring heavy, monolithic riffs and Cisneros’s deep, meditative vocals.
Key Tracks: “Variations on a Theme,” “Gebelein”
Hypnotic Soundscapes: OM’s Pilgrimage
OM’sPilgrimage (2007) marked a significant step forward in the band’s evolution, further solidifying their reputation for creating hypnotic and immersive music. This album showcased their ability to expand on their signature sound while maintaining their core principles.
Key Themes and Influences:
Eastern Spirituality:Pilgrimage delves deeper into Eastern spirituality, with lyrics and themes inspired by Hindu and Buddhist philosophy.
Meditation and Contemplation: The album’s meditative and contemplative atmosphere is a central theme, reflecting OM’s ongoing exploration of spiritual concepts.
Sonic Exploration:Pilgrimage features a wider range of soundscapes and textures, including the use of synthesizers and other electronic elements.
Notable Tracks:
“10,000 Days”: This epic track showcases OM’s ability to create extended, hypnotic jams, with its repetitive riffs and droning vocals.
“Om Namah Shivaya”: This mantra-based track is a powerful and meditative piece, featuring traditional Indian instrumentation and chanting.
“Gebelein”: A re-recording of the track from their debut album, this version offers a new perspective on the song and showcases the band’s growth as musicians.
Critical Reception and Impact:
Pilgrimage was met with critical acclaim, praised for its immersive atmosphere and spiritual depth.
The album further solidified OM’s reputation as a leading band in the world of heavy and experimental music.
It showcased the band’s ability to evolve and expand their sound while remaining true to their core principles.
Pilgrimage is a landmark album in OM’s discography, demonstrating their commitment to creating music that is both heavy and thought-provoking. Its hypnotic and immersive qualities have made it a favorite among fans and critics alike.
Advaitic Songs: A Deep Dive into Eastern Philosophy
The groups Advaitic Songs (2009) marked a significant departure from their previous work, delving deeper into Eastern philosophy and spirituality. This album showcased the band’s exploration of Advaita Vedanta, a school of Hindu philosophy that emphasizes the unity of all existence.
Key Themes and Influences:
Advaita Vedanta: The album’s title is a direct reference to this school of philosophy, which emphasizes the non-dual nature of reality.
Meditation and Contemplation: The album’s meditative and contemplative atmosphere reflects the spiritual themes explored in Advaita Vedanta.
Sonic Exploration:Advaitic Songs features a wider range of soundscapes and textures than previous albums, incorporating elements of ambient music and electronic sounds.
Notable Tracks:
“Advaitic Song”: The title track is a powerful and meditative piece that explores the core concepts of Advaita Vedanta.
“Meditation”: This track is a pure meditation on sound, with minimal instrumentation and a focus on atmosphere.
“Om Namah Shivaya”: A re-recording of the track from Pilgrimage, this version offers a new perspective on the song and showcases the band’s growth as musicians.
Critical Reception and Impact:
Advaitic Songs was met with critical acclaim, praised for its spiritual depth and innovative approach.
The album further solidified their reputation as a leading band in the world of heavy and experimental music.
It showcased the band’s ability to explore new sonic territories while remaining true to their core principles.
Advaitic Songs is a landmark album in the discography of the band, demonstrating their commitment to creating music that is both heavy and thought-provoking. Its exploration of Eastern philosophy and spirituality has made it a favorite among fans and critics alike.
OM’s Self-Titled Album: Exploration of New Sound
OM’s self-titled album (2012) marked a significant departure from their previous work, showcasing the band’s willingness to explore new sonic territories. This album incorporated more ambient and experimental elements, while still maintaining their core principles of heavy, hypnotic music.
Key Themes and Influences:
Ambient Music: The album features a strong influence of ambient music, with a focus on creating atmospheric and immersive soundscapes.
Experimental Sounds: OM experimented with a wider range of sounds and textures, incorporating elements of electronic music and noise.
Minimalism: The album maintains a minimalist approach, focusing on the essential elements of the music rather than complex arrangements.
Notable Tracks:
“Om”: The title track is a powerful and meditative piece that showcases the album’s ambient and experimental qualities.
“Emptiness”: This track delves deeper into the concept of emptiness, a central theme in Eastern philosophy.
“Gebelein”: A re-recording of the track from their debut album, this version offers a new perspective on the song and showcases the band’s growth as musicians.
Critical Reception and Impact:
The self-titled album was met with critical acclaim, praised for its innovative approach and experimental soundscapes.
It further solidified OM’s reputation as a leading band in the world of heavy and experimental music.
The album showcased the band’s ability to evolve and expand their sound while remaining true to their core principles.
OM’s self-titled album is a testament to their artistic vision and their commitment to pushing the boundaries of their music. This album serves as a landmark in their discography, showcasing their ability to create experimental and thought-provoking soundscapes.
5. State of Non-Return (2015)
The launch of the album State of Non-Return (2015) marked a significant departure from their previous work, delving deeper into experimental soundscapes and ambient music. This album showcased the band’s evolution and their willingness to explore new sonic territories.
Key Themes and Influences:
Drone and Ambient Music: The album heavily emphasizes drone and ambient elements, creating a meditative and immersive atmosphere.
Minimalism:State of Non-Return features a minimalist approach, with repetitive rhythms and simple melodies that gradually unfold over time.
Eastern Philosophy: OM’s continued exploration of Eastern philosophy and spirituality is evident in the album’s contemplative and introspective nature.
Notable Tracks:
“State of Non-Return”: The title track sets the tone for the album, with its droning guitars and atmospheric textures.
“No Return”: This track features a more rhythmic approach, but still maintains the album’s overall meditative quality.
“Meditation”: As the name suggests, this track is a pure meditation on sound, with minimal instrumentation and a focus on atmosphere.
Critical Reception and Impact:
State of Non-Return was met with critical acclaim, praised for its innovative approach and immersive soundscapes.
The album further solidified OM’s reputation as a pioneering force in the world of heavy and experimental music.
It showcased the band’s ability to adapt and evolve while remaining true to their core principles.
Live Performances:
OM’s live performances of material from State of Non-Return often feature extended jams and improvisations, allowing the band to explore the depths of their sound.
These performances are known for their hypnotic and meditative qualities, creating a unique and immersive experience for the audience.
State of Non-Return is a testament to OM’s artistic vision and their commitment to pushing the boundaries of their music. This album serves as a landmark in their discography, showcasing their ability to create experimental and thought-provoking soundscapes.
Additional Notes:
The band’s music has been described as “heavy, hypnotic, and meditative.”
OM has incorporated elements of Eastern spirituality, such as sitar and tabla, into their music.
The band has performed numerous marathon concerts, including a five-hour set in Jerusalem.
OM’s music has been praised for its ability to evoke a sense of spiritual transcendence and introspection.
This expanded text provides additional context and details about OM’s history, music, and impact. It also highlights the band’s unique blend of heavy metal and Eastern influences, as well as their ability to create a trance-like atmosphere through their music.
Greatest Guitar From The Old Grey Whistle TEST
Just a quick post today with some of the greatest guitar from the old grey whistle test. Today we are also sharing Rick Barnes a guitarist from Ohio and we will post a new Grateful Dead article on Saturday read our previous article on the Grateful Dead members if you haven’t already.
Some of the Greatest Guitar from the TV Show “The Old Grey Whistle Test” was a live music tv show from the BBC that ran on TV in the UK in the 70s and 80s a Golden era for many Guitar Greats.
The Runaways – Wasted Live at The Old Grey Whistle Test 1977
Mark Knopfler is on display for all his talents. Subtle, Soulful, Economical, Stinging, Dramatic, and Dynamic.
GARY MOORE – Back On The Streets Old Grey Whistle Test
Gary Moore stretches out with Thin Lizzy to show why he’s always been one of the best guitar performers ever.
Rory Gallagher BullFrog Blues The Old Grey Whistle Test
Rory Gallagher gives an example of his ability to put on some straight-ahead rock n roll. This is the type of playing that caused “The Killer” Jerry Lee Lewis to call on him on a few occasions.
Budgie – Who Do You Want for Your Love ? Live on The Old Grey Whistle Test
On the other side of the coin of Budgie, Look up “Breadfan” for its Barn Burning rock. This performance of “Love” shows why you can’t label their music anything but “Budgie”. They stand alone proudly.
Eric Clapton – Badge Live at The Old Grey Whistle Test
Bluesman Clapton found his footing as a major solo artist. This is a reinterpretation of the Last song he wrote in Cream, melding an easier accessible Eric while still bringing the Blues to the table.
11 Guitarists To Discover On Guitardoor
At guitardoor.com, we take great pride in being the ultimate gateway for discovering emerging guitarists. Our dedicated team of experts has meticulously curated an exclusive list of eleven promising guitarists who have already made their mark in the world of music with their unique style and exceptional skills. Each guitarist on our list is featured with a track that perfectly captures their musical essence and showcases their mastery of the guitar. Whether you are a seasoned musician or a music enthusiast, our platform is designed to help you explore the world of guitar music like never before.
We believe that great guitar music deserves to be recognized and appreciated by everyone, and that’s why we are committed to helping these talented artists gain the recognition they deserve. Our platform is completely free to use, and the only condition is that the music must be guitar-based. So why wait? Check out some great Guitar on guitardoor.com today and discover some of the most promising guitarists in the industry. With our help, you’ll be able to explore new genres, discover new artists, and immerse yourself in the world of guitar music like never before!
GUITARISTS TO DISCOVER 1:Frank Marino
GUITARISTS TO DISCOVER Frank Marino He’s Calling (Live)
Stories of a Hero Frank Marino
Frank Marino, a Canadian guitarist and songwriter, gained fame in the 1970s as the lead vocalist of the band Mahogany Rush. He was known for his innovative and virtuosic guitar-playing skills, and was often compared to Jimi Hendrix, whom he cited as his biggest influence. With Mahogany Rush, Marino produced a series of successful albums and toured extensively, garnering a loyal fan base. His contributions to the world of music are widely acknowledged and celebrated.
Lou Reed is widely regarded as one of the most influential musicians of all time, with a career spanning several decades and a discography that includes some of the most iconic albums in rock history. However, one aspect of his career that has been largely overlooked is his collaborations with legendary guitarist Sterling Morrison. Despite being an integral part of Reed’s band, The Velvet Underground, Morrison’s contributions to their music have often gone underappreciated, leaving him as one of the best-kept secrets in the guitar world. Morrison’s tandem guitar work with Reed is a hidden gem that deserves more attention, as they crafted a unique sound that was both experimental and accessible, blending elements of rock, folk, and avant-garde music. Morrison’s style was characterized by his tasteful use of dynamics, his intricate fingerpicking, and his ability to create rich harmonies that complemented Reed’s distinctive vocals.
Despite his lack of recognition, Morrison’s contributions to Reed’s music were crucial and helped to shape the distinctive sound that Reed is known for. His guitar work can be heard on several classic albums, including “The Velvet Underground & Nico,” “White Light/White Heat,” and “Loaded,” among others. It’s time for Morrison’s talents to be recognized and celebrated alongside those of his more well-known peers in the music industry. His influence on the guitar world extends far beyond his collaborations with Reed, and his legacy deserves to be acknowledged as one of the great guitarists of all time.
Wilko Johnson’s unique style of guitar playing is nothing short of revolutionary. With his percussive and aggressive minimalist approach, he has managed to create something entirely new and exciting. At first glance, it may seem simple and straightforward, but upon closer examination, it becomes clear that there is a wealth of genius at play. Every note is intentional, every chord carefully selected, and every riff perfectly executed. It’s a style that demands attention and rewards those who take the time to study and appreciate it.
Craig Goldy, a highly talented and accomplished guitarist, has had the privilege of collaborating with some of the most legendary artists in the music industry. He humbly refers to himself as the “Forrest Gump” of guitarists, as he has been fortunate enough to be in the right place at the right time to work with these amazing musicians. His story is a true treasure, filled with remarkable experiences and unforgettable moments.e.
5 Epic Mick Box Guitar Solo
Mick Box, the lead guitarist of the British rock band Uriah Heep, has been an integral part of the music industry for over five decades. Despite his contributions and influence, he has not received the recognition he deserves. From his iconic riffs and solos to his songwriting skills, Mick Box has left an indelible mark on the world of rock music. His signature sound has been described as a perfect blend of heavy metal, prog rock, and blues, which has inspired countless musicians and fans alike. It’s time for Mick Box to be acknowledged for his incredible talent and his enormous contribution to the rock music scene.
Rick Solomon, a musician who goes by the stage name “Blue Rick,” has been quietly making waves in the music industry for several decades to find out more see his interview where he talks about some of his songs and running bayside blues recordings. Over the course of his career, he has crafted a body of work that is nothing short of remarkable. From his soulful ballads to his upbeat anthems, Blue Rick consistently delivers music that resonates with listeners on a deep level. His unique sound blends elements of blues, rock, and folk, resulting in a genre-defying style that is truly his own. If you haven’t given Blue Rick’s music a listen, now is the time to do so. You won’t regret it.
The guitarist from Hell Michael Katon is a master guitarist on par with anyone. He has delivered the goods and is subject to inspection as THE Guitarist from Hell. With his Blues Rock Style of Playing check out his interview for more on this blues rock master.
Clarence White was a guitarist whose talent transcended genres. Whether he was strumming his Martin acoustic or plucking his modified Fender Telecaster, his playing was nothing short of extraordinary. His ability to evoke emotion and create a sense of awe was unmatched.
Despite his quiet and humble demeanor, White possessed a fiery passion that ignited every note he played. His technical prowess, combined with his deep understanding of music theory, allowed him to seamlessly blend bluegrass, country, and rock elements into a unique and captivating sound.
One of White’s most notable contributions to the world of guitar was his invention of the “StringBender,” a device that allowed him to emulate the sound of a pedal steel guitar on his electric guitar. This innovation expanded the possibilities for guitarists and solidified White’s legacy as a musical pioneer.
Ritchie Dave Porter has a classic blues sound on his Telecaster guitar. He uses a simple setup with just the guitar and a Fender Champion Amp. This creates a perfect sound for his solo music and his songs with partner Debra Susan they have also recently traveled to Atlanta Georgia to claim an award for their work as one of the best blues duos out there still performing.
Randy Rhoads One Man’s Riot is a Madman’s Dream
One can only begin to imagine the music that Randy Rhoads would have made in current times. His life cut short was as giant a cultural shockwave and theft for humanity as JFK. To many, he was of the same caliber as many of the best guitarists’ all-time greats as a leader, especially in the world of music and guitar innovation.
Four albums total, two with Quiet Riot and two with Ozzy were the announcement of a Virtuoso Guitar Style the world had never seen the likes of before. His Legacy as a teacher is far-reaching, and from all accounts would have continued to kickstart the careers of more Guitarists. His personality, he is held in the highest regard by some of the best guitarist all-time greatest act, unassuming and soft-spoken. His short life touched people from all walks of life.
I personally know people who don’t like the genre he worked in, but are awestruck at his musical ability. There will only be one Randy and he will be remembered as long as there is life on Earth.
Born in 1956 Randy Rhoads began folk and classical guitar lessons at the approximate age of seven at his mother’s music school. He became interested in rock guitar and began lessons at Musonia from Scott Shelly. Shelly soon approached Rhoads’s mother to inform her that he could no longer teach her son, as Rhoads’ knowledge of the electric guitar had exceeded his own. Rhoads also received piano lessons from his mother to help build his understanding of music theory.
He was initially hooked by the guitar skills of Glen Buxton (Alice Cooper) and Mick Ronson of Bowie fame. The Teenage Randy formed “Little Women” which in time became renamed “Quiet Riot”. 1976 The Group was the talk of the town. Quiet Riot quickly became one of the most popular acts on the Los Angeles club circuit, and by late 1976 were signed to CBS/Sony Records. Rhoads’ “polka-dot theme” became an emblem of the band, as many fans began showing up at Quiet Riot shows wearing polka-dot bow-ties and vests, emulating what the guitarist wore on stage.
Quiet Riot with Randy Rhoads 1979-10-26 The Starwood Los Angeles
While the band had a strong following in Los Angeles, The albums “Quiet Riot” and” Quiet Riot II “ were released only in Japan. The relationship between Lead vocalist Kevin DuBrow and Bassist and fellow schoolmate Kelly Garni had also deteriorated completely during the recording of the band’s second album, with potentially catastrophic results.
After drunkenly firing a handgun through the ceiling and engaging in a fistfight with Rhoads, Garni drunkenly hatched a plan to shoot and kill DuBrow at The Record Plant studio while recording the album. Rhoads was left with no choice but to fire his longtime friend and band co-founder.
His Teaching had been ongoing as well as recorded and this is an interesting talk with L.A. Guns Tracii Guns and Harold Friedman.
Part One: behind the mystery Randy Rhoads’s brown Stratocaster
In 1979 Bassist and friend Dana Strum heard Ozzy was building a band after his departure from Black Sabbath and kept bugging Randy to Audition. According to bassist Rudy Sarzo Randy wasn’t really that interested but finally relented and went to get Dana off his back about it.
He would do one more show with Quiet Riot and then he was in with Ozzy. His mother also told him it would be the end of frustrations to move ahead with an established artist and Randy relented.
He had been told by Ozzy he was in already and Ozzy wasn’t going to take NO for an answer. His audition with Ozzy consisted of Rhoades warming up on some licks and a drunk and couchbound Osbourne telling those in the room, “Tell him he’s got the job!” before passing out. They were never formally introduced until after the fateful night had passed.
The Next Day they Met properly and Ozzy was due to return to England and Randy was scheduled to follow. Rhoads flew to England only to return home a couple of days later, being turned away by English customs at Heathrow Airport when he didn’t have the necessary work permit. Rhoads reportedly spent the night in a holding cell before being handcuffed and put on a plane back to the United States the next day.
Osbourne subsequently called him to apologize, and arrangements were made for Rhoads to return to England with the proper paperwork. Rhoads flew Back to England on November 27, 1979
Ozzy Listening to Lost Randy Rhoads Solo
Rhoades reignited the Fire in Ozzy and together they Created the now Solo Ozzy Osbourne’s Debut “Blizzard of Ozz”. It was released in September 1980 in the UK and on 27 March 1981 in the US and the subsequent tour put Ozzy back at the top of the heap.
The Tour for the record found Randy playing a couple of Black Sabbath songs at the end of shows which he was open about never really being a Sabbath fan himself but the audience as well as Osbourne expected it. Randy never seemed to want to let anyone down, no matter his personal feelings.
OZZY OSBOURNE – “I Don’t Know” 1981 (Live Video)
Randy Rhoads (Ozzy Osbourne) Live – Mr. Crowley – May 2, 1981 – The Palladium New York NY USA
After the Blizzard Tour, the band went right back in the Studio in Rusper, England in February of 81 and a mere three weeks later had finished “Diary of a Madman”
The Album opener “ Over the Mountain” is still my personal favorite and I find it as fresh now as it was then. A Rock N Roll assault as brutal as the album’s cover art. The madman’s dream came true as it went triple platinum in time, a testimony to the brilliance of the Ozzy/Rhoades writing efforts.
Ozzy Osbourne – Over the Mountain (Live – Albuquerque, NM Jan 7, 1982)
The Diary tour Began after a few weeks of pre-production on the stage show, oddly enough controversy about Osbourne brought the wholesome Television program “Entertainment Tonight” to film stage rehearsals.
OZZY OSBOURNE INTERVIEW 1982
Nov 1st, 1981 to March 18, 1982, the Band tore through Europe and the U.S.
On January 24 at Rosemont Horizon in Rosemont, Illinois, Osbourne lifted Rhoads up by his right leg during “Mr. Crowley”. A professional photographer managed to capture the moment and the image was used as the cover art for the Posthumous live album, “Tribute”.
As if the Bat Biting incident was not enough…Trouble within the organization began. February 11, 1982 after playing at the Market Square Arena in Indianapolis, tensions between Osbourne and Rhoads grew as Rhoads refused to play on a live record consisting of Black Sabbath songs That were contractually owed to Don Arden. Randy felt it would be a major step backward in his career.
Randy Rhoads Chicago 1982
On February 19, Sharon hid all of Ozzy’s clothes so that he could not go out and drink anymore. Ozzy who was wearing Sharon’s nightgown, had got so drunk, he urinated on The Alamo, and was arrested.
He was released hours before the show after Sharon warned the police that the concert promoters were worried that not releasing Osbourne from jail would result in the cancellation of that evening’s performance and possibly incite a riot.
Osbourne was released, the band performed at the San Antonio Convention Center Arena. Osbourne became “Public Enemy #1” in Texas and received death threats from parents, religious groups, and political activists.
On February 20, before that evening’s performance at Reunion Arena, Rhoads agreed to play on the live album, one more studio album, and to tour with Osbourne. He would then leave to study classical guitar at the University of California, Los Angeles.
The band performed in front of a sold-out crowd at Knoxville Civic Coliseum on March 18. Then the unthinkable happened. The next day the world learned the news of Randy’s death.
The DEATH of RANDY RHOADS: What the News Didn’t Report ⭐ OZZY Bassist RUDY SARZO Says it was Murder!
Was the death of Randy Rhoads an Accident or Murder? We may never know the answer to this but, the reality is Randy is gone and there may never be anyone to truly fill his shoes. He was as much an innovator as any other from Jimi Hendrix to Eddie Van Halen.
He was respected and loved by his fans and peers in the business. The only negative thing said by anyone was done Jokingly by none other than the great Hawkwind Lemmy..”Randy couldn’t play Asteroids for shit! I beat him right across this country!” If Lemmy says he loved you, well you were loved. I am closing with some long overdue tributes and music. Such music he gave us. R.I.P. Randy
Randy Rhoads (Ultimate A leaguer) Rock and Roll Hall of Induction, October 30, 2021
Randy Rhoads Live – Tribute Video
Mount Silver Guitardoor Interview
Formerly (Vagabond Beach) is now known as Mount silver
Questions with VMount Silver a Canadian Indie rock band from Newfoundland
Welcome to Guitardoor Mount Silver
Hey Jimmy, thanks for interviewing us! We love your site, and we think it is a great way for new and upcoming artists to get some spotlight.
How did this Band come together and how long have you been working together?
This band came together due to our mutual love of classic rock. Our taste in music was influenced by bands such as Rush, Led Zeppelin, The Tragically Hip, Red Hot Chili Peppers, Fleetwood Mac, Guns N’ Roses, and other rock acts. We started playing together around 2019, and some of us have played in several different bands together.
Our (drummer) Steve and (bassist) Joey are first cousins, they grew up together and we wanted to make music for a while. Steve and (guitarist) Mark met in university, and they bonded over mutual friendships and a shared taste in music.
To complete the lineup, Steve recruited his longtime friend John into the band and he will soon be our vocalist, as well as occasional keyboardist. Mount Silver, in its current form, started making music a few months ago, and will soon record professionally. For now, however, all of our recordings are literally just cell phone audio and/or video.
There’s a Lot of Great Instrumental work and I caught some vocal on the song “Dragon Fly”. Is there a solid preference to Instrumentals? Do you Just base the final decision on the song as to its ultimate form?
We love Dragonfly, specifically how it has an acoustic folk thing going on, and we can’t wait to get John on vocals for it. We often improvise when we perform so there is always a little bit of spice thrown in there.
Have you Gigged outside of Canada? What do you find the best points and worst points of the Local music scene?
We haven’t gigged much yet, mainly just performed for our friends or a few parties, but we always enjoy live music in general cause there is a certain energy to it.
Any specific gear you wish to speak of? Favourite Guitars etc.?
A lot of our taste in instrumentation is derived from our favorite musicians. Some specific gear we really enjoy includes the Fender Jazz bass. It is one of the most versatile basses out there, and so many of our influences used it, such as Geddy Lee, John Paul Jones, Rick Danko, etc. Drummer Steve was mainly influenced by Neil Peart, John Bonham, Keith Moon, Dave Grohl, Mitch Mitchell, and Levon Helm. Guitarist Mark would like to specifically shout out the Gibson SG, both the studio and the standard, and the classic Marshall tube amp, which is the basis for our sound.
This setup is loosely based on guitarists like Angus Young, Slash, and Toni Iommi.
We also love Music-Man and Fender guitars, we admire Jimi Hendrix, John Frusciante, Alex Lifeson, and Dean DeLeo. They are also a big influence on our work.
How are the plans on a full on record moving along?
We have 10 songs completed. We are just attempting to record them. We hope to begin within a few months and have it finished soon after, preferably by August of 2022.
What is the Ultimate Goal for Mount Silver?
Our ultimate goal is to make good music and hopefully, people can enjoy it! In the meantime, we have a jam for your readers here on Guitardoor.com
This fascinating individual leads a dual life, working as a lawyer in Atlanta during the day, and pursuing his passion for music as “Jordan Seal” at night. He is a multifaceted player and a talented songwriter, known for his diverse and captivating music style that sets the standard for bedroom pop-rock artists. Jordan Seal’s music is a unique blend of acoustic and electric guitars, combined with other instruments, such as the piano and drums, to create sounds that are truly his own. His talent and passion for music are evident in his performances, which leave his audience mesmerized by his captivating melodies and heartfelt lyrics. It is no wonder that he is considered one of the most talented and inspiring musicians of his generation.
Once again he is why Guitardoor exists. We literally spend hours a day searching for Guitarists, writers, and great bands. It’s often a random find that Chris and I both agree “Hey that’s pretty great stuff!” Then it’s on to the other work of telling the story or even better the Artist tells us their story. So away we go…..
Jordan, What pulled you to music and how long have you been building on your Obvious Talents?
I grew up as an avid listener but didn’t learn to play music until I was a teenager. While visiting relatives, an uncle showed me his guitar and played a few things. He wasn’t an expert and didn’t seem to care: he loved music and played for fun, without any pretenses. I needed some low-stakes fun and, when I got home, I unearthed my dad’s old acoustic and started to play. I’m not naturally talented but loved playing and did so constantly.
Soon after, playing guitar took on other important roles: a welcome distraction from schoolwork and social anxiety and an outlet and balm for my teenage emotions. As soon as I’d learned a few chords, I started directing the latter into my songs. For whatever reason, I felt comfortable singing about things that I would have struggled to talk about even with my closest friends. I got into the habit of pouring myself into songs and recording them using a toy cassette player we’d had since I was a child. That habit persists (more or less) to this day.
What do you find sparks a great song? For you to have the Light bulb moment?
I love chords, probably because I grew up listening to pop/rock from the 1960s and 1970s, full of fabulous chord changes. I find it easy to associate moods and images with chord progressions (or even just bass lines), and it takes just one evocative lyric for me to become obsessed with turning a set of chords into a song.
Atlanta has always been a huge spot for incredible talent. Who do you know there you admire in music?
I’m not from Atlanta and not deeply embedded in any particular scene, but I’ve met some talented people here. I’m thinking, in particular, of people I’ve seen performing at open mic nights at Buteco (in Atlanta) and Hendershot’s (in nearby Athens) – many of whom have talent far over their notoriety – and of Mike McGill, a longtime Atlanta musician who taught me how to play bass. Though I don’t know her, I’m also a big fan of Faye Webster: a few years ago, I saw her play in a tiny venue and was extremely impressed. She’s gotten good press recently and it’s entirely deserved.
Tell us about your guitars of choice.
For practical reasons, I do most of my playing on acoustic guitar, but I get the most joy from playing electric. In both cases, I rely mostly on guitars that I’ve had since high school: a budget Seagull acoustic and a Fender Telecaster. The telecaster was an odd choice for me then, but now I rarely play anything else. But I’m also very excited about a new piece of gear: another telecaster, but this time a baritone issued as part of Squier’s “paranormal” series. I love the sound of that instrument and plan for it to be the centerpiece of my next recording project.
Where do you want to see yourself five years from now? What’s your ultimate goal?
In the narrow world of my music, 2021 has been a wonderful year. I’ve recorded and released more than ever before, and with the repetitions, I can feel myself forming something like an artistic identity. In five years, I want to look back and see that I maintained 2021’s momentum. I have a lot of music (new and old) that I’d like to record and release, and as the world returns to normal, I would love to gig more consistently. Though I’ve long treated songwriting as a private, solitary art, I’ve recently longed to collaborate. I’m opening myself to those kinds of opportunities for the first time and I’m interested to see what happens.
But ultimately, my goal is to make music that reaches other people. Deep down, I’m the same self-conscious, eager-but-shy kid who picked up a guitar at 14. I still believe that music has special powers: that it can harness and translate the beauty and ugliness of human existence. Some of my most important relationships have been built through music. To build similar relationships through my music: seems like the ultimate goal.
Jordan Seal Gypsy Angel
In running through Jordan’s Soundcloud I am struck by the continuity of his work. I don’t find favorites, I like them all. I hope when this Covid Nightmare is done I can find the opportunity to see him live. If you have a checklist of an ever-growing artist he checks them all. I find his music and standout voice as well as his Lyrical content to be of great interest and I hope you do as well. As Mr. T would say “I pity the fool who doesn’t like Jordan Seal! It’s a Bloody Shame!”
More From Jordan Seal
We discovered Jordan when he was looking for feedback on his bedroom pop rock track long goodbye. You can find Jordan Seals’ social profile below to hear more from him. Thanks for reading and don’t forget to share and follow more emerging Guitarists who make bedroom pop rock and Guitar Greats on Guitardoor.com
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